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Plasa NewsNews | Sound On Stage, Nov 1996 |
The New MacintoshFeature | Topic: Computing | Music Technology, May 1987Jim Burgess sends us an exclusive preview of Apple's powerful pair of new computers - and assesses their implications for tomorrow's MIDI-using musicians. |
X-Ray Specs - Part 2Feature Series | Topic: Electronics / Build | One Two Testing, Apr 1985understanding technical terms |
Ensoniq EPS16 PlusReview | Music Technology, Feb 1991Digital Sampling WorkstationAfter a recent change in UK distribution, Ensoniq look set to increase their popularity with this upgraded version of their EPS sampler. Simon Trask likes what he samples. |
You Can Make It If You Try - Part 1Feature Series | Topic: Recording Studios | Home & Studio Recording, May 1985Dave Simpson relates the saga of how his recording dreams became a reality. The Thatched Cottage sixteen track studio must be every home recordist's idea of a success story. |
Mosfet AmplifierFeature | Topic: Electronics / Build | Electronics & Music Maker, Jun 1981 |
VibratoFeature | Topic: Tuition / Technique | Making Music, Apr 1986All the things you never knew about putting flash wobbly bits into your guitar playing |
JVC K-99 KaraokeReview | International Musician, May 1985SoundcheckThe keystone of Japan's national sport comes under the oriental gaze of Martin Moody |
Expand your DXReview | Sound On Sound, Jan 1987Yamaha's DX7 may well be a classic keyboard but its MIDI implementation and small onboard memory are starting to look decidedly limited compared to newer generation keyboards. What's needed is an upgrade, and the add-on E! board from America's Grey Matter Response is certainly that! Martin Russ enthuses over its features. |
The Sound HouseFeature | Topic: Composing for Business, Recording Studios | Electronic Soundmaker, Apr 1984BBC Radiophonic WorkshopRadiophonically speaking |
Stick TrixFeature | Topic: Tuition / Technique, Music Theory | Phaze 1, Apr 1989 |
Getting into Video - Part 5Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Jan 1990PART 5: In this final installment of the series, David Mellor looks at sophisticated timecode generators and readers in the Fostex range, and at complex timecode systems. |
Feedback!Feature | Topic: Live, Microphones | Sound On Stage, Nov 1996Why It Occurs & How To Prevent It |
PatchworkFeature | Music Technology, Jul 1987The place where MT readers exchange synth sounds with their fellow programmers; this month's featured instruments include the Akai AX73, the EMS AKS, and the Ensoniq ESQ1. Plus an assessment of storing sound data on CD. |
ToolboxNews Audio | The Mix, Dec 1994Sounds, samples, & software upgrades for the modern studioDisks, gadgets, samples and bits for the computing musician |
A History Of Electronic Music - Part 5Feature Series | Topic: History / Culture | Electronics & Music Maker, May 1982The BBC Radiophonic Workshop |
The Strange Case of the Singular DigitFeature | Topic: Humour, MIDI, Retail | One Two Testing, Jun 1985Watson |
PatchworkReview | Music Technology, Mar 1991Acoustic drum samples from producer Bob Clearmountain rub shoulders with Mega Beats drum machine samples, while SSU sounds for the Yamaha SY77 complete the lineup in this month's Patchwork. |
The Art of ToysFeature | Topic: Effects Processing | Home & Studio Recording, Jun 1985A few words from the editor on how he uses, misuses and abuses effects. |
Training and EducationFeature | Topic: Education, Recording | Sound On Sound, Jun 1992For Recording EngineeringEducated sound engineer David Mellor assesses the value of training for a career in recording. |
An Inside JobFeature | Topic: Humour | Making Music, May 1986Shock discovery for instrument makers - funny you should say that. |
Sound AdviceFeedback | Sound On Sound, Feb 1987More readers' queries are answered by the expert teaching staff of London's Gateway School Of Recording & Music Technology. |
Soldering On - Part 8Feature Series | Topic: Electronics / Build | Electronic Soundmaker, Apr 1984Glorious finale |
Casio VZ8MReview | Sound On Sound, Feb 1990If you're tired of sampled sounds and are searching for a source of non-imitative synthetic voices to balance your repertoire, these low-cost instruments could well deliver the goods. Martin Russ finds out. |