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Interviews
 Overwater Custom BassReview | International Musician, Sep 1985BasscheckIt's made out of wood, in England; it hasn't got a tremolo unit, but it has got a body and a headstock. Dave Burrluck marvels |
 Flying TonightFeature | Topic: Live | Making Music, Jun 1986Watch Your GearHow to look after instruments and gear on the move. |
 Auntie's PlayroomFeature | Topic: Composing for Business, Recording Studios, Video / Film / Picture | Electronics & Music Maker, Oct 1985BBC Radiophonic WorkshopPlenty has changed since E&MM last ventured into the hallowed chambers of Maida Vale. Simon Trask reports from the studio that started it all, but now seems aloof from the modern music scene. |
 French LessonsReview | Electronics & Music Maker, Feb 1986RSF DD30 Drum MachineFrom France comes a digital drum machine with more facilities per pound than any of the Japanese competition. Jean-Paul Verpeaux likes what he hears in this exclusive review. |
 Studio DiaryFeature | Topic: Recording Studios | International Musician, Jun 1975 |
 Sampler ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Mar 1986E&MM's unique buyer's guide spreads its wings, with a round-up of what's around in the world of sound-sampling. |
 Studio Staff revealFeature | Topic: Recording Studios | Sound International, Jun 1979Facts on the RakDenyer gets the Rak job at last, figuring that Mickie Most really ought to know something about putting a studio together. Seems he does. |
 Ashley Pangborn Warlord 'Mark King'Review | International Musician, Feb 1985BasscheckIt's Mark King time again. A handmade beauty with a gorgeous body. The bass, not Mark King |
 Ensoniq MirageReview | In Tune, Jul/Aug 1985 |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Aug 1992 |
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 E-Mu Vintage KeysReview | Music Technology, Apr 1993Sound ModuleTake 20 classic keyboards into the shower? Now you can just trigger and go with E-mu's Vintage Keys sound module, provider of sampled keyboard sounds from the Minimoog to the Mellotron. But who would you have in goal?, asks Peter Forrest |
 Sample ShopReview | Sound On Sound, Jan 1993 |
 Trace Elliot MP11Feature | Making Music, Sep 1987Programmable Pre-AmpTony Bacon takes a brief gander at a very fine programmable graphic pre-amp for basses and wonders when they'll all be like this. |
 Concert ReviewMusic Review | Electronics & Music Maker, Mar 1983Stanley Clarke & George Duke, Pat Benatar and AMM |
 EMR Studio 24+Review | Music Technology, Oct 1989Still suffering from a dearth of software, the powerful Acorn Archimedes computer has yet to gain acceptance in music circles - will this sequencer help it on its way? Ian Waugh checks it out. |
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 The SpannerReview | Home & Studio Recording, May 1985 |
 Steinberg TopazReview | Music Technology, Feb 1990Computer Controlled RecorderOne of the prime forces for the 90s is sure to be digital recording and editing - as found in TOPAZ. Simon Trask previews a powerful new system from Steinberg Digital Audio. |
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 Live End - Part 2Feature Series | Topic: Live | Sound On Sound, Jun 1993National Music DayPart 2: Mike Lethby prepares for National Music Day. |
 MonologueRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Aug 1991Arp Pro Soloist, Korg Sigma & Roland SH2000In the early days of analogue synths, reconciling electronics and expression was hard work. Gordon Reid looks at the beginnings of pressure sensitivity. |
 Fret WorkFeature | Topic: Live, Maintenance / Repair / Modification | Sound On Stage, Dec 1996Could You Be A Guitar Tech? |
 Master CutsFeature | Topic: Mastering | International Musician, Jul 1975The Master RoomCutting masters is a fine art. George Peckham discusses the problems |
 Son et LumiereFeature | Topic: Lighting, Live | Sound On Sound, Oct 1993Jean-Michel Jarre In ConcertWe go backstage at Jarre's recent Wembley extravaganza to see how the show sound was put together. |
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