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It's ImmaterialInterview | Music Technology, Sep 1990In the battleground that is the record business, one band have managed to find the space to be one of the most individual and resourceful of British talents. Nigel Lord talks uncommerciality in an Immaterial world. |
John McLaughlinInterview | Sound On Sound, Jul 1988Over the last three decades John McLaughlin has done more than anybody else in popular jazz and rock music to explore the potential of the guitar, both acoustic and electric. Here he talks to Mark Prendergast about his eclectic career, pioneering use of guitar synthesizers, and the Synclavier. |
Laurie Anderson - Making Music with Big ScienceInterview | Electronics & Music Maker, Feb 1985There seems no end to the creativity of New York performance artist Laurie Anderson. In an exclusive interview, she talks about her music, her lyrics, and life as a 'Diva' for artist Jean-Michel Jarre. |
LFO - Deep VibrationsInterview | Music Technology, Aug 1991Turning their backs on pop notoriety to meet electronic experimentation head on, Sheffield's LFO are taking dance music into new areas. Simon Trask gets a new perspective on nostalgia. |
Paul Hardcastle - When The Tape Runs OutInterview | Sound On Sound, Jul 1986Intrepid reporter/cameraman Ralph Denyer ventures into the wild suburban jungle of East London to capture the rarely heard thoughts of this lesser-spotted songbird and re-mix producer who has recently taken delivery of his very own Synclavier system. |
Robert SchroderInterview | Electronics & Music Maker, Mar 1982A friend and protege of Klaus Schulze, Robert Schroder builds his own equipment, and is much more than a Schulze clone. |
Rod Argent - An Interview with Rod ArgentInterview | International Musician, Mar 1975 |
S' Express - S'ExpressInterview | Micro Music, Apr/May 1989Fresh from Germany - Mark Moore spoke to us about the European music scene and the kind of technology he uses |
Steve Reich - Documenting RealityInterview | Music Technology, Jan 1989Contemporary American composer Steve Reich talks about train journeys, music video theatre, and the ethics and aesthetics of sampling. Simon Trask goes along for the ride. |
Terry Riley - 20th Century Americans - Terry Riley - Part 3Interview Series | Music Technology, Mar 1993The life of (Terry) Riley |
The ProducersInterview | International Musician, Aug 1985Chas de Whalley meets legendary Folk Rock svengali, Joe Boyd |
Gabor 'Pici' PresserInterview | Electronics & Music Maker, Apr 1983Keyboard composer/player and leader of Hungary's top rock band, LGT |
Phil HarmonicsInterview | International Musician, Sep 1985League leader and Moroder man talks tech to Tony Mills |
Ian BoddyInterview | Sound On Sound, Nov 1993Space CadetElectronic music is one area where independent status is the general rule. Ian Boddy is one of the UK's foremost electronic musicians, with a label he set up especially for his own releases. David Hughes gets the full story. |
The ProducersInterview | International Musician, Sep 1985Chas De Whalley quizzes Fall guy John Leckie. Totally weird |
Laboratoire GarnierInterview | The Mix, Oct 1994 |
The DMC StoryInterview | Topic: Music Business | Sound On Sound, Nov 1993Tony Prince & The Disco Mix ClubThe ingenuity and foresight of DJ Tony Prince resulted in the creation of the DMC record label, the hub of the thriving UK dance remixing scene. Wilf Smarties talks to Tony about how and why the label was set up and persuades remixer Phil Kelsey to take us through a typical remix. |
Front 242Interview | Phaze 1, Jun 1989 |
Hubert BognermayrInterview | Electronics & Music Maker, Aug 1983Founder of Ars Electronica, this Austrian composer talks about his work on 'Erdenklang' and his own approach to the Fairlight CMI |
Deep HouseInterview | Phaze 1, Jun 1989on playing live, major labels and the prospect of being famous |
The Rhythm SectionInterview | Sound International, Jan 1979Tony Bacon longs to talk to some Rich Kids' ghost, but ends up with the decidedly solid Rusty Egan and Glen Matlock. |