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The Quick - The ProducersInterview | International Musician, Nov 1986Colin Campsie & George McFarlaneChas de Whalley chats to Colin Campsie and George McFarlane, aka The Quick | |||
This artist was mentioned in these interviews | |||
Tales Of Ordinary MadnessInterview | International Musician, Aug 1985The Camden Cowboys are back with a fresh outlook and a new IP on the way. Jonathan James investigates | |||
British Electric Foundation - Second FoundationInterview | Music Technology, Nov 1991Putting Heaven 17 in the past, Martyn Ware has masterminded a definitive meeting of classic singers, classic soul songs and state-of-the-art technology. Tim Goodyer listens to Words of Quality and Distinction. | |||
This artist was mentioned in these other articles | |||
Yamaha V50Review | Music Technology, May 1989Digital SynthesiserAlthough Yamaha are reluctant to call it a workstation, the V50 incorporates FM synthesis, drum voices, and sequencing and effects processing facilities. Dan Rue checks out Yamaha's workst... | |||
Korg SQD8 sequencerReview | Sound On Sound, Jul 1988If your sequencing efforts are constantly blighted by cassette data storage problems and you long for the convenience of disk storage, then Korg's latest budget sequencer cum MIDI data recorder might be for you. Tony Wride investigates. | |||
Roland S10Review | International Musician, Dec 1986SamplercheckTony Mills samples Roland's first entry into serious user-n..n..nineteen-ing | |||
Start of the ARTReview | Sound On Sound, Mar 1990Multiverb II Multiverb EXTDave Lockwood casts his eye over this brace of MIDI controllable multi-effects processors from ART. | |||
E-Mu Proteus MPSReview | Music Technology, Mar 1992Sample Playback KeyboardWith the popular Proteus series of sample playback modules as its inspiration, E-mu's new synth sounds as good as it looks. Simon Trask explores the Master Performance System. | |||
Remo EncoreReview | International Musician, Jun 1986DrumCheckA cardboard kit? That doesn't need tuning? And professionals love? Bob Henrit has the facts | |||
Yamaha DX11 synthesizerReview | Sound On Sound, Jun 1988Yamaha have bowed to pressure and released an easier to programme DX with an abundance of features. Tony Wride gets to grips with Yamaha’s first ever multitimbral synth with a keyboard! | |||
The CX5M RevisitedFeature | Topic: Computing | Electronics & Music Maker, Mar 1985David Ellis digs deep inside Yamaha's MSX music computer, and finds it's capable of interfacing with more external hardware than its manufacturers seem willing to disclose... | |||
Emu Proteus Master Performance SystemReview | Sound On Sound, Jan 1992Style In ControlEmu's eagerly awaited new keyboard has arrived! Martin Russ examines the Proteus Master Performance System and discovers that the good design extends far beyond the exterior... | |||
ART Multiverb AlphaReview | Sound On Sound, Jan 1992The Multiverb Alpha is the latest and greatest in ART's series of studio multi-effects processors. Dave Lockwood checks it out. | |||
Into The Heart Of Emu's New KeyboardReview | Sound On Sound, Feb 1992Emu Proteus Master Performance SystemMartin Russ continues his in-depth look at Emu's new keyboard. | |||
Hands On: Korg M1Feature | Topic: Synthesis & Sound Design | Sound On Sound, Mar 1992The Korg M1 is one of the best and most popular keyboards around. David Mellor explores some of its prime features. | |||
Bose 101 Mini MonitorsReview | Home & Studio Recording, Aug 1984 | |||
A Double Dose of RolandReview | Sound On Sound, Apr 1992Roland JV80 & JY30 SynthsIs Roland's new JV80 their best keyboard since the D50? Julian Colbeck thinks it is, as he puts the company's two newest synths to the test. | |||
Crumar StratusReview | Electronics & Music Maker, Dec 1982 | |||
Korg 03R/W Synth ModuleReview | Sound On Sound, May 1992The sound of Korg's 01/W keyboard is now available in the compact frame of the 03R/W expander. Nigel Humberstone checks it out. | |||
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Feb 1989More hints, tips and update news from the world of music software. | |||
FM's Finest HourReview | Sound On Sound, May 1989Yamaha V50 WorkstationPaul Ireson explores Yamaha's latest professional keyboard, which integrates FM synthesis, a drum machine, a powerful sequencer and a multi-effects unit into a single package. Could it be FM's finest hour? | |||
Sequential Circuits Prophet 2000Review | International Musician, Nov 1985KeyboardcheckMore money means Mirage-mangling, maybe? Tony Mills sizes up the latest sampling supersynth | |||
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