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The Programming PeopleFeature | Topic: Music Business | Sound On Sound, Nov 1985Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work. |
Back to BackFeature | Topic: Advertisement Feature | International Musician, Feb 1986 |
Feed The TapeFeature | Topic: Classic Tracks | One Two Testing, Feb 1985Band Aidhow they made music for Ethiopia |
Mega SmokeNews | Making Music, Dec 1986Goes Chrimbo CrazyA special seasonal waft of your favourite news and gossip column, this time drifting through the whole magazine and including mini-interviews with the likes of China Crisis and jokes from the likes of us. The fun starts here. |
Record ProfitsFeature | Topic: Music Business | Music Technology, Dec 1988Who's making the cash out of record sales - the artist, the record company, the management, the record shops? David Bradwell investigates record royalties. |
PPG Wave 2.3 and WavetermReview | Electronics & Music Maker, May 1984A special report on the latest versions of these successful German instruments. Review by David Ellis. |
Drummers Drumming - Part 8Feature Series | Topic: Live, Recording | One Two Testing, Apr 1985Balancing Kitsan even sound for your setup |
Yamaha DMP7 Digital MixerReview | Sound On Sound, Jul 1987Digital Mixing ProcessorA fully automated, digital mixer with built-in multi-effects and full MIDI control for under £3,000? Hard to believe. David Mellor visits the Yamaha research and development centre in London to try out this amazing innovation in the flesh and discovers that the DMP7 is no fantasy! |
EditorialEditorial | Topic: Computing | Electronics & Music Maker, Nov 1984Frankie says Extract Your Digits. But should we? |
Akai MG1214Review | Sound On Sound, Aug 1987No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems... |
Trends In Pop & Rock Since The Birth Of A1 MusicFeature | Topic: Advertisement Feature | Electronics & Music Maker, Dec 1984 |
OvertonesFeature | Topic: Marketing / Promotion | One Two Testing, May 1985workings of the press part two; dealing with music papers |
New ProductsNews | Electronic Soundmaker, Jan 1984The latest from the music industryThe best bits around |
French dressingNews | The Mix, Sep 1994 |
360 Systems Pro MIDI BassReview | Sound On Sound, May 1988Why use an expensive sampler for playing bass sounds when you can take advantage of the Pro MIDI Bass and free your sampler for more worthwhile tasks? Mike Collins lets his fingers do the walking. |
Making the Most of... - Part 3Feature Series | Topic: Recording | Home & Studio Recording, Jul 1985Recording Electric GuitarHow to get the best in your studio from an electric guitar. |
British Music FairShow Report | One Two Testing, Aug 1985special preview of the all-important Olympia equipment show-your best chance to see the latest in instrument technology |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Jul 1985Richard Niles searching for the source of his inspiration. |
Digital DynamiteReview | Electronic Soundmaker, Jan 1985The CZ101 is the spearhead of Casio's first serious onslaught on the pro-synth market. We check out this contender for the DX's digital synthesis crown. |
The SoundmakerFeature | Topic: Home Studio | Electronic Soundmaker, Apr 1985The SystemThe System this month features ZTT engineer Paul Gomersall's MIDI sampler set-up. |