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WelcomeEditorial | Sound On Sound, Jul 1988 |
EditorialEditorial | Topic: Computing | Electronics & Music Maker, Jun 1985As Fifth Generation computing takes more definite shape, David Ellis goes crystal ball-gazing in an attempt to predict its musical implications. |
Copyright or CopycatFeature | Topic: Copyright, Music Business | One Two Testing, Feb 1985how it works |
The Bass RaceFeature | Topic: Vintage Instruments | Music Technology, Feb 1989The acid house explosion has turned Roland's TB303 Bassline into one of the most sought-after pieces of analogue technology. Simon Trask looks at the machine behind the myth. |
Sounding OffOpinion | Sound On Sound, Feb 1991Hire Companies And R&DHire companies and R&D — Richard Goldblatt of Audio FX takes up the gauntlet recently thrown down by the British Record Producers' Guild. |
Drum HumFeature | Topic: Tuition / Technique | Making Music, Dec 1987 |
XR300 SMPTE SynchroniserReview | Sound On Sound, Sep 1988XRI SystemsThis low-cost unit from XRI brings the power of true timecode synchronisation to the masses. Paul Ireson checks it out. |
Le Sequenceur PolyphoniqueReview | Electronics & Music Maker, Aug 1985The French answer to the MSQ100? A polyphonic sequencer with comprehensive interfacing facilities, and a few tricks up its sleeve gets the treatment from 'le docteur' Simon Trask. |
Hollis MIDImanReview | Music Technology, Aug 1989Universal Patch Editor for Atari STFollowing on from the success of the Trackman sequencing software, Hollis Research have released a universal patch editor and librarian for the Atari ST. Ian Waugh finds the universe at his fingertips. |
Speech SynthesisFeature | Topic: Computing | Electronics & Music Maker, Oct 1983Vocal music on computers? |
The Human TouchFeature | Topic: Sequencing | Music Technology, Mar 1989The machines that stole the musicians' feel from your music are the same machines that you can now use to restore it - once you know how. Travis Charbeneau investigates the subtleties of the human touch. |
Yamaha TG33 Vector ExpanderReview | Sound On Sound, Mar 1991Yamaha's family of synths and expanders has a new member: a module counterpart to the SY22 keyboard. Nigel Humberstone celebrates the happy event. |
The New Standard?Review | Sound On Sound, Nov 1988Akai S1000No-one can deny that Akai's S900 is the 'industry standard' sampler, having kept all newcomers at bay for well over two years. But now there's a new heir to the throne. David Mellor looks at the long-awaited 16-bit stereo, 16-note polyphonic S1000. |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Electronics & Music Maker, Mar 1986The readers' synth sound page, with patches for SCI Pro One, Yamaha DX7 and Casio CZ 101 instruments, plus reviews of anew DX RAM pack and another collection of sounds for sampling. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Mar 1985Reader Peter Forrest relates his delightful tales of woe. |
The Secrets of Computer Composition - Part 1Feature Series | Topic: Algorythmic Composition | Music Technology, Mar 1989The question "can computers write music" has never been more important than it is in 1989; what is an algorithmic composition program, and will it ever replace the human composer? Ian Waugh composes himself. |
Dave Stewart's Music Seminar - Part 10Feature Series | Topic: Music Theory | Sound On Sound, Apr 1991No RhythmPart 10: No rhythm. Dave Stewart explains ways of making music Without That Insistent Backbeat. |
All Hail ValhalaReview | Sound On Sound, Mar 1992Studio Series Roland D110 Voice CardsSuper sleuth Simon Sanders finds himself hot on the trail of cool sounds for the Roland D110. Prime suspect: Valhala. |
Casio VZ8MReview | Music Technology, Oct 1989iPD Synth ExpanderThe VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation. |
This Year's ModelReview | Music Technology, Jan 1988Korg DSM1 & E-mu SP1200Are the latest samplers from Korg and E-mu Systems really new instruments, or are they simply updates on old machines? Lorenz Rychner counts the bits and checks the clocks. |