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Interviews

Jack In A Box

Review | Sound On Sound, Mar 1993
Anatek SMP16 MIDI/Audio Patchbay

Getting an ear full

Review | Sound On Stage, Dec 1996
Elacin ER15 Musician's Earplugs

Up, Up And Away!

Review | Sound On Sound, Apr 1991
Zoom 9010 Advanced Sound Processor

A multi-timbral effects unit? David Mellor finds out that 'Advanced Sound Processor' can mean far more than just an ordinary multi-effects unit.

Sampling Techniques - Part 4

Feature Series | Topic: Sampling | Sound On Sound, Mar 1993
How To Get The Most From Your Sampler

Rock 'n' Roll and D-5

Review | Micro Music, Aug/Sep 1989

Could this be the ideal keyboard for computer musicians? John Renwick finds out

The Max Factor

Review | Sound On Sound, Jul 1991
Opcode Max Software

Opcode's Max is an Apple Macintosh based graphical programming environment primarily aimed at manipulating MIDI data. It's also highly addictive as Kendall Wrightson discovered.

Live End

Feature | Topic: Live | Sound On Sound, Apr 1993
808 Statement

Current Events

News | Polyphony, Jan/Feb 1981

Zoom 9030 Instrument Effects Processor

Review | Sound On Sound, Sep 1991

David Mellor straps on his vintage Stratocaster and plugs into the effects unit of the future.

News

News | Micro Music, Feb 1990

All the latest news and information from the world of micro music

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Oct 1991
Hints, Tips & News From The World Of Music Software

More hints and tips from the software manufacturers themselves. This month: C-Lab, Steinberg, Coda, and Dr. T.

Optical: Illusion Or Reality?

Feature | Topic: Computing, Tape, Vinyl, CD, DAT | Sound On Sound, May 1993
Optical Media Explained

The Empire Strikes Back

Feature | In Tune, Oct 1985
Fender Facts

The true story, told at last!

Hands On: Sound Tools

Feature | Topic: Digital Audio Workstations, Recording | Sound On Sound, Nov 1991

Ever wondered what its like to use Digidesign Sound Tools? David Mellor takes the driving seat of the world's favourite hard disk recording/editing system.

Sansui WSX1

Review | Music Technology, Feb 1990
Multitrack Recorder

Already established in hi-fi, Sansui have made their musical debut in the form of a number of multitrack cassette machines, among them the WSX1. Nigel Lord reckons the "studio in a box" is finally here.

The Big Picture

Review | Sound On Sound, Jun 1993
Amek Big By Langley Mixing Console

With Talking Recall and oodles of features, this top-end mixing desk should satisfy many private studio's needs.

DOD PDS2000 Sampling Delay

Review | In Tune, Oct 1985

Hard Wearing

Review | Sound On Sound, Nov 1991
Brother PDC100 Sequencer

Martin Russ tries out Brother's latest hardware sequencer.

Eventide H3000 Ultra-Harmoniser

Review | Music Technology, Apr 1990
Signal Processor

Eventide call it their Ultra-harmoniser, but is it worthy to follow in the footsteps of their standard-setting model 910? Vic Lennard and technology in perfect harmony.

Apple Notes

Feature | Topic: Computing | Sound On Sound, Aug 1993

Alesis QuadraSynth

Review | Music Technology, Apr 1994
synthesiser

There's a new synth in town, it's gunning for the competition and it aims to please.

Armadillo A616 Sampler

Review | Music Technology, Jul 1990

Still largely neglected by the software houses, the Acorn Archimedes is the host machine for the Armadillo sampler. Vic Lennard investigates a powerful sampling package for a powerful computer.

Bank Managing

Feature | Topic: MIDI | Sound On Sound, Sep 1993
The MIDI Bank Select Message Explained

Phonic PMX-1600A

Review | Music Technology, May 1993
Rack Mixer

DJs know Phonic's mini-mixers well. Will the musician take to their new 16-channel, rackmounted offering? Nicholas Rowland racks his brains

Power to the People

Review | The Mix, Jul 1994
Power amp giant test

Austin Armstrong, BSS, C-Audio, MHA Chameleon, and RCF battle it out

 

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