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New MusicFeature | Sound International, May 1978Intro...An introduction to a series on "music in which people are doing interesting, and often strange, things". |
Zyklus MIDI Performance SystemReview | Sound On Sound, Feb 1988What the hell's a MIDI Performance System? David Mellor does his level best to explain. |
The Novatron RevisitedFeature | Topic: Vintage Instruments | Electronics & Music Maker, Feb 1983An instrument which has shaped today's electro-music |
Oberheim Matrix 1000Review | Music Technology, Aug 1988Synth ExpanderThe latest addition to Oberheim's classic Matrix range offers 1000 analogue-style synth sounds for under £500. Simon Trask investigates the attraction of analogue in '88. |
Oberheim PolyReview | Sound International, May 1978Dave Crombie checks out the Oberheim 4-voice polyphonic synth. |
Russ DX7 AI EditorReview | Sound On Sound, Apr 1988This low-cost program for the Atari ST uses Artificial Intelligence techniques to take all the hard work out of programming FM synths and allows you to create new ‘musical’ voices quickly and easily. David Hughes enters the edit zone... |
Dr T's FingersReview | Music Technology, Oct 1988Atari ST SoftwareThe latest sequencer from the Dr T's stable takes interactive composition by the horns. Ian Waugh examines the software and the merits of mathematical music making. |
The Art Of RepetitionEditorial | Music Technology, Jul 1990They say everyone's got one good song in them, it's writing a second that determines whether the first was luck or not... But just how good a guide to the quality of music is the ability to repeat it? |
Industry Profile: Roland (UK) LtdFeature Audio | Topic: Design, Development & Manufacture | Electronics & Music Maker, Nov 1981 |
Chroma/Apple InterfaceReview | Electronics & Music Maker, Apr 1983Playing the Rhodes Chroma with the Apple II Sequencer |
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Magic, Mystery & MusicMusic Review | Sound International, Jun 1978 |
The SynclockFeature Audio | Topic: Electronics / Build | Electronics & Music Maker, Dec 1981Build this exciting sequencer for only £18 |
Concert ReviewMusic Review | Electronics & Music Maker, Apr 1983Helden, Laurie Anderson, Fad Gadget, The Enid |
First BornRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Feb 1991E-mu EmulatorThese days a few hundred pounds will buy you technology that once cost thousands. Gordon Reid looks at an early sampler and discovers there's more to it and its manufacturer than you might have known. |
A Bunch of FivesRetrospective | Electronics & Music Maker, Jan 1985In which five of E&MM's writers pick their fave things of the year. If your personal preferences aren't there, don't take it out on us. |
A History of Electronic Music - Part 3Feature Series | Topic: Composing / Art, History / Culture | Electronics & Music Maker, Feb 1982 |
The MC-202 MicroComposerReview | Electronics & Music Maker, May 1983MicroComposing with RolandThe new MC-202 MicroComposer examined in depth |
Going Live?Editorial | Music Technology, Jan 1992Live and let live, at least on stage - Tim Goodyer asks the question of where to draw the line between "live" use of technology and cheating. |
Oberheim Matrix 12Review | Electronics & Music Maker, Jun 1985Programmable 12-Voice Multi-timbral PolysynthThe world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys. |
On TapeIndex Audio | Electronic Soundmaker, Nov 1984 |
A History of Electronic Music - Part 9Feature Series | Topic: History / Culture | Electronics & Music Maker, Jun 1983Karlheinz Stockhausen |
Ovation 1667 Acoustic ElectricReview | Electronics & Music Maker, Jun 1983 |