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The Art Of RepetitionEditorial | Music Technology, Jul 1990They say everyone's got one good song in them, it's writing a second that determines whether the first was luck or not... But just how good a guide to the quality of music is the ability to repeat it? |
Industry Profile: Roland (UK) LtdFeature Audio | Topic: Design, Development & Manufacture | Electronics & Music Maker, Nov 1981 |
Chroma/Apple InterfaceReview | Electronics & Music Maker, Apr 1983Playing the Rhodes Chroma with the Apple II Sequencer |
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Magic, Mystery & MusicMusic Review | Sound International, Jun 1978 |
The SynclockFeature Audio | Topic: Electronics / Build | Electronics & Music Maker, Dec 1981Build this exciting sequencer for only £18 |
Concert ReviewMusic Review | Electronics & Music Maker, Apr 1983Helden, Laurie Anderson, Fad Gadget, The Enid |
First BornRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Feb 1991E-mu EmulatorThese days a few hundred pounds will buy you technology that once cost thousands. Gordon Reid looks at an early sampler and discovers there's more to it and its manufacturer than you might have known. |
The MC-202 MicroComposerReview | Electronics & Music Maker, May 1983MicroComposing with RolandThe new MC-202 MicroComposer examined in depth |
A Bunch of FivesRetrospective | Electronics & Music Maker, Jan 1985In which five of E&MM's writers pick their fave things of the year. If your personal preferences aren't there, don't take it out on us. |
A History of Electronic Music - Part 3Feature Series | Topic: Composing / Art, History / Culture | Electronics & Music Maker, Feb 1982 |
A History of Electronic Music - Part 9Feature Series | Topic: History / Culture | Electronics & Music Maker, Jun 1983Karlheinz Stockhausen |
Going Live?Editorial | Music Technology, Jan 1992Live and let live, at least on stage - Tim Goodyer asks the question of where to draw the line between "live" use of technology and cheating. |
Oberheim Matrix 12Review | Electronics & Music Maker, Jun 1985Programmable 12-Voice Multi-timbral PolysynthThe world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys. |
On TapeIndex Audio | Electronic Soundmaker, Nov 1984 |
Ovation 1667 Acoustic ElectricReview | Electronics & Music Maker, Jun 1983 |
Zyklus MIDI Performance SystemReview | Music Technology, Mar 1988At last it's here: Zyklus' sequence sequencer, MIDI control station, performance instrument... You sort it out with the help of Simon Trask's review. |
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Roland JX-3PReview | Electronics & Music Maker, Aug 1983Programmable Preset Polyphonic Synthesiser And PG-200 Programmer |
Intelligent Music MReview | Music Technology, Mar 1988Software for the Atari STPreviously exclusive to Mac owners, Intelligent Music's M compositional software is now available for the Atari ST. Intelligent Ian Waugh investigates its application to a variety of musical styles. |
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