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A Bunch of FivesRetrospective | Electronics & Music Maker, Jan 1985In which five of E&MM's writers pick their fave things of the year. If your personal preferences aren't there, don't take it out on us. |
On TapeIndex Audio | Electronic Soundmaker, Nov 1984 |
A History of Electronic Music - Part 9Feature Series | Topic: History / Culture | Electronics & Music Maker, Jun 1983Karlheinz Stockhausen |
Going Live?Editorial | Music Technology, Jan 1992Live and let live, at least on stage - Tim Goodyer asks the question of where to draw the line between "live" use of technology and cheating. |
Oberheim Matrix 12Review | Electronics & Music Maker, Jun 1985Programmable 12-Voice Multi-timbral PolysynthThe world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys. |
Ovation 1667 Acoustic ElectricReview | Electronics & Music Maker, Jun 1983 |
Zyklus MIDI Performance SystemReview | Music Technology, Mar 1988At last it's here: Zyklus' sequence sequencer, MIDI control station, performance instrument... You sort it out with the help of Simon Trask's review. |
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The Original SynReview | Electronic Soundmaker, Mar 1985SynclavierThe updated Synclavier with new software. We take it for a test run. |
Roland JX-3PReview | Electronics & Music Maker, Aug 1983Programmable Preset Polyphonic Synthesiser And PG-200 Programmer |
Intelligent Music MReview | Music Technology, Mar 1988Software for the Atari STPreviously exclusive to Mac owners, Intelligent Music's M compositional software is now available for the Atari ST. Intelligent Ian Waugh investigates its application to a variety of musical styles. |
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Playing The GameRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Nov 1988Korg Mono/PolyAs analogue synthesis enjoys a return to popularity, yesterday's synths are becoming regular topics of conversation. Rob Norman rediscovers voltage control. |
Karlheinz StockhausenFeature | Sound On Sound, May 1992Electronics Into LightKarlheinz Stockhausen has had a profound influence on modern music from the 1950s onwards, and pioneered the use of electronics to create genuinely new music. Mark J. Prendergast reviews his career. |
Korg SQD8 sequencerReview | Sound On Sound, Jul 1988If your sequencing efforts are constantly blighted by cassette data storage problems and you long for the convenience of disk storage, then Korg's latest budget sequencer cum MIDI data recorder might be for you. Tony Wride investigates. |
The Rime Of The Ancient SamplerFeature | Topic: Vintage Instruments | Sound On Sound, Jun 1993The Mellotron: A Historical Perspective |
Intelligent MusicReview | Sound On Sound, Aug 1988Intelligent Music's M SoftwareHere's a program that will banish your lack of inspiration forever! Version 2.0 of Intelligent Music's 'M' (for Macintosh and Atari computers) is considerably more than an isochronic pulse sequencer. Ed Jones puts on his thinking cap and delves deeper... |
MIDIFeature | Topic: MIDI | Sound On Sound, Nov 1985The Universal Answer?Ian Gilby asks the question. |
Hans Zimmer - Yards AheadFeature | Topic: Recording Studios | Music Technology, Nov 1986Lillie Yard StudioWhere can you find a complete audio-video recording system, a Fairlight a separate programming suite and the biggest modular synth in the world? Matthew Vosburgh discovers heaven off the Earl's Court Road. |
Yamaha REX50Review | Sound On Sound, Feb 1988Martin Russ reveals the hidden features of Yamaha's budget digital multi-effector and explains how it can be coaxed into supplying more than one effect at once. |
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