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Interviews

A Bunch of Fives

Retrospective | Electronics & Music Maker, Jan 1985

In which five of E&MM's writers pick their fave things of the year. If your personal preferences aren't there, don't take it out on us.

On Tape

Index Audio | Electronic Soundmaker, Nov 1984

A History of Electronic Music - Part 9

Feature Series | Topic: History / Culture | Electronics & Music Maker, Jun 1983
Karlheinz Stockhausen

Going Live?

Editorial | Music Technology, Jan 1992

Live and let live, at least on stage - Tim Goodyer asks the question of where to draw the line between "live" use of technology and cheating.

Oberheim Matrix 12

Review | Electronics & Music Maker, Jun 1985
Programmable 12-Voice Multi-timbral Polysynth

The world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys.

Ovation 1667 Acoustic Electric

Review | Electronics & Music Maker, Jun 1983

The Expander

Feature | Topic: Home Studio | Electronic Soundmaker, Mar 1985

Mark Jenkins' system

Concert Review

Music Review | Electronics & Music Maker, Jul 1983

Steve Hackett, Bernard Szajner

Zyklus MIDI Performance System

Review | Music Technology, Mar 1988

At last it's here: Zyklus' sequence sequencer, MIDI control station, performance instrument... You sort it out with the help of Simon Trask's review.

This article has no OCR bodytext.Communique

Feedback | Electronics & Music Maker, Dec 1985

No word from Alistair Cooke as yet, but the mail that counts is here. Readers’ comments on touch-sensitivity, Tangerine Dream and UK Electronica (again) receive an airing.

The Original Syn

Review | Electronic Soundmaker, Mar 1985
Synclavier

The updated Synclavier with new software. We take it for a test run.

Roland JX-3P

Review | Electronics & Music Maker, Aug 1983
Programmable Preset Polyphonic Synthesiser And PG-200 Programmer

Intelligent Music M

Review | Music Technology, Mar 1988
Software for the Atari ST

Previously exclusive to Mac owners, Intelligent Music's M compositional software is now available for the Atari ST. Intelligent Ian Waugh investigates its application to a variety of musical styles.

This article has no OCR bodytext.Communique

Feedback | Electronics & Music Maker, Mar 1986

Tangerine Dream head the list of topics aired in the E&MM readers' forum. If you have an opinion to add to any subject, this is the place to head for.

Playing The Game

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Nov 1988
Korg Mono/Poly

As analogue synthesis enjoys a return to popularity, yesterday's synths are becoming regular topics of conversation. Rob Norman rediscovers voltage control.

Karlheinz Stockhausen

Feature | Sound On Sound, May 1992
Electronics Into Light

Karlheinz Stockhausen has had a profound influence on modern music from the 1950s onwards, and pioneered the use of electronics to create genuinely new music. Mark J. Prendergast reviews his career.

Korg SQD8 sequencer

Review | Sound On Sound, Jul 1988

If your sequencing efforts are constantly blighted by cassette data storage problems and you long for the convenience of disk storage, then Korg's latest budget sequencer cum MIDI data recorder might be for you. Tony Wride investigates.

Incoming Data

News | Music Technology, Sep 1992

Newsdesk as was - news as is

The Rime Of The Ancient Sampler

Feature | Topic: Vintage Instruments | Sound On Sound, Jun 1993
The Mellotron: A Historical Perspective

Intelligent Music

Review | Sound On Sound, Aug 1988
Intelligent Music's M Software

Here's a program that will banish your lack of inspiration forever! Version 2.0 of Intelligent Music's 'M' (for Macintosh and Atari computers) is considerably more than an isochronic pulse sequencer. Ed Jones puts on his thinking cap and delves deeper...

MIDI

Feature | Topic: MIDI | Sound On Sound, Nov 1985
The Universal Answer?

Ian Gilby asks the question.

Hans Zimmer - Yards Ahead

Feature | Topic: Recording Studios | Music Technology, Nov 1986
Lillie Yard Studio

Where can you find a complete audio-video recording system, a Fairlight a separate programming suite and the biggest modular synth in the world? Matthew Vosburgh discovers heaven off the Earl's Court Road.

Yamaha REX50

Review | Sound On Sound, Feb 1988

Martin Russ reveals the hidden features of Yamaha's budget digital multi-effector and explains how it can be coaxed into supplying more than one effect at once.

 

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