A rare and exclusive chat with the boffin who gave birth to the beatbox. Tony Horkins programmes the questions.

Geoff Dugmore

Geoff Dugmore discusses drums

A voice, a few guitars, a bit of processing, and a hell of a lot of inspiration. Mark J. Prendergast investigates...

TechTalk: Kim Ryrie

In an exclusive interview, the co-founder of the Fairlight company and father of the CMI talks about the machine's development, and outlines his plans for the future. Simon Trask pops the questions.

Getting philosophical about the new British hip hop. Tim "homeboy" Ponting raps with Wize man DJ Jemski about sampling, sequencing and bringing the drum kit into hip hop.

From the ashes of the ill-fated Linn 9000, Roger Linn and Akai have brought forth the MPC60. Simon Trask takes a look at this powerful drum machine and sequencer.

The return of Roger Linn, as a member of the Akai team, promises much to the world of musical technology. The ASQ 10, bearing the Linn name, is a heavyweight sequencer in all senses. David Mellor assesses its abilities.

Warren Cann looks at the updated version of the MPC60, the most notable result of Roger Linn's collaboration with Akai.

Digicon ’85

Vancouver, Canada was the location for two hi-tech music events last August. Ron Briefel reports on the first of them, Digicon '85, and finds he has plenty to talk about.

ITs Guide To The British Music Fair

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Drum Machines

improve your programming with the experts

Digital Drum Machine and Keyboard Recorder

The people who introduced the world to the concept of digital drums have now applied their expertise to MIDI keyboard recording. Paul Wiffen gives his verdict.

'Ere, did you know that old wossisname is doing so-and-so with a wotchermaccallit.

Sampled Percussion Performance Module

What is it about programmed drum parts that make them sound programmed. Paul Wiffen goes in search of the secret of realistic drumming, and finds it in the Emu Procussion.

Frankfurt Musikmesse 1987

While for those with a taste for the European, we present a similarly in-depth account of the '87 Musikmesse. If it hit the headlines in Frankfurt, you'll read about it here.

This month, Elka Eminent to Everitt Orgatron.

Digital drum machines may rule the waves in the R&D labs, but one obsolete analogue device is still the record producers' first choice. Tim Goodyer dissects the appeal of Roland's classic TR808.

In case the current wave of BMF-madness has overtaken you completely, MT dropped in on the annual Chicago show to see how the Americans do it. Report: Dan Goldstein, Rick Davies, Paul White and Bob O'Donnell.

ICMC '85

Ron Briefel recovers from the hi-tech overkill of Digicon to report on a more intellectual Vancouver event, the International Computer Music Conference.

THE NAMM REPORT

Anaheim recently played host to 1988's Winter NAMM show. MT's American correspondents were on hand to send back news of the latest developments in hi-tech musical equipment.

Beat Box Hits

Or, the much-maligned art of drum machine programming. Tony Reed talks to the experts, and Richard Walmsley dissects some classic tracks.

The assembled masses of the IM review department wax lyrical over their selected favourites from this year's music fair.