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Digidesign TurbosynthReview | Sound On Sound, Dec 1988The Return of the Modular SynthesizerDigidesign continue to add to their innovative range of synthesis programs which use the flexibility of computers for sound creation and the hardware of MIDI samplers to replay the sounds. Paul Wiffen finds he loves the former but hates the latter. |
NewsNews | Sound International, Jun 1978Studios And RecordingStudios And Recording; Instruments And Equipment; Etcetera. |
ART SGEReview | Sound On Sound, Oct 1989Multi Effects ProcessorDavid Mellor samples the delights of a multiple effects unit that can create up to nine high quality effects at the same time. |
Hybrid Arts ADAP SoundrackReview | Music Technology, Oct 1987The eagerly-awaited 16-bit digital stereo audio processing system for the Atari ST has arrived. Scott Gershin checks it out and acquires a new outlook on sound sampling. |
Fostex G16Review | Sound On Sound, Sep 1990David Mellor looks at a 16-track machine which brings a new level of sophistication to the world of 'personal' multitrack. |
Turner B302 & B502 Power AmplifiersReview | Home & Studio Recording, Jun 1984 |
Yamaha RTC1Review | Sound On Sound, Nov 1989Mixer Remote ControlIn response to suggestions from engineers Yamaha have developed the RTC1, which provides remote control of up to four DMP7, DMP7D and/or DMP11 digital mixers. Terry Holton tries one out. |
Beyond E MajorFeature | Topic: Arranging / Songwriting, Music Theory | One Two Testing, Mar 1985is written music rock'n'roll? |
Casio HZ600Review | Music Technology, Nov 1987Portable KeyboardBudget polysynth or home organ accessory? Casio attempt to find another gap in the market with Spectrum Distortion synthesis. Nicholas Rowland finds it's not too far from old-fashioned analogue. |
EditorialEditorial | Polyphony, Jul 1977 |
Roland R5Review | Music Technology, Jul 1989Human Rhythm ComposerNigel Lord ruminates over the future of the drum machine as he checks out the budget version of Roland's flagship R8 Human Rhythm Composer. To be human or not to be human, that is the question. |
My Life With MIDI Time CodeFeature | Topic: MIDI, Syncronisation | Sound On Sound, Jan 1990Just as MIDI itself has gone far beyond what its developers imagined, so MIDI Time Code has the potential to take MIDI technology into areas quite removed from the synthesis and sequencing worlds in which it has become so familiar. MTC user Paul D. Lehrman explains how. |
What Can You Do That's Fantastic?Feature | Topic: Performing | One Two Testing, May 1985Auditionshow to hold them and pass them |
This Year's ModelReview | Music Technology, Jan 1988Korg DSM1 & E-mu SP1200Are the latest samplers from Korg and E-mu Systems really new instruments, or are they simply updates on old machines? Lorenz Rychner counts the bits and checks the clocks. |
Everything Under ControlReview | Sound On Sound, Oct 1990Groove M4CV MIDI-to-CV ConvertorOld analogue synths never die — they just gather dust until you can find a reason to kick them into life again. As Chris Ankin discovers, the Groove M4CV MIDI-to-CV convertor could be just such a reason. |
Using Backing TracksFeature | Topic: Live, Performing | Sound On Stage, Dec 1996Pros & Cons of Backing Tape Formats |
Modular Effects Rack Project - Part 1Feature Series | Topic: Electronics / Build | Home & Studio Recording, Dec 1984A major new series describing the design and construction of a high quality modular effects rack. This first instalment deals with the Sub Rack assembly, Power Unit and the first module: the Pro-Gate. |
Instant SamplingReview | Electronics & Music Maker, Nov 1985Vesta Kozo SamplerAnother goodie for your overflowing 19" effects ruck, this one offers pitch-controllable sampling and a full-function DDL into the bargain. Dave Simpson grabs a microphone and decides it's worth making room for. |
C-Lab Explorer 32Review | Music Technology, Oct 1989Atari ST SoftwareNot only will Explorer 32 edit sounds on Roland's MT32, MT100, E10, E20, D5, D10, D20, D110, D50 and D550, it will also store edits in C-Lab's Creator and Notator sequencers. Ian Waugh is Our Man in LA. |
Recording Techniques - Part 4Feature Series | Topic: Recording | Sound On Sound, Mar 19904-Track RecordingPART 4: David Mellor takes a first step into the wide world of multitrack recording with an explanation of cassette-based 4-track techniques. |
When Is BrassFeature | Topic: History / Culture | One Two Testing, Jun 1985the birth of the saxophone |
Digidesign's Q-SheetReview | Music Technology, Jan 1988Software for the Apple MacintoshFollowing the procession of MIDI sequence packages that have appeared for the Atari ST comes a program designed specifically for the musician fitting music to videotape or film. Chris Many gets that syncing feeling. |