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Interviews

Passport Master Tracks Pro

Review | Sound On Sound, Oct 1987
A MIDI Control Program for the Macintosh

Passport were one of the first US companies to offer music software for any computer. Richard Elen wades through the extensive features offered by their first music software release for the Apple Macintosh - a MIDI control program called Master Tracks Pro.

Roland TR626

Review | Sound On Sound, Nov 1987
Rhythm Composer

The TR505 was a runaway success at the budget end of the market, but it lacked one important ingredient - separate voice outputs. The TR626 rectifies the matter whilst offering even more features - 30 PCM drum/percussion sounds, 8-note polyphony, sync-to-tape, and MIDI control of nearly all its parameters. Mark Badger investigates.

Dr T's X-Or

Review | Sound On Sound, Dec 1991
Universal Patch Editor/Librarian

Dr. T's universal patch editor/librarian makes the journey from Atari to Mac picking up a host of new features en route, as Kendall Wrightson discovers.

Welcome

Editorial | Sound On Sound, Mar 1989

Fun, Fun, Fun

Review | Sound On Sound, Jan 1993
Yamaha QY20 Music Sequencer

Re-sampling

Feature | Topic: Sampling | Music Technology, Mar 1988

Don't delete those unsatisfactory samples until you've tried resampling them. Tom McLaughlin explains how you can turn a bad sample into a good one.

Making Records - Part 2

Feature Series | Topic: Mastering, Tape, Vinyl, CD, DAT | Home & Studio Recording, Feb 1985
Metalwork

Part 2 deals with that crucial part of the record making process - the metalwork stage.

Overtones

Feature | Topic: Live | One Two Testing, Nov 1985
Gig Tactics

are bands forgetting how to play live

C-Lab Creator

Review | Sound On Sound, Nov 1987

Martin Russ loops the hours away with Version 1.2 of this new MIDI sequencing package for the Atari ST computer from Germany's C-Lab.

The Hard Edge

Feature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Aug 1993
Direct-to-disk recording explained

MT's guide to the theory and practice of the tapeless studio

The Transcontinental Midi Songwriting Shuffle

Feature | Topic: Computing, Sequencing | Sound On Sound, May 1989
MIDI Composition via Computer

The tale of two songwriters on opposite coasts of America, using different computers and musical instruments, writing and producing a single without face-to-face collaboration until the final mixdown. Al Hospers reveals what happened.

Sample Shop

Review | Sound On Sound, Jan 1993

Musigraph

Review | Music Technology, Jun 1988
Software for the Atari ST

Tired of using pencil and paper to write out your music? Fancy a hi-tech fix for your next composition? Ian Waugh scores a line (or five) with a new graphics-based music notation package from French company SARO.

Tannoy Little Reds

Review | Home & Studio Recording, Mar 1985

Books '85

Review | One Two Testing, Dec 1985

words for the musician

Wind Synthesizers

Review | Sound On Sound, Dec 1987

Having explored the history and development of wind synthesizers in our September issue, record producer and wind player extraordinaire John L. Walters compares and contrasts the Akai EWI and Yamaha WX7. Are they the instruments that wind players have been longing for? Find out inside.

4T/FX and d2d Edit

Review | Music Technology, Aug 1993
Software for the Atari Falcon

From D2D2U - tapeless recording on the Falcon

Shape of Things to Come

News | Sound On Sound, Jun 1989

News of some products to be released at the coming APRS exhibition, Acorn's new low-cost Archimedes computer, Akai's digital multitrack, and more.

Using Patchbays

Feature | Sound On Sound, Jun 1993
Sound Workshop

Clue Data

Review | Sound On Sound, Nov 1985

Beyond the razor-blade: HHB's innovative CLUE system provides an answer to the digital editing dilemma. Paul Gilby pieces together the story.

Get On The Right Track

Feature | Topic: Mixing, Recording | Home & Studio Recording, Mar 1985

Leading new wave synthesist Ian Boddy explains the way he uses 'track sheets' when undertaking a recording.

MB Electronics Jecklin Disc plus Microphones

Review | Music UK, Dec 1983
The OSS System (Optimum Stereo Signal)

Dr. Jecklin Disc meets Mr. Hyde (alias Nobby Line). New M & B Stereo Mike System On Trial

Practically MIDI - Part 4

Feature Series | Topic: MIDI | Sound On Sound, Dec 1987

What is a MIDI Merger and why do you need one if you use a computer-based MIDI sequencer? Martin Russ helps BT's funding by receiving long telephone calls from frantic MIDIphiles.

Yamaha versus Roland

Review | One Two Testing, Jan 1983
Yamaha SB200, Roland SCC700 effects boards

Pipe Dreams

Review | Sound On Sound, Jun 1993
Bars & Pipes Professional 2 Amiga Sequencing Software

 

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