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Interviews Show Descriptions Off

The Fall - Free Fall
Interview | One Two Testing, Jun 1986
Mr & Mrs Mark E. Smith at home
This artist was mentioned in these interviews
The Producers
Interview | International Musician, Sep 1985
Chas De Whalley quizzes Fall guy John Leckie. Totally weird
Philip Glass
Interview | Sound On Sound, Nov 1991
The Making Of A New Music Supremo
Philip Glass is the best known, and certainly the best paid, contemporary new music composer. In London for performances of his music for the films Koyaanisqatsi and Powaqqatsi, he talked to Mark J. Prendergast.
Digital Anarchy
Interview | Music Technology, Sep 1993
Mixed media pioneers Matt Black and Rob Pepperell talk about their plans for the future of entertainment and art, as part of the Hex project
Tony Visconti
Interview | Home & Studio Recording, Oct 1985
Paul White talks to Tony Visconti about his career, his production methods and his plans for the future.
Klaus Schulze
Interview | Sound On Sound, Feb 1993
European Son
Muses For The Masses
Interview | Phaze 1, Aug 1989
bemusing bostoners head for the mainstream
Glass Struggles
Interview | One Two Testing, Sep 1985
composing with technology
This Is Gordon Sumner
Interview | International Musician, Jul 1985
The high priest of Pop discusses his solo album, musicianship, songwriting and The Police.
Taking the Biscuit
Interview | One Two Testing, Jun 1986
Burlesque bourbons and funny folk
Blinded By Science
Interview | One Two Testing, Jun 1986
More racket, this time from down under
Coldcut - What's That Noise?
Interview | Music Technology, Aug 1990
Responsible for establishing artists like Yazz and Lisa Stansfield, Coldcut also have a reputation for being one of the most innovative production teams around. Tim Goodyer learns about their new LP and the future of computer graphics.
Peter Hammill - Educating Peter
Interview | Electronic Soundmaker, Sep 1985
Hammill’s unique style is examined in print and on tape
Inspiral Carpets - Mute Mavericks
Interview | Music Technology, Jan 1993
Clint Boon and the Farfisa beat
This artist was mentioned in these other articles
An Ultra VCO From The 4720
Feature | Topic: Electronics / Build | Polyphony, Feb 1978
The Big Ten - 1985
Retrospective | International Musician, Mar 1985
E-Mu Systems Proteus
Review | Music Technology, Nov 1989
E-mu's Proteus sample player has been one of the stars of recent trade shows, yet it's been in desperately short supply in the UK. Vic Lennard finds it's been worth the wait.
On The Flight Deck at Terminal 24
Feature | Topic: Recording Studios | Sound On Sound, Oct 1986
If you've the tenacity to take on and beat the (ex-)GLC, then putting together an upmarket 24-track studio is a piece of cake! Tony Hastings visited this South London studio to glean the details of how it came to be and what it offers.
Sheer Quality
Review | Sound On Sound, Oct 1988
Lexicon LXP1
There can be few effects devices around as prestigious and as desirable as those made by Lexicon. Now, with the release of the LXP1 16-bit processor, the classic Lexicon sound becomes truly affordable. David Hughes tastes the quality...
America
News | Electronics & Music Maker, Mar 1982
Understanding Electronics
Feature | Topic: Electronics / Build, Syncronisation | Electronics & Music Maker, Jul 1982
Trigger Interfacing
A regular column that explains the electronics of music. All you need to know about Trigger Interfacing
Steinberg Synthworks D110 Multi-Editor
Review | Sound On Sound, Mar 1989
Looking for an editor to help you plumb the depths of your LA sounds? David Hughes uncovers a real gem of a program for the Atari ST that makes light work of editing Roland D10, D20, and D110 synths, and can even be used with the MT32.
The Empire Strikes Back
Feature | In Tune, Oct 1985
Fender Facts
The true story, told at last!
Incoming Data
News | Music Technology, Jun 1993
Understanding the DX7 - Part 4
Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1984
The fourth part of Jay Chapman's guide to Yamaha FM. This month, he broaches the delicate subject of programming sounds from scratch.

The Fall - Free Fall Interview \| One Two Testing, Jun 1986 Mr & Mrs Mark E. Smith at home
This artist was mentioned in these interviews
The Producers Interview \| International Musician, Sep 1985 Chas De Whalley quizzes Fall guy John Leckie. Totally weird
Philip Glass Interview \| Sound On Sound, Nov 1991 The Making Of A New Music Supremo Philip Glass is the best known, and certainly the best paid, contemporary new music composer. In London for performances of his music for the films Koyaanisqatsi and Powaqqatsi, he talked to Mark J. Prendergast.
Digital Anarchy Interview \| Music Technology, Sep 1993 Mixed media pioneers Matt Black and Rob Pepperell talk about their plans for the future of entertainment and art, as part of the Hex project
Tony Visconti Interview \| Home & Studio Recording, Oct 1985 Paul White talks to Tony Visconti about his career, his production methods and his plans for the future.
Klaus Schulze Interview \| Sound On Sound, Feb 1993 European Son
Muses For The Masses Interview \| Phaze 1, Aug 1989 bemusing bostoners head for the mainstream
Glass Struggles Interview \| One Two Testing, Sep 1985 composing with technology
This Is Gordon Sumner Interview \| International Musician, Jul 1985 The high priest of Pop discusses his solo album, musicianship, songwriting and The Police.
Taking the Biscuit Interview \| One Two Testing, Jun 1986 Burlesque bourbons and funny folk
Blinded By Science Interview \| One Two Testing, Jun 1986 More racket, this time from down under
Coldcut - What's That Noise? Interview \| Music Technology, Aug 1990 Responsible for establishing artists like Yazz and Lisa Stansfield, Coldcut also have a reputation for being one of the most innovative production teams around. Tim Goodyer learns about their new LP and the future of computer graphics.
Peter Hammill - Educating Peter Interview \| Electronic Soundmaker, Sep 1985 Hammill’s unique style is examined in print and on tape
Inspiral Carpets - Mute Mavericks Interview \| Music Technology, Jan 1993 Clint Boon and the Farfisa beat
This artist was mentioned in these other articles
An Ultra VCO From The 4720 Feature \| Topic: Electronics / Build \| Polyphony, Feb 1978
The Big Ten - 1985 Retrospective \| International Musician, Mar 1985
E-Mu Systems Proteus Review \| Music Technology, Nov 1989 E-mu's Proteus sample player has been one of the stars of recent trade shows, yet it's been in desperately short supply in the UK. Vic Lennard finds it's been worth the wait.
On The Flight Deck at Terminal 24 Feature \| Topic: Recording Studios \| Sound On Sound, Oct 1986 If you've the tenacity to take on and beat the (ex-)GLC, then putting together an upmarket 24-track studio is a piece of cake! Tony Hastings visited this South London studio to glean the details of how it came to be and what it offers.
Sheer Quality Review \| Sound On Sound, Oct 1988 Lexicon LXP1 There can be few effects devices around as prestigious and as desirable as those made by Lexicon. Now, with the release of the LXP1 16-bit processor, the classic Lexicon sound becomes truly affordable. David Hughes tastes the quality...
America News \| Electronics & Music Maker, Mar 1982
Understanding Electronics Feature \| Topic: Electronics / Build, Syncronisation \| Electronics & Music Maker, Jul 1982 Trigger Interfacing A regular column that explains the electronics of music. All you need to know about Trigger Interfacing
Steinberg Synthworks D110 Multi-Editor Review \| Sound On Sound, Mar 1989 Looking for an editor to help you plumb the depths of your LA sounds? David Hughes uncovers a real gem of a program for the Atari ST that makes light work of editing Roland D10, D20, and D110 synths, and can even be used with the MT32.
The Empire Strikes Back Feature \| In Tune, Oct 1985 Fender Facts The true story, told at last!
Incoming Data News \| Music Technology, Jun 1993
Understanding the DX7 - Part 4 Feature Series \| Topic: Synthesis & Sound Design \| Electronics & Music Maker, Jul 1984 The fourth part of Jay Chapman's guide to Yamaha FM. This month, he broaches the delicate subject of programming sounds from scratch.

Search / Filter Interviews

Help Support The Things You Love

Donations for January 2025

Issues donated this month: 0

Funds donated this month: £22.00

Magazines Needed - Can You Help?

Interviews <div style="display:none"> Show Descriptions Off </div>

Interview | One Two Testing, Jun 1986

This artist was mentioned in these interviews

Interview | International Musician, Sep 1985

Interview | Sound On Sound, Nov 1991

The Making Of A New Music Supremo

Interview | Music Technology, Sep 1993

Interview | Home & Studio Recording, Oct 1985

Interview | Sound On Sound, Feb 1993

European Son

Interview | Phaze 1, Aug 1989

Interview | One Two Testing, Sep 1985

Interview | International Musician, Jul 1985

Interview | One Two Testing, Jun 1986

Interview | One Two Testing, Jun 1986

Interview | Music Technology, Aug 1990

Interview | Electronic Soundmaker, Sep 1985

Interview | Music Technology, Jan 1993

This artist was mentioned in these other articles

Feature | Topic: Electronics / Build | Polyphony, Feb 1978

Retrospective | International Musician, Mar 1985

Review | Music Technology, Nov 1989

Feature | Topic: Recording Studios | Sound On Sound, Oct 1986

Review | Sound On Sound, Oct 1988

Lexicon LXP1

News | Electronics & Music Maker, Mar 1982

Feature | Topic: Electronics / Build, Syncronisation | Electronics & Music Maker, Jul 1982

Trigger Interfacing

Review | Sound On Sound, Mar 1989

Feature | In Tune, Oct 1985

Fender Facts

News | Music Technology, Jun 1993

Understanding the DX7 - Part 4

Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1984

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Interviews Show Descriptions Off