Showing results matching the filter form:
Feature | Home & Studio Recording, Feb 1984
An investigation of this revolutionary 'new' audio metering device.
Feature | Topic: Recording Studios | Music Technology, Apr 1988
Take an eight-track tape deck and a 128-track MIDI sequencer and you've got the basis of 2nd Sense studio. Nicholas Rowland visits a studio taking full advantage of what modern technology has to offer.
Feature | Topic: Electronics / Build | Home & Studio Recording, Jun 1984
A simple-to-build project that lets you match the recording levels of your mixer and multitrack tape recorder.
Feature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Feb 1984
4 Into 2 does go!
Feature | Topic: Sequencing | Sound On Sound, Aug 1988
In this lengthy article, Craig Anderton explains all the features found on sequencers, from the simple to the esoteric. It is intended for those who are trying to make an intelligent purchasing decision about a sequencer and don't fully understand all the options that are available.
Retrospective | Music Technology, Jan 1989
And if the facts aren't enough, take a look at the events of the past year from the point of view of Music Technology's staff and writers.
Feature | Topic: Sound Fundamentals, Synthesis & Sound Design | Sound On Sound, Jun 1988
Rudi Cazeaux explores the nature of sound and presents some basic guidelines for synthesizing the various standard groups of acoustic instruments.
Feature | Topic: Music Business | Home & Studio Recording, May 1987
Tell us Another One
Yet another Idea from Clive Brooks enabling you to deprive your fellows of money.
Feature | Topic: Live | Recording Musician, May 1993
Two of the industry's brightest names cast their minds back and reminisce to RM about the birth of the PA system.
Feature | Topic: Recording Studios | Sound On Sound, Dec 1987
Ever wondered what goes on in a commercial 16-track studio once the red light comes on? Roger Jackson of West Coast Music reveals all...
Feature | Topic: Synthesis & Sound Design | Music Technology, Aug 1987
Many of today's popular digital synthesisers use variations on "wavetable synthesis". Chris Meyer explains what this mystical but powerful method is all about.
Show Report | Music Technology, Sep 1988
This year's British Music Fair left the confines of Olympia in favour of a stadium atmosphere. Simon Trask goes walkabout at Wembley.
A History of Electronic Music - Part 1
Feature | Topic: Composing / Art | Electronics & Music Maker, Dec 1981
Part 1 looks at the early growth of this vitally important area of music today.
A History of Electronic Music - Part 3
Feature | Topic: Composing / Art | Electronics & Music Maker, Feb 1982
A History of Electronic Music - Part 6
Feature | Electronics & Music Maker, Jun 1982
Into the Seventies
A History Of Electronic Music - Part 2
Feature | Topic: Composing / Art | Electronics & Music Maker, Jan 1982
Feature | Topic: Mixing | Home & Studio Recording, Mar 1984
Feature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jul 1990
With Digital Audio Tape becoming widely used for mastering, it's important to know how it differs from its quarter-inch predecessor and how it can benefit you. Vic Lennard acknowledges his new master.
Show Report | Music Technology, May 1990
Trade shows often make the best stage for unveiling new equipment - did this year's Frankfurt show witness any revolutions? Simon Trask brings the news from Germany.
Feature | Topic: Vintage Instruments | Electronic Soundmaker & Computer Music, Sep 1983
Roland, Yamaha, OSCar, Syrinx, Teisco and Moog
A Vocal Chord - Part 2
Feature | Topic: Sampling | Music Technology, Jun 1988
In the second part of his piece on sampling the human voice, Tom McLaughlin discusses making up vocal multisamples and how to solve the problems you can expect to encounter.
A Vocal Chord - Part 1
Feature | Topic: Sampling | Music Technology, May 1988
As you've probably already got your sampler playing drums, horns and strings, getting it to sing to you may sound deceptively easy. Tom McLaughlin explains there may be more to sampling the human voice than you'd heard.
Feature | Topic: Computing, Electronics / Build | Electronic Soundmaker & Computer Music, May 1985
How to make your own Spectrum sampler for less than £20. The software comes on the tape.
Feature | Topic: Recording Studios | Sound On Sound, May 1988
It’s a tough world out there in the 16-track studio jungle, but Abbeydale’s owners have made a success out of providing a ‘personal production service’ for songwriters and bands. What's their secret? Read on...
Show Report | Electronics & Music Maker, Nov 1983