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Gear

1..2.. 3,4,5 - How To Bring Your Sounds Alive

Review | Sound On Sound, Dec 1986
Roland DEP-5 multi-effects

Julian Colbeck brings you the key facts on Roland's improvement on the SPX90.

20/20 Vision

Review | Recording Musician, Dec 1992
Peavey SDR 20/20 Digital Multi Effects Unit

A refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity.

30 Bands Of Rane

Review | Home & Studio Recording, Sep 1986
Rane ME15 and ME30 Graphics

A couple of graphic equalisers that would grace any studio.

3rd Generation GR2 Reverb

Review | Home & Studio Recording, Jul 1985

9001: A Space Odyssey

Review | Recording Musician, Feb 1993
Zoom 9001 Multi-Effects Processor

Big effects, small package — Mike Simmons thinks it must be a Zoom.

A Dep In The Right Direction?

Review | In Tune, Nov 1986
Roland DEP-5

A Desirable Delay

Review | Electronic Soundmaker, Aug/Sep 1984
MXR 1500 Digital Delay

The MXR 1500

A Sample of Eastern Ingenuity

Review | Home & Studio Recording, Dec 1985
Vesta Kozo DIG-420

Following their DIG-411 delay line: Vesta Kozo have now introduced this unit that is first and foremost a sampler and it can be used under keyboard control.

AB Graphic EQ

Review | Recording Musician, Oct 1992

Accessit

Review | Sound International, May 1979
Equipment

Accessit Aphex Exciter

Review | In Tune, Oct 1985

Accessit Sound Processor Units

Review | Home & Studio Recording, Apr 1984
Dual Sweep EQ & Stereo Reverb

ACES 27 Band Graphic Equaliser

Review | Home & Studio Recording, May 1984

Acoustic algebra

Review Audio | The Mix, Feb 1995
Digitech TSR-12

Multi-effects, sampler and more!

ADA 2FX

Review | One Two Testing, Feb 1985

delay/chorus/flanger in one

ADA 2FX Digital Multi-Effects

Review | Home & Studio Recording, Feb 1985

ADA 2FX Digital Multieffects

Review | International Musician, Mar 1985
Effectscheck

A veritable jamboree bag of effects in one rackmounting unit

ADA Signal Processors

Review | Sound On Sound, Nov 1988

David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money.

ADA STD-1 Stereo Tapped Delay

Review | Home & Studio Recording, Mar 1985

AGM Electron Echo

Review | Home & Studio Recording, Nov 1984

Akai AR900

Review | Music Technology, May 1989

Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel.

Akai EX90R

Review | Music Technology, Mar 1988
Reverb Unit

A budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears.

Alesis Micro Effects

Review | Sound On Sound, Mar 1988

David Hughes tries out three new low-cost companions to the Alesis Microverb - the Micro Enhancer, Micro Gate, and Micro Limiter. Are they the Accessit range of the Eighties?

Alesis Microverb

Review | Music Technology, Dec 1986

Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear.

Alesis Microverb III

Review | Music Technology, Mar 1991
Reverb Unit

Now in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb.

 

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