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1..2.. 3,4,5 - How To Bring Your Sounds AliveReview | Sound On Sound, Dec 1986Roland DEP-5 multi-effectsJulian Colbeck brings you the key facts on Roland's improvement on the SPX90. |
20/20 VisionReview | Recording Musician, Dec 1992Peavey SDR 20/20 Digital Multi Effects UnitA refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity. |
30 Bands Of RaneReview | Home & Studio Recording, Sep 1986Rane ME15 and ME30 GraphicsA couple of graphic equalisers that would grace any studio. |
3rd Generation GR2 ReverbReview | Home & Studio Recording, Jul 1985 |
9001: A Space OdysseyReview | Recording Musician, Feb 1993Zoom 9001 Multi-Effects ProcessorBig effects, small package — Mike Simmons thinks it must be a Zoom. |
A Sample of Eastern IngenuityReview | Home & Studio Recording, Dec 1985Vesta Kozo DIG-420Following their DIG-411 delay line: Vesta Kozo have now introduced this unit that is first and foremost a sampler and it can be used under keyboard control. |
AB Graphic EQReview | Recording Musician, Oct 1992 |
Accessit Aphex ExciterReview | In Tune, Oct 1985 |
Accessit Sound Processor UnitsReview | Home & Studio Recording, Apr 1984Dual Sweep EQ & Stereo Reverb |
ACES 27 Band Graphic EqualiserReview | Home & Studio Recording, May 1984 |
ADA 2FX Digital Multi-EffectsReview | Home & Studio Recording, Feb 1985 |
ADA 2FX Digital MultieffectsReview | International Musician, Mar 1985EffectscheckA veritable jamboree bag of effects in one rackmounting unit |
ADA Signal ProcessorsReview | Sound On Sound, Nov 1988David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money. |
ADA STD-1 Stereo Tapped DelayReview | Home & Studio Recording, Mar 1985 |
AGM Electron EchoReview | Home & Studio Recording, Nov 1984 |
Akai AR900Review | Music Technology, May 1989Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel. |
Akai EX90RReview | Music Technology, Mar 1988Reverb UnitA budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears. |
Alesis Micro EffectsReview | Sound On Sound, Mar 1988David Hughes tries out three new low-cost companions to the Alesis Microverb - the Micro Enhancer, Micro Gate, and Micro Limiter. Are they the Accessit range of the Eighties? |
Alesis MicroverbReview | Music Technology, Dec 1986Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear. |
Alesis Microverb IIIReview | Music Technology, Mar 1991Reverb UnitNow in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb. |
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