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Gear

1..2.. 3,4,5 - How To Bring Your Sounds Alive

Review | Sound On Sound, Dec 1986
Roland DEP-5 multi-effects

Julian Colbeck brings you the key facts on Roland's improvement on the SPX90.

20/20 Vision

Review | Recording Musician, Dec 1992
Peavey SDR 20/20 Digital Multi Effects Unit

A refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity.

9001: A Space Odyssey

Review | Recording Musician, Feb 1993
Zoom 9001 Multi-Effects Processor

Big effects, small package — Mike Simmons thinks it must be a Zoom.

A Desirable Delay

Review | Electronic Soundmaker & Computer Music, Aug/Sep 1984
MXR 1500 Digital Delay

The MXR 1500

AB Graphic EQ

Review | Recording Musician, Oct 1992

Accessit Aphex Exciter

Review | In Tune, May 1986

Accessit Sound Processor Units

Review | Home & Studio Recording, Apr 1984
Dual Sweep EQ & Stereo Reverb

ACES 27 Band Graphic Equaliser

Review | Home & Studio Recording, May 1984

ADA Signal Processors

Review | Sound On Sound, Nov 1988

David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money.

AGM Electron Echo

Review | Home & Studio Recording, Nov 1984

Akai AR900

Review | Music Technology, May 1989

Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel.

Akai EX90R

Review | Music Technology, Mar 1988
Reverb Unit

A budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears.

Alesis Micro Effects

Review | Sound On Sound, Mar 1988

David Hughes tries out three new low-cost companions to the Alesis Microverb - the Micro Enhancer, Micro Gate, and Micro Limiter. Are they the Accessit range of the Eighties?

Alesis Microverb

Review | Music Technology, Dec 1986

Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear.

Alesis Microverb III

Review | Music Technology, Mar 1991
Reverb Unit

Now in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb.

Alesis MIDIFEX

Review | Sound On Sound, Aug 1986

Several months after the MIDIVERB turned the world of stereo digital reverb on its head, Alesis look set for a repeat performance with their latest unit - a combination of digital delay, reverb and stereo enhancer. Paul Gilby seems lost for words.

Alesis Midiverb

Review | Making Music, May 1986
digital reverb

Alesis Midiverb

Review | International Musician & Recording World, Apr 1986
Studio Test

Jim Betteridge opines on a resounding success

Alesis MIDIVERB II

Review | Sound On Sound, Jul 1987

When it comes to the MIDIVERB II, Phil South discovers that sequels can sometimes be better than the originals!

Alesis Midiverb III

Review | Music Technology, Mar 1990
Digital Reverb

In the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb.

Alesis Quadraverb

Review | Music Technology, Apr 1989
Digital Multi-effects Processor

Following the success of their Midiverbs and Microverbs, Alesis have developed a unit capable of providing no less than four audio treatments simultaneously. Ian Waugh practices his four-play.

Alesis Quadraverb

Review | Home & Studio Recording, Mar 1989

The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects.

Alesis Quadraverb Plus

Review | Music Technology, Apr 1991
Multi-fx Processor

Possibly the most popular budget multi-fx processor currently available, the Quadraverb has just been upgraded and promoted to the rank of 'Plus'. Nigel Lord investigates.

AMS RMX-16 Digital Reverb

Review | Home & Studio Recording, Mar 1984
Processor

Aphex Aural Exciter - Type B

Review | Home & Studio Recording, Apr 1984

 

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