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Review | Sound On Sound, Mar 1988
David Hughes tries out three new low-cost companions to the Alesis Microverb - the Micro Enhancer, Micro Gate, and Micro Limiter. Are they the Accessit range of the Eighties?
Review | Music Technology, Dec 1986
Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear.
Review | Music Technology, Mar 1991
Now in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb.
Review | Sound On Sound, Aug 1986
Several months after the MIDIVERB turned the world of stereo digital reverb on its head, Alesis look set for a repeat performance with their latest unit - a combination of digital delay, reverb and stereo enhancer. Paul Gilby seems lost for words.
Review | International Musician, Oct 1986
The MIDIverb set new standards for low-price, high quality digital reverb. Can the MIDIfex do the same for even more digital effects? Curtis Schwartz reports.
Review | Making Music, Aug 1986
Multiple Effects Unit
Review | International Musician, Apr 1986
Jim Betteridge opines on a resounding success
Review | Making Music, May 1986
Review | Sound On Sound, Jul 1987
When it comes to the MIDIVERB II, Phil South discovers that sequels can sometimes be better than the originals!
Review | Sound On Sound, Jan 1990
This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out.
Review | Music Technology, Mar 1990
In the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb.
Review | Music Technology, Apr 1989
Digital Multi-effects Processor
Following the success of their Midiverbs and Microverbs, Alesis have developed a unit capable of providing no less than four audio treatments simultaneously. Ian Waugh practices his four-play.
Review | Home & Studio Recording, Mar 1989
The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects.
Review | Music Technology, Apr 1991
Possibly the most popular budget multi-fx processor currently available, the Quadraverb has just been upgraded and promoted to the rank of 'Plus'. Nigel Lord investigates.
Review | Home & Studio Recording, Aug 1985
For even less than the price of a semi in Rotherham, you too can experience high quality digital reverb in the privacy of your own home.
Review | Sound On Sound, Dec 1990
Alesis Quadraverb Plus and Datadisk SQ
Upgrading your equipment doesn't always mean selling the old stuff and replacing it entirely: new facilities and features may be only a chip away. Tony Hastings looks at updated versions of two Alesis units.
Review | The Mix, Oct 1994
Alesis Quadraverb 2
New version of multi-effects classic
Review | Micro Music, Jun/Jul 1989
Do four things at once with this multi effects processor from Alesis - John Renwick reports
Review | Electronics & Music Maker, Apr 1986
Digital reverb comes of age, in the shape of a new American unit that abandons user-programmability in favour of great-sounding presets, and does it at an incredibly low price. Paul White enthuses.
Review | Sound On Sound, Mar 1989
Four simultaneous effects and real-time MIDI control are features found on several recent effects processors, but the Alesis Quadraverb is the first to bring both together in a single unit. Paul Ireson lends an ear.
Review | Electronics & Music Maker, Aug 1986
Hot on the heels of the remarkable MIDIverb, the MIDIfex takes reverb-derived sound treatments a step further, while retaining a low price-tag. Paul White has the details.
Review | Sound On Sound, Mar 1986
Dave Lockwood tastes the aural delights of the MIDIVERB's upmarket stablemate - the XTc.
Review | Sound On Sound, Mar 1986
Paul Gilby scrutinises the world's cheapest MIDI controlled stereo digital reverb, the MIDIVERB.
Review | Sound On Sound, Aug 1991
Alesis 3630 Compressor/Limiter & Alesis RA100 Reference Amplifier
Alesis made their name on high-quality, low-cost digital effects units, and their latest products offer the same affordable quality on two basic analogue units — a compressor and an amplifier. Dave Lockwood conducts the field test.
We found these other (non-review) articles that are linked to this gear:-
Competition | Sound On Sound, Feb 1991
Who said Christmas was over? here s your chance to get your mits on this fabulous multi-effects processor from Alesis.