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Issues donated this month: 14

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Funds donated this month: £20.00

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1..2.. 3,4,5 - How To Bring Your Sounds Alive

Review | Sound On Sound, Dec 1986
Roland DEP-5 multi-effects

Julian Colbeck brings you the key facts on Roland's improvement on the SPX90.

A Dep In The Right Direction?

Review | In Tune, Nov 1986
Roland DEP-5

Beef It Up

Review | Electronic Soundmaker, Jul 1985
Roland SDE-2500 MIDI digital delay

Roland's MIDI digital delay

Delay Tactics

Review | Electronics & Music Maker, Oct 1985
Roland SDE2500 Delay

Following last month's excursion into the world of digital reverb, Paul 'Poodle' White puts the latest Roland DDL through its paces and assesses the results.

Expand your horizons

Review Audio | The Mix, Aug 1994
Roland SDX330

Stereo chorus with that 3-D feeling

One Step Beyond

Review | Sound On Sound, Oct 1993
Roland SDE330 Dimensional Delay

Roland Chorus Echo 555

Review | One Two Testing, Nov 1983

Roland DEP-3

Review | Home & Studio Recording, May 1987
Digital Effects Processor

Reverb and delay from Roland in the guise of the DEP-3, a scaled down version of the popular DEP-5.

Roland DEP-5 Multi Effects Processor

Review | International Musician, Dec 1986
Studio Test

An effective answer to Yamaha's SPX90? Jim Betteridge seems to think so

Roland DEP3

Review | Music Technology, Jun 1987
Digital Effects Processor

A programmable reverb that also offers delay effects, or a multi-effects unit with reverb as its strongest suit? Paul White deciphers the latest box of treatment tricks.

Roland DEP5

Review | Music Technology, Nov 1986
Multi-effects Unit

Multi-effects processors are all very well, but few of them allow you to use two different treatments in series. Paul White is blown away by the possibilities the technique offers.

Roland DEP5 Multi Effects

Review | Making Music, Oct 1986

Roland Digital Delay SDE2500

Review | Home & Studio Recording, Sep 1985

More MIDI magic from Roland.

Roland Dimension D

Review | Home & Studio Recording, Jun 1984

Roland E660

Review | Music Technology, Oct 1988
Digital Parametric Equaliser

The advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser.

Roland R880

Review | Music Technology, Mar 1989
Digital Reverb Unit

Digital reverberation technology is recognised for making reverb units cheap, but the same technology means a little more money buys a lot more power. Vic Lennard reflects on the R880.

Roland RE3

Review | Music Technology, Mar 1989
Digital Space Echo

When Roland made the most popular tape echo unit in the world they called it Space Echo - now they've revived it in digital form. Gordon Reid listens to echoes from the past.

Roland RSP550

Review | Sound On Sound, Jul 1991

Yet another sleek, black, 16-bit multi effects unit? Or does the new Roland RSP550 have something more to offer? Kendall Wrightson has the answer.

Roland SDE-2000

Review | Electronics & Music Maker, May 1983

Roland SDE-2500

Review | International Musician, Jul 1985
Studio Test

Curtis Schwartz expands his programming power and refines his live sound with the Roland SDE-2500 MIDI Digital Delay

Roland SDE-3000 Digital Delay

Review | Electronics & Music Maker, Mar 1984

The very latest microprocessor controlled delay, offering flange and vibrato among its many features.

Roland SDE1000 Digital Delay

Review | Home & Studio Recording, Mar 1984

Roland SDE3000 & SDE1000

Review | One Two Testing, Nov 1983

Roland SRV-330

Review | Music Technology, Dec 1993
Dimensional Space Reverb

Can a stereo unit create 3D ambience?

Roland SRV2000

Review | In Tune, Oct 1985
MIDI Digital Reverb



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