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Review | Sound On Sound, Nov 1987
Yamaha REV5 Reverb
Is there room at the top for yet another digital reverb unit? Mark Badger thinks so — provided it's 16-bit, has a 20kHz effect bandwidth, analogue and digital parametric EQ, can stack two reverb effects and goes by the name of REV5!
Review | Sound On Sound, Jul 1991
Yamaha EMP100 Multi-Effects Processor
The latest addition to Yamahas highly affordable 100 series, the EMP100, could prove to be its best buy yet. Paul Ireson explains why.
Review | Electronic Soundmaker, Dec 1984
...Reverbs. An across-the-range selection put through their paces, demonstrating both conventional and creative uses...
Review | Electronics & Music Maker, May 1986
With the help of new software technology, Yamaha's new multi-FX unit does the job of a half-dozen outboard machines. Paul White gives a rundown of what it can do, and how well it does it.
Review | In Tune, Apr 1986
Review | Electronics & Music Maker, Nov 1984
MIDI Digital Delay
Somehow, it had to be Yamaha who'd be first to put MIDI on a digital delay. The possibilities are endless, claims Paul White.
Review | Home & Studio Recording, Nov 1984
Review | Sound On Sound, Mar 1990
The best things come in small packages, decides Paul Ireson as he puts this budget six-effects-at-once processor through its paces.
Review | Music Technology, Sep 1989
Never mind Starwars fx, this is the war of the star fx. Vic Lennard patches in Yamaha's latest budget multi-fx unit and likes what he hears.
Review | Home & Studio Recording, Jun 1985
Review | Home & Studio Recording, May 1985
Review | Electronics & Music Maker, May 1983
Review | One Two Testing, Feb 1984
Review | Home & Studio Recording, Jan 1984
Review | Sound On Sound, Nov 1985
Yet Another Milestone
Low cost digital reverb comes of age according to Producer Robin Lumley.
Review | Music Technology, Oct 1987
Digital Signal Processor
The latest signal processor from Yamaha may be aimed primarily at guitarists but the small studio owner might prefer to look at it as an adaptation of the SPX90. Rick Davies finds out it has a few new twists as well as a slimline price tag.
Review | Sound On Sound, Feb 1988
Martin Russ reveals the hidden features of Yamaha's budget digital multi-effector and explains how it can be coaxed into supplying more than one effect at once.
Review | Sound On Sound, Apr 1986
£600 (almost) buys you this boxful of MIDI-controlled digital effects processors. But can they be good quality? Ian Gilby dragged himself out of the studio long enough to give us his opinions.
Review | Making Music, Apr 1986
Review | International Musician, May 1986
A multitude of digital effects in a single box for only £600
Review | Music Technology, Mar 1990
The 100 Series is Yamaha's compact, cost- effective line of studio modules. Simon Trask tests a selection of units from mixer through effects to monitors.
We found these other (non-review) articles that are linked to this gear:-
Competition | Recording Musician, May 1993
Is there a tiny space in your studio just waiting to be filled by a Yamaha FX550?
Effective Automation - Part 1
Feature | Topic: Effects Processing, MIDI, Mixing | Sound On Sound, Dec 1985
Creative mixing with MIDI controlled effects
Paul Gilby takes a look at the first MIDI controlled effect - Yamaha's D1500 which heralds a series on creative mixing with MIDI controlled devices.
Feature | Topic: Effects Processing | Sound On Sound, Dec 1991
David Mellor offers advice to the studio newcomer on the original multi-effects unit.
Feature | Topic: Effects Processing, MIDI | Sound On Sound, Oct 1988
Using System Exclusive Bulk Dumps
Have you ever wished you could save your SPX90 effects programs to disk or into your MIDI sequencer for instant recall at the right point in your music? Using the power of MIDI’s System Exclusive Bulk Dump commands, Mike Collins explains how it can be done.