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Donations for July 2024
Issues donated this month: 14

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Funds donated this month: £20.00

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All Revved Up

Review | Home & Studio Recording, Mar 1986

The Yamaha REV1, possibly the most sophisticated digital reverb on the market.

Interior Designs

Review | Sound On Sound, Nov 1987
Yamaha REV5 Reverb

Is there room at the top for yet another digital reverb unit? Mark Badger thinks so — provided it's 16-bit, has a 20kHz effect bandwidth, analogue and digital parametric EQ, can stack two reverb effects and goes by the name of REV5!

Jack Of All Trades

Review | Home & Studio Recording, May 1986
Yamaha SPX90

Is it a reverb? Is it a sampler? Yes and no; it's Yamaha's new digital Jack of all trades and it offers surprising value for money.

Roland SRV2000 & Yamaha REV7 Reverbs

Review | One Two Testing, Feb 1986

Every sussed studio should have one - which?

SPX Appeal

Review | Sound On Sound, Sep 1993
Yamaha SPX990 20-Bit Digital Multi Effects

We put the first affordable 20-bit processor through its paces.

The Hot 100

Review | Sound On Sound, Jul 1991
Yamaha EMP100 Multi-Effects Processor

The latest addition to Yamahas highly affordable 100 series, the EMP100, could prove to be its best buy yet. Paul Ireson explains why.

The Magnificent Seven...

Review | Electronic Soundmaker, Dec 1984

...Reverbs. An across-the-range selection put through their paces, demonstrating both conventional and creative uses...

The Power Behind the Button

Review | Electronics & Music Maker, May 1986
Yamaha SPX90

With the help of new software technology, Yamaha's new multi-FX unit does the job of a half-dozen outboard machines. Paul White gives a rundown of what it can do, and how well it does it.

Wide Open Spaces

Review | Electronics & Music Maker, Sep 1985

A special, report on budget digital reverb, with the spotlight focussed firmly on two groundbreaking new machines, the Yamaha REV7 and Roland SRV2000. Paul White and Simon Trask take up the story.

Yamaha Compressor & Graphic EQ

Review | In Tune, Jul/Aug 1985

Yamaha D1500

Review | Electronics & Music Maker, Nov 1984
MIDI Digital Delay

Somehow, it had to be Yamaha who'd be first to put MIDI on a digital delay. The possibilities are endless, claims Paul White.

Yamaha D1500

Review | One Two Testing, Mar 1985

echo under remote control

Yamaha D1500 MIDI Digital Delay

Review | Home & Studio Recording, Nov 1984

Yamaha EMP700

Review | Sound On Sound, Aug 1992
Stereo Effects Processor

It's slim, dark and sexy, flashes alluringly in a rack and has multiple uses - it's Yamaha's latest sound processor, the EMP700. Derek Johnson opens up the black magic box.

Yamaha FX500

Review | Sound On Sound, Mar 1990
Multi-Effects Processor

The best things come in small packages, decides Paul Ireson as he puts this budget six-effects-at-once processor through its paces.

Yamaha FX500 Multi Effects

Review | Music Technology, Sep 1989

Never mind Starwars fx, this is the war of the star fx. Vic Lennard patches in Yamaha's latest budget multi-fx unit and likes what he hears.

Yamaha GC2020 Compressor/Limiter

Review | Home & Studio Recording, Jun 1985

Yamaha GQ1031 Graphic Equaliser

Review | Home & Studio Recording, May 1985

Yamaha R-1000 Digital Reverb

Review | Electronics & Music Maker, May 1983

Yamaha R1000

Review | One Two Testing, Feb 1984
Digital Reverb

Yamaha R1000 Digital Reverb

Review | Home & Studio Recording, Jan 1984

Yamaha REV-7

Review | International Musician, Oct 1985
Studio Test

Revolutionary REV-7 reviewed

Yamaha REV-7 Digital Reverberator

Review | Sound On Sound, Nov 1985
Yet Another Milestone

Low cost digital reverb comes of age according to Producer Robin Lumley.

Yamaha REV7

Review | Home & Studio Recording, Oct 1985
Digital Reverb

This long awaited product is now available and offers first class digital reverb along with a host of stereo DDL effects.

Yamaha REX50

Review | Sound On Sound, Feb 1988

Martin Russ reveals the hidden features of Yamaha's budget digital multi-effector and explains how it can be coaxed into supplying more than one effect at once.



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