mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
Review | Electronics & Music Maker, Jun 1981
Review | Sound On Sound, Sep 1986
THE ULTIMATE SOFT MACHINE
The Fairlight (in its previous Series II guise) was/is probably the most famous computer musical instrument in the world. Everybody knows the name, but few really know what its true capabilities are. Now there is a new breed of Fairlight, far more powerful and far more sophisticated than the old one ever was - the Series III. Richard Elen takes a look at the mind-boggling potential of this Rolls-Royce of sound sampling/synthesizing machines.
Review | Electronics & Music Maker, Apr 1986
Simon Trask takes the bull by the horns and previews the latest 16-bit, £60,000 version of the Fairlight CMI. Millionaires have never had it so good, and there's more to come from Australia...
We found these other (non-review) articles that are linked to this gear:-
Fairlight Explained - Part 8
Feature | Topic: Sampling, Synthesis & Sound Design | Electronics & Music Maker, May 1985
Another world first for E&MM: Jim Grant takes us through the creation of a sound without using the CMI's sampling facility.
Feature | Topic: MIDI | Electronics & Music Maker, Jun 1985
At last, the CMI frees itself from the constraints of an analogue interface and starts talking MIDI. Paul Wiffen checks out the results.
Fairlight's Father - Part 2
Interview | Music Technology, Jun 1987
TechTalk: Kim Ryrie
Second and final part of our interview with Fairlight's co-founder. Simon Trask listens to what he has to say about the future of musical technology.
Fairlight's Father - Part 1
Interview | Music Technology, May 1987
TechTalk: Kim Ryrie
In an exclusive interview, the co-founder of the Fairlight company and father of the CMI talks about the machine's development, and outlines his plans for the future. Simon Trask pops the questions.
Feature | Electronic Soundmaker, Sep 1983
The CMI and Blue Weaver
Feature | Topic: Computing, Synthesis & Sound Design | One Two Testing, Nov 1982
INPUT: computer analysis/Fairlight/Emulator/PPG/Synclavier/edit and compare/explain FILE FOUND: guest reviewer/Tom Dolby... ASSIGN
The Fairlight Explained - Part 6
Feature | Topic: Sampling, Synthesis & Sound Design | Electronics & Music Maker, Mar 1985
After a two-month absence, Jim Grant returns to the fold with some notes on CMI waveforms, lightpens and interpolation.
The Fairlight Explained - Part 2
Feature | Electronics & Music Maker, Sep 1984
Second instalment of Jim Grant's five-year mission into the unknown, or what goes on inside the world's most popular computer music tool.