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8-track Without TearsReview | Home & Studio Recording, Dec 1985It's more than a Portastudio; 8-track reel-to-reel and mixing facilities all in one unit - the Tascam 388. |
Akai GX-4000D Reel-to-ReelReview | Home & Studio Recording, Oct 1984 |
Akai MG1212Review | International Musician, Jan 1985Studio TestCould this be the Megaportastudio. Jim Betteridge went forth and recorded |
Akai MG1214Review | Sound On Sound, Aug 1987No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems... |
Akai's AttackReview | Electronic Soundmaker, Jan 1985Akai AX 80/1212 Mixer/RecorderAkai leap bravely into the hard world of Pro music gear, with a poly, the AX 80, and a unique 12-channel mixer/recorder. |
Black MagicReview | Sound On Sound, Feb 1986Fostex Model 80 Tape RecorderA second generation 8-track from Fostex that offers autolocate and timecode control to the budget studio. Paul Gilby opens the box to discover the secrets of the black magic. |
Budget 24-TrackReview | Sound On Sound, Sep 1989Have you always wanted a 24-track studio but could never afford the gear? Well now, maybe you can. David Mellor looks at a package of equipment that offers 24 tape tracks at a budget price. |
Fostex A-8 RetrospectiveRetrospective (Gear) | One Two Testing, Mar 1986Classic retrospective re-evaluated |
Fostex B16 Tape RecorderReview | Home & Studio Recording, Jan 1984 |
Fostex E16 MultitrackReview | Music Technology, Nov 198616-track Tape RecorderEver since its launch, the Fostex B16 has dominated the budget 16-track studio market Now Paul White tests its successor, the E16, and finds out if the improvements are worthwhile. |
Fostex E16 Multitrack RecorderReview | Sound On Sound, May 1988Many people own one and even more would like to, for the E16 is the 16-track tape machine to aspire to. Gareth Stuart finds out why. |
Fostex G16Review | Sound On Sound, Sep 1990David Mellor looks at a 16-track machine which brings a new level of sophistication to the world of 'personal' multitrack. |
Fostex G24SReview | Sound On Sound, Mar 1991SSSH... From You Know WhoFollowing last month's review of the Tascam MSR24S, Dave Lockwood turns his attention to Fostex's new one-inch 24-track with Dolby S: The G24S. |
Fostex Model 80 8-track Tape RecorderReview | Home & Studio Recording, Jan 1986Eight track for the reel world |
Fostex R8Review | Music Technology, Mar 1989Eight-track reel-to-reel recorderAs 8-track tape recording takes its first steps onto cassette, Fostex introduce another revolutionary idea: the reel-to-reel tape deck with a detachable control panel. Vic Lennard does it from a distance. |
Fostex R8 - The 8-Track Take-AwayReview | Sound On Sound, Jan 1989In these space-conscious times, Fostex have developed a diminutive new 8-track tape recorder you can store out of sight and control fully from its detachable front panel remote control/autolocator. David Mellor takes it for a spin... |
Head To HeadReview | Recording Musician, Aug 1992Fostex R8 & Tascam TSR8 RecordersPaul White checks out Tascam's TSR8 and Fostex's R8 open reel, 8-track machines side by side. |
One Over The Eight?Review | Electronic Soundmaker, Sep 1985Tascam 388A ‘portable’ 8 track recorder/mixer |
Revox C278Review | Recording Musician, Sep 19928-Track Tape RecorderSince its dramatic drop in price, the C278 is an attractive proposition to the private user who puts quality before frills. |
Revox C278Review | Sound On Sound, Aug 1989For A Few Dollars More...What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra. |
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