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Akai MIDI EffectsReview | Sound On Sound, Feb 1986Digital Delay, Dynamic Control and Arpeggiation emerge from the MIDI jungle. Paul Gilby observes this rare species. | |||
Akai Midi Effects UnitsReview | International Musician, Dec 1985EffectscheckCurtis Schwartz gets affected by Akai's latest | |||
Anatek Pocket FXReview | Music Technology, Aug 1989Pocket Filter, Pedal & MergeWhat's the size of a fag pocket, comes in enough varieties to ease almost any studio problem and isn't covered by British drug laws? Vic Lennard investigates a new line in MIDI effects. | |||
Aphex Feel FactoryReview | Music Technology, Jun 1989American company Aphex bring us a new concept in the "humanisation" of machine-generated music, in the form of their Feel Factory. Robert Rich finds himself in the world of grooves and Feel Algorithms. | |||
Black Box SecretsReview | Electronics & Music Maker, Nov 1985Akai MIDI EffectsThree 19" rack-mounted modules that act as a delay, a dynamics controller, and an arpeggiator respectively. Simon Trask gives them the critical treatment. | |||
ConnectionsReview | Micro Music, Oct/Nov 1989Darrin Williamson takes a look at the Phillip Rees range of hardware designed to help the flow of your MIDI data | |||
MIDI Management BoxesReview | Sound On Sound, Jul 1989Even a relatively modest MIDI setup can create MIDI routing problems, and solutions to these aren’t always easy to find. Paul Ireson investigates the range of Philip Rees MIDI management boxes to see what they can offer. | |||
MIDI Merge BoxesReview | Music Technology, Apr 1989Philip Rees 2M & Groove Electronics MIIM MIDI MergersWhen the usual MIDI In, Out and Thru that appear on most of your MIDI gear are unable to manage your MIDI data, outside help is in order. Vic Lennard has the urge to merge with Philip Rees' 2M and Groove Electronics' MIIM. | |||
Nobody's Perf/XReview | Sound On Sound, Mar 1989Oberheim Cyclone and Systemizer Performance EffectsOberheim's two Performance Effects units are something of a new direction for a company associated with classic analogue synths. Paul Ireson tries them out and finds a few surprises in store - not all of them pleasant. | |||
Oberheim DrummerReview | Music Technology, Sep 1991Interactive Drum Pattern SequencerIf your drum patterns sound uninspired it could be because you lack the subtle touch of the human drummer. Simon Trask looks at an electronic aid to drum programming. | |||
Oberheim Drummer & StrummerReview | Sound On Sound, Aug 1991MIDI ProcessorsAn interactive drum sequencer and a keyboard to guitar chord convertor are the first new products to emerge from revitalised synth pioneers Oberheim Electronics. Kendall Wrightson gets on the case. | |||
Oberheim StrummerReview | Music Technology, Nov 1991Keyboard to Guitar Chord ConverterLatest in Oberheim's Perf/X series is a unit designed to bridge the gap between keyboard and guitar. Simon Trask perfects his Jimi Hendrix impression. | |||
Oberheim Systemizer MIDI Performance EffectReview | Music Technology, Apr 1989If your master keyboard is not living up to its name, Oberheim's Systemizer may provide it with the MIDI performance features you need. Simon Trask gets into the system. | |||
We found these other (non-review) articles that are linked to this gear | |||
CompetitionCompetition | Music Technology, May 1991Other musicians' playing technique is the one element that often eludes the modern keyboard player - one solution lies in this month's competition prizes: Oberheim's new Strummer and Drummer. |
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