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Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Jul 1992
In the days before Roland established their reputation for consistently delivering the goods, they turned out some weird and wonderful synths. Peter Forrest lifts the dust cover on the old SH7 monosynth.
Review | Sound On Sound, Mar 1986
Roland Alpha Juno-1
If you're not an FM fan, but are looking for a low-cost polysynth that can double as a MIDI expander, you won't need to look further than Roland's new Alpha Juno-1 according to Mark Jenkins.
Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Apr 1987
Of all the instruments that became popular in the heyday of the "big synth" a few years back, Roland's Jupiter 8 has stood the test of time the best. Tim Goodyer, a self-confessed JP8 addict, explains why.
Review | Music Technology, May 1988
for Roland Jupiter 8 & Juno 6/60
Hands up once-proud owners of a Jupiter 8 or Juno 6/60 who've left their pride and joy to collect dust while they've concentrated on MIDI gear. Tony Wride finds out MIDI can be yours courtesy of Groove Electronics.
L.A. Synthesis: What Is It? - Part 2
Review | Sound On Sound, Jun 1987
Continuing on from last month's review of the Roland D-50 Linear Arithmetic synthesizer, Martin Russ takes a detailed look at the technical aspects of the D-50, liberally sprinkled with excerpts from a rare interview with Mr Ikutaro Kakehashi, President of the Roland Corporation.
Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Aug 1991
Arp Pro Soloist, Korg Sigma & Roland SH2000
In the early days of analogue synths, reconciling electronics and expression was hard work. Gordon Reid looks at the beginnings of pressure sensitivity.
Review | Electronics & Music Maker, Jun 1986
Roland JX10 Polysynth
Put two JX8P synths in one box, add a few new facilities, and you have a giant of a synthesiser that harks back to the polyphonic instruments of old. Simon Trask (again) tests a glorious anachronism.
Review | Micro Music, Aug/Sep 1989
Could this be the ideal keyboard for computer musicians? John Renwick finds out
Review | Electronic Soundmaker & Computer Music, May 1984
Review | International Musician & Recording World, Feb 1986
Is small beautiful? Jim Betteridge knows
Roland D-50 - Part 1
Review | Sound On Sound, May 1987
Is the future Linear?
Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out...
Review | Music Technology, Oct 1988
Roland's latest keyboard combines two currently important concepts: the workstation and the company's own Linear Arithmetic synthesis. Simon Trask test drives the "multi-timbral linear synthesiser muhitrack sequencer".
Review | Music Technology, Jul 1989
Simon Trask investigates the latest and cheapest in an increasingly long line of L/A synths from Roland. But if L/A is the way for you, are you better off with a D5 or a D10?
Roland D50 - Part 1
Review | Music Technology, May 1987
Linear Arithmetic Synthesiser
Is this the synth to topple the DX7 from its throne? Will Linear/Arithmetic Synthesis become the programmer's new catchphrase? Will Simon Trask die of a broken heart? Find out in our exclusive review.
Roland D50 Synthesiser - Part 2
Review | Music Technology, Jun 1987
In the second and concluding part of our review, Simon Trask gives the D50's sound potential a more in-depth listening, and has a go at programming, LA-style.
Review | Music Technology, Jun 1990
Just when you thought it was safe to be blasé about L/A synthesis, Roland introduce a mighty synth sure to re-establish L/A as a current source of sounds. Simon Trask previews Roland's new flagship.
Review | Music Technology, Aug 1990
Super LA Synthesiser
The latest addition to Roland's D-series synths is its new flagship - the D70. Simon Trask puts the "Super LA" synth through its paces and discovers its new Analogue Feel facility.
Review | Music Technology, Jun 1991
Roland's latest synth combines the power of digital synthesis with the interactive approach of analogue programming. The pleasure of synthesis returns to the player and to Simon Trask.
Review | Electronics & Music Maker, Jul 1982
Review | One Two Testing, Nov 1982
Non-programmable six note poly with arpeggiator
Review | Electronic Soundmaker & Computer Music, Oct 1983
Roland's budget Jupiter 8
Review | One Two Testing, Nov 1982
64 memory programmable poly with arpeggiator
Review | Music Technology, Jun 1992
Not simply a stripped-down JV80, Roland's new JV30 has some surprises to add to its minorbuck price tag. Simon Trask test drives a new Roland which could prove a popular buy amongst cost-conscious synth players.
Review | Music Technology, May 1992
Roland's latest professional digital synthesiser crosses the frontier between their successful D-series technology and a new generation of Roland synths - without costing a fortune. Simon Trask welcomes the JV80.
Review | Music Technology, Jul 1991
If you'd begun to believe that you needed a degree to use any modern synth, think again: think JX1. Simon Trask discovers the truth behind the Japanese "Think SynX Concept" adverts.