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100 Things To Do With FMReview | Electronics & Music Maker, Feb 1986Yamaha DX100 PolysynthThe latest addition to the DX family is the cheapest yet at just £349. Simon Trask slings it round his neck and takes it for a test drive: will it bring FM to the masses? |
21 TodayReview | Electronic Soundmaker, Sep 1985Yamaha DX21 synthesiserThe latest in the DX synth series |
21 TodayReview | Electronics & Music Maker, Aug 1985Yamaha's DX21 polysynth offers FM sound quality at a low, low price, plus a few features even the DX7 doesn't have. Simon Trask investigates. |
80 DaysRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Sep 1990Yamaha CS80Once infamous as a roadie's nightmare, the CS80 has settled in synth history as an instrument of almost unmatched character. Peter Forrest rediscovers the pain and the pleasure. |
Crystal ClearReview | Sound On Sound, Feb 1992Voice Crystal SY77 Disks 1 & 2Martin Russ takes a break from programming sounds and auditions someone else's instead. |
Delirious XcitementReview | Sound On Sound, Mar 1988Yamaha DX7SA story in which our hero, David Mellor, deserts the path of enlightenment and sells his DX7 Mk1 for a rival keyboard. Can the DX7S tempt him back to the true faith? Read on... |
Double TakeReview | Electronic Soundmaker, Apr 1985Yamaha DX5Yamaha's follow-up machine to the DX7 is essentially a budget DX1, offering two '7s in one neat package. We take a look at the DX5. |
FM's Finest HourReview | Sound On Sound, May 1989Yamaha V50 WorkstationPaul Ireson explores Yamaha's latest professional keyboard, which integrates FM synthesis, a drum machine, a powerful sequencer and a multi-effects unit into a single package. Could it be FM's finest hour? |
Grey Matter Response E!Review | Music Technology, Sep 1987for the DX7, Version 2.0The debate over whether to upgrade to a DX7II takes on a new dimension with the possibilities that this expansion board brings to the original. Jim Burgess is impressed. |
Grey Matter Response E! BoardReview | Music Technology, May 1988For the DX7IIGrey Matter Response's E! expansion for the DX7 virtually gave it the power of the DX7II; E! for the DX7II represents another quantum leap in DX capability. Chris Many checks it out. |
Moving OnReview | Sound On Sound, Jan 1986Yamaha DX21Synthesist Ian Boddy casts an eager eye over Yamaha's low-cost DX21 polysynth and discovers some little publicised aspects of its performance... |
Nine Times out of TenReview | Electronics & Music Maker, Jul 1984A User Report on the Yamaha DX9Almost entirely overshadowed by its immensely popular elder brother, the DX9 deserves a better deal. Or at least that's what Steve Howell claims in this special user report. |
PatchworkReview | Music Technology, Mar 1991Acoustic drum samples from producer Bob Clearmountain rub shoulders with Mega Beats drum machine samples, while SSU sounds for the Yamaha SY77 complete the lineup in this month's Patchwork. |
Sight ReadingReview | Electronics & Music Maker, Apr 1985Yamaha DX7 Digital SynthesizerE&MM's resident FM expert, Jay Chapman, takes a critical flick through the pages of a new book intended to ease the programming on Yamaha's DX7 poly. |
SY77 - The Power behind the Buttons! - Part 2Review Series | Sound On Sound, Feb 1990RCM Synthesis explainedIn this second part of our in-depth review of the SY77 synthesizer, Martin Russ delves into Yamaha's ultra new synthesis method: Real-time Convolution and Modulation. |
The Dynamic DuoReview | Sound On Sound, Feb 1986Yamaha smash new price barriers with their latest FM synths - the DX100 and DX27. Mark Jenkins assesses their performance as stand-alone keyboards and as compact MIDI expanders. |
The Fifth DimensionReview | Electronics & Music Maker, Oct 1985Yamaha DX5Merely two DX7s in a box, or a valid addition to the Yamaha range of FM digital keyboards? Simon Trask takes the mid-price algorithm through its paces, and comes to mixed conclusions. |
The Legend Lives OnReview | Sound On Sound, Mar 1987Yamaha DX7IIDThe DX7 has become both one of the best-selling synthesizers of all time and a truly 'classic' instrument. So how do you improve on that? Jay Chapman reviews Yamaha's recently launched and long awaited successor to the DX7. |
The Resurrection ShuffleReview | Sound On Sound, Jun 1990Yamaha SY22 Dynamic Vector SynthesizerIf you're one of those musicians who recall the Prophet VS synthesizer with misty-eyed affection, then you'll probably welcome Yamaha's decision to resurrect vector synthesis on this latest addition to their SY range. Paul Ireson checks out this blast from the past. |
The Synths Of The Year ShowReview | International Musician, Dec 1985SynthcheckYamaha DX7, Casio CZ5000, Juno 106, Korg DW6000, 30 to 1 the field. Commentator, Tony Mills |
The Vector FactorReview | Sound On Sound, Sep 1992Yamaha SY35 Dynamic Vector SynthYamaha's SY35 may be little more than an updated version of the SY22, but new sample ROM and a price tag of under £600 make it an ideal choice for the serious synthesist on a budget. Derek Johnson checks it out. |
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