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ARP AvatarReview | Sound International, Dec 1978 |
Casio Guitar SynthReview | Making Music, Sep 1987The job with rubber strings and built-in rhythm box. Jerry Uwins has his preconceptions brushed aside. But he's all right now. |
Exploring New TerritoryReview | Electronics & Music Maker, Dec 1985Gibson Explorer SynthIf you want Roland guitar synth sounds, you can now choose what guitar you use to play them. Paul White looks at a Gibson with a difference. |
Gibson Explorer SynthReview | International Musician, Feb 1986GuitarcheckPlug in, lean back, legs apart — and sound like an accordionist. Tony Mills taxes the axe |
Licensed To ThrillReview | Recording Musician, Nov 1992Roland GR1 Guitar SynthesizerWhat the world needs is a guitar synth that sounds good and behaves predictably. Does Roland's latest model pass the test? |
Out Of the ShadowsReview | Electronics & Music Maker, Jul 1986Shadow MIDI GuitarGeoff Twigg takes a look at the latest guitar synth technology. Now you can have a Synclavier system behind the strings of your old acoustic. |
Roland GM70Review | Music Technology, Apr 1987Guitar-to-MIDI ConverterPaul White, who's owned almost every Roland guitar synth built, puts the new GK1 synth driver and GM70 "brain" under test. Is this the first pitch-to-MIDI system that really works? |
Roland GR-300 Guitar SynthesiserReview Audio | Electronics & Music Maker, Nov 1981 |
Roland GR-500Review | Sound International, Dec 1978Steve Hackett and Paddy Kingsland set out to test the merits and demerits of the Roland GR-500 and ARP Avatar. Synthesise watches, lads. |
Roland GR50Review | Music Technology, Aug 1989Guitar SynthesiserRoland's latest guitar synthesiser is quickly earning a reputation as the most playable guitar synth yet built. Aaron Hallas turns from widdly-widdly merchant to MlDdly-widdly merchant. |
Shadow Guitar To MIDI ConverterReview | Sound On Sound, Sep 1986The 'guitar synthesizer' appears to be going through a new lease of life at present, with many manufacturers releasing guitar-based synth controlling devices that make good use of MIDI's powers of expression. Ian Gilby tries out one such model: the Shadow GTM-6. |
Shadow MIDI guitar controllerReview | Making Music, Jul 1986 |
Shadow MIDI Guitar SystemReview | International Musician, Sep 1986GuitarCheckWho knows how good a MIDI add-on for your guitar can be? The Shadow knows, as Paul Trynka finds out.... |
Shadow SH075 MIDI Guitar ConvertorReview | Recording Musician, Oct 1992 |
Stepp DG1 Digital GuitarReview | Sound On Sound, Feb 1987Few instruments have caused as great a stir in the marketplace as the futuristic-looking DG1. Stepp describe it as "a radically new instrument that plays like a guitar, and which can produce some of the most phenomenal sounds you're ever likely to hear." Ian Gilby visited Stepp to find out for himself and talk with its creator, Stephen Randall. |
Stepp DG1 Electronic GuitarReview | Music Technology, Feb 1987The "guitar player's synthesiser" is now in full production. We analyse the mechanics of the Stepp, and let two musicians - a guitarist and a keyboard player - give their views on its playability. |
Stepp DG1 Guitar SynthReview | International Musician, Oct 1986GuitarCheckPaul Fishman avoids all references to giant leaps for mankind, but still likes Stepp's digital guitar synth |
Synth You've Been GoneReview | Electronic Soundmaker, Feb 1985SynthAxeWe return to bring you the latest news and developments on the astounding SynthAxe. |
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