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4-TopReview | Sound On Sound, Nov 1993Soundcraft Spirit Folio 4 Mixing ConsoleSoundcraft's ultra quiet mixer goes multitrack. |
A Fresh MixReview | Electronic Soundmaker, Apr 1985CMC 24 MixerOn the cheapest computer-assisted mixer yet, the AHB CMC 24. We take a look. |
A Handful Of AcesReview | Home & Studio Recording, Apr 1986Aces B1816A cost effective in-line mixing console aimed at the budget 16-track user. |
A&HB CMC 24 MixerReview | International Musician, Apr 1985Studio TestThe ultimate mixer for the semi pro? Tony Mills gets to grips with the computerised AHB CMC 24 |
ACES 12-4-2 MixerReview | Home & Studio Recording, Apr 1984 |
ACES B1816Review | Sound On Sound, Feb 1986Could it be the perfect match?Ever since Fostex released the B16 multitrack, mixer manufacturers have been claiming their models to be the ideal match for it. Dave Simpson reckons ACES' latest attempt comes damn close to being the perfect match at only £1300. |
Aces BM1082 MixerReview | Home & Studio Recording, Jun 1985 |
AGM Six Channel Mic MixerReview | Home & Studio Recording, Nov 1984 |
AHB CMC 24Review | Home & Studio Recording, May 1985 |
AHB KeymixReview | Sound On Sound, Jul 1986Who wants a programmable modular mixer and three-band sweep EQ system that offers full MIDI control of channel routing/muting and all fits neatly into a 19-inch rack? "I do!" shouts Paul Gilby. Read why... |
Alesis 1622 MixerReview | Sound On Sound, Mar 1990Alesis are known, more than anything, for their digital signal processing expertise, yet their new mixer is an all analogue 16:2:2 design - but employing a revolutionary construction technique. Paul Ireson lends an ear. |
Alesis 1622 Mixing DeskReview | Music Technology, Jul 1990Already renowned for producing high-quality budget equipment, Alesis have introduced a new 16-channel mixer. Ian Waugh discovers Monolithic Circuit Technology is behind the 1622's amazing performance. |
Allen & Heath 1221Review | Electronics & Music Maker, Nov 1982 |
Allen & Heath Brenell Eight Track Package - Mod II Mixer - Part 1Review Series | Sound International, Jan 1979EquipmentAllen and Heath/Brenell release one of their beautiful Mod II mixers into the grateful clutches of Mel Lambert, who lets you know warrisallabout. |
Allen & Heath GS3Review | Sound On Sound, May 1992Multitrack MixerWith features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored. |
Allen & Heath S2Review | Sound On Sound, Sep 1991Recording MixerNot content with offering most of the Saber's facilities in the highly affordable Spectrum, Allen & Heath have now produced in the S2 an even cheaper fully-featured recording console. Dave Lockwood tries it on for size. |
Allen & Heath Saber MixerReview | Sound On Sound, Jun 1989Moving upmarket? David Pickering Pick presents this user report on Allen & Heath's Saber console. |
Allen & Heath SpectrumReview | Sound On Sound, Mar 1991With on-board midi mute automation, six auxiliaries, 16 inputs and 16 monitors, Allen & Heath's new pint-sized Saber looks set to emulate the success of its larger brethren. Dave Lockwood checks it out. |
Allen & Heath System 8 MixerReview | Home & Studio Recording, Nov 1983 |
Aries 10:4:8 Mixing ConsoleReview | Home & Studio Recording, Oct 1986A no-nonsense, standard format split recording console at a sensible price. |
Born In The USAReview | Sound On Sound, Dec 1991Mackie CR1604 MixerThe mixer market is dominated by British manufacturers, with a range of Japanese designs also popular in MIDI setups. However, a new American compact mixer offers impeccable audio quality, and outstanding features and value that look hard to beat. Dave Lockwood welcomes the newcomer. |
Canary Stereo 18 Channel B Series MixerReview | International Musician, Nov 1975 |
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