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Issues donated this month: 9

Issues that have been donated this month.

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Gear

Akai PG2

Review | Music Technology, Feb 1993
Digital Piano

The piano has been plinking

Born Again

Review | Sound On Sound, Oct 1989
Rhodes MK80 Piano

The Rhodes electric piano features on countless classic tracks, and is one of the most imitated keyboard sounds of all time. Now Rhodes are back, with a new keyboard that updates a classic sound with all the benefits of contemporary MIDI technology. Tony Hastings checks it out.

Ensoniq Sampled Piano

Review | Sound On Sound, Sep 1986

Mark Jenkins investigates the very latest attempt at replacing the Steinway Grand to come from the company that has made sampling its forte!

Fender Stage 73 Mk V

Review | International Musician, Feb 1985
Keyboardcheck

The Fender Rhodes is re-born. Jim Betteridge gets down to some serious Jazz Funking

Going Live

Review | Sound On Sound, Jan 1991
Rhodes Model 760

A keyboard for the gigging pianist? David Mellor tinkles an ivory or two.

Jen Piano 73

Review | Electronics & Music Maker, Mar 1983

Korg C5000

Review | Music Technology, Nov 1987
Electronic Piano

Thought you'd seen the last of the electronic piano? Simon Trask rolls up his sleeves and finds out there's life in the old dog yet.

Korg SG1 Piano

Review | Music Technology, Feb 1987

While other manufacturers dabble in new resynthesis technology, Korg stick with multi-sampling for their new digital piano. Simon Trask puts fingers to ivories to find out if their approach works.

Kurzweil Mark 5

Review | Music Technology, Jun 1993
Digital Piano

Just how close can technology come to matching a real concert pianoforte? Only one man can address this question: the maestro himself, Simon Trask

Noteworthy?

Review | In Tune, Oct 1986
Yamaha PF70 & 80 Electronic Pianos

Rhodes Model 660 & 760

Review | Music Technology, May 1990
RS-PCM Keyboards

Responding to the demand for accessible synthesisers, Roland's Rhodes division has come up with the first of a series of "playable" instruments. Simon Trask checks their performance.

Roland Digital Piano Systems

Review | In Tune, Sep 1986
RD1000 (Keyboard Version) & MKS20 (Racked Module Version)

Roland's piano power — RD1000 & MKS20 on test

Roland Dual Voice Piano

Review | One Two Testing, Nov 1982
Twin channel three voice electronic piano with six band graphic

Roland EP50 Electronic Piano

Review | In Tune, Apr 1986

Roland HP300/400, PB300, PR800

Review | Electronics & Music Maker, Aug 1984

Roland RD300 Piano

Review | Music Technology, Jan 1987
SAS Electronic Piano

Structured Adaptive Synthesis (SAS to you) comes to a piano that costs less than £2000. Simon Trask combs the area for compromises.

Roland Rhodes

Review | Music Technology, Nov 1989
MK 80 Electronic Piano

In its day the Fender Rhodes changed the course of musical progress; now Roland have resurrected and improved Harold Rhodes' classic electric piano. Simon Trask plays on...

Siel Piano Quattro

Review | Electronics & Music Maker, Aug 1984

Siel PX Electronic Piano

Review | Electronics & Music Maker, Feb 1984

A ten preset voice electronic piano with touch sensitive keyboard and separate bass section.

Siel PX JR

Review | Electronics & Music Maker, Aug 1984

Structured Sound

Review | Electronics & Music Maker, Sep 1986
Roland RD1000 Piano

How does Roland's new SAS resynthesis system go about imitating a grand piano? Dan Goldstein digs deep inside the RD1000 and its modular counterpart, the MKS20, and submits a glowing report.

Surrogate Mother

Review | Electronic Soundmaker, Aug 1985
Roland EP-50 electronic piano

Roland's new electronic piano; a surrogate mother

Technics & Yamaha Electronic Pianos

Review | International Musician, May 1986
KeyboardCheck

Richard Walmsley on the State of the Joanna

Technics PX1

Review | Making Music, Apr 1986
digital grand

Sampled Grand Piano

Technics PX1 Digital Piano

Review | Sound On Sound, Apr 1986

Could hi-fi giants Technics have set a new standard with the digital sounds of their PX1 MIDI Piano? Consultant keyboard player extraordinaire, Rick Wakeman, checks out its performance.

 

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