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Gear

Action Replay

Review | Sound On Sound, Apr 1989
Akai S1000PB 16bit Stereo Sample Player with SWM and Workstation Disks

Do you find the idea of sampling your own sounds unappealing? Why not settle for a high quality replay-only sampler like the Akai S1000PB and spend the money you save on more library disks? Paul Ireson checks out the machine and Akai's newly launched set of Workstation and SWM disks.

Akai 3000 Series Samplers

Review | Music Technology, Feb 1993
Akai's new 3000 Series sampler range - the MT guide

The brand new heavies previewed

Akai CD3000

Review | Music Technology, Sep 1993
CD-ROM sample player

The CD Side of sampling.

Oberheim DPX1

Review | Music Technology, Feb 1987
Sample Replay Unit

In a musical climate dominated by preset sounds, why not produce a rack-mounting unit that simply replays other people's samples? Paul Wiffen analyses Oberheim's attempt at doing just that.

Oberheim DPX1 Sample Player

Review | Sound On Sound, Jul 1987

Instead of following other keyboard manufacturers sheep-like into sampling machines, Oberheim have come up with a unique device which doesn't sample but replays disks from several other samplers. Paul Wiffen investigates.

Peavey SP Sample Playback Synthesiser

Review | Music Technology, Aug 1992

Sampling bit by bit.

Peavey SP/SXII

Review | Music Technology, Dec 1993
sampling system

The SP is the playback/editing and memory bit; the SXII does the recording. Peavey rewrite the rules of sampler design.

We found these other (non-review) articles that are linked to this gear:-

The Regeneration Game

Feature | Topic: Sampling | Music Technology, Jul 1987
Sampler Updates

Leading the battle against planned obsolescence are the sampler manufacturers, whose machines receive updates almost monthly. We re-test three samplers to find out how they've changed.

This article has no OCR bodytext.WIN an Akai S1000PB 16-bit sampler

Competition | Sound On Sound, Mar 1989

This article has no OCR bodytext.WIN an Akai S1000PB 16-bit sampler

Competition | Sound On Sound, Apr 1989

 

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