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Akai DD1000Review | Music Technology, Apr 1991Magneto-optical Disk RecorderAkai's DD1000 Magneto-optical recorder applies state-of-the-art technology to four-track dedicated digital editing. Vic Lennard sees the light at the end of the sample. | |||
Akai DR4dReview | Music Technology, Oct 1993hard disk recorderDirect-to-disk recording from the sample stable | |||
AudioFrame Grows UpReview | Sound On Sound, Jan 1989Although expensive, digital audio workstations are a pointer to the kind of features we can expect to see on the next generation of 'affordable' hi-tech instruments. Craig Anderton takes a look at one of the very latest workstations to appear, the AudioFrame. | |||
DAR Soundstation IIReview | Sound On Sound, Apr 1990Digital Audio RecorderDavid Mellor explores the higher echelons of audio technology and finds a machine which is destined to become a classic of its time: Soundstation II from Digital Audio Research. | |||
Hard & Fast!Review | Sound On Sound, Aug 1993Akai DR4d Hard Disk RecorderOffering 4 tracks of instantaneous cut-and-paste, Akai's £1600 digital recorder looks like being a real winner. | |||
IMS DyaxisReview | Music Technology, Aug 198716-bit Digital RecorderAn American 16-bit digital recording system designed to run with the Apple Mac Plus makes sampling direct-to-hard disk recording a powerful reality. Rick Davies gets his ear to the disk. | |||
Korg SoundlinkReview | Sound On Sound, Apr 1992Digital Audio WorkstationKorg are well known for making musical instruments, but the Soundlink takes them into the new field of hard disk recording/editing. David Mellor watches the price of hard disk editors descend to breathable regions of the atmosphere. | |||
Korg SoundLinkReview | Music Technology, Mar 1992Digital Audio WorkstationFrom the home of the M1 and the Wavestation comes SoundLink - an advanced digital recording and editing system. Simon Trask trips into the future. | |||
PPG Hard Disk UnitReview | Electronics & Music Maker, Oct 1986Digital recording direct to hard disk, from the company that built its reputation with the Wave synthesisers. Paul Wiffen examines the new direction. | |||
Roland DM80Review | Sound On Sound, Jul 1992Multitrack Disk RecorderRoland's S750 and S770 amply demonstrated their pro digital expertise; now the DM80 offers four or eight tracks of truly cost-effective hard disk recording. Wilf Smarties welcomes Roland's newest techno tool. | |||
Steinberg TopazReview | Music Technology, Feb 1990Computer Controlled RecorderOne of the prime forces for the 90s is sure to be digital recording and editing - as found in TOPAZ. Simon Trask previews a powerful new system from Steinberg Digital Audio. | |||
Studer DyaxisReview | Sound On Sound, May 1990Digital Audio Production SystemToday's high-end tools for the professional are tomorrows affordable tools for the musician in the street. David Mellor explores a Macintosh-based digital recording and editing system from a company best known for their analogue tape recorders. | |||
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