Review | Sound On Sound, Feb 1987Beyer microphonesWant to know how the electret principle functions? Or the difference between pressure and pressure-gradient microphones? Then read the review, as recording engineer Gareth Stuart field tests the most recent additions to the famous Beyer range. |
Review | The Mix, Oct 1994Beyer DT159 & DT329Headset mics |
Review | Home & Studio Recording, Sep 1984 |
Review | Sound On Sound, Nov 1989Condenser MicrophoneGood quality microphones can be a real asset to any type of studio, but if you want the best tools you should be prepared to pay the price for them. Gareth Stuart considers the worth of Beyer's top of the range condenser mic. |
Review | Sound On Sound, Jan 1988Beyer's MCE81 condenser mic is their latest addition to a long line of sturdy, high quality studio and stage microphones. Gareth Stuart finds out just what it records best. |
Review | Electronics & Music Maker, Jan 1982 |
Review | Sound On Sound, Jul 1990Sound engineer Gareth Stuart assesses this budget-conscious range of performance microphones. |
Review | In Tune, Dec 1985Shure & Beyer Headset Mikes |
Review | Recording Musician, Aug 1992AKG, Beyer, Sennheiser Back-Electret MicrophonesThree top name, back-electret mics that turn in a professional performance at a semi-pro price, rounded up by Paul White. |
Review | Sound On Sound, Jun 1993Beyerdynamic MC834 Capacitor Microphone |