Yamaha DX21 synthesiser

The latest in the DX synth series

Yamaha TQ5 Expander

Stylish or ugly, don't let the TQ5’s unconventional casing distract you from the fact that with its 8-track integral sequencer and digital effects, this 4-operator FM expander packs a pretty powerful punch for the money. David Hughes reports from his ring-side seat.

Casio CZ-1

Since the release of their diminutive yet ground-breaking CZ-101 synth, Casio have been steadily improving the facilities of their Phase Distortion keyboards with each subsequent CZ product. The culmination of those efforts is now manifest in their best-ever synthesizer, the CZ-1, a truly professional performance instrument. Chris Jenkins says 'welcome'.

Sound Module

Carry On Doctor...

Following in the footsteps of their successful budget CZ models, Casio add touch-sensitivity for the professional user. Simon Trask evaluates the results.

Synthcheck

Small, digital and reviewed by Curtis Schwartz

What the ghetto blaster is to hi-fi, the CZ230S is to synthesisers. Annabel Scott takes a spin in Casio's streetwise preset synth.

Mark Jenkins reports on this recent addition to the popular CZ range of polysynths and suggests that the Phase Distortion synthesis it employs could well be the answer for those of you caught in the 'analogue versus digital' dilemma.

Looking for a low-cost introduction to synthesis? With its simplified programming method and variant on the Phase Distortion sound, Casio's latest 8-voice, splittable, polysynth could well prove the ideal first choice. Mark Badger explores...

Portable Keyboard

Budget polysynth or home organ accessory? Casio attempt to find another gap in the market with Spectrum Distortion synthesis. Nicholas Rowland finds it's not too far from old-fashioned analogue.

iPD Digital Synthesiser

Casio's latest synthesiser employs the successor to the company's own PD synthesis system - interactive Phase Distortion. Bob O'Donnell investigates a new phase in synthesis.

If you're tired of sampled sounds and are searching for a source of non-imitative synthetic voices to balance your repertoire, these low-cost instruments could well deliver the goods. Martin Russ finds out.

iPD Synth Expander

The VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation.

Digital Wave Synthesiser

Cheetah's latest synth had already been axed and revived before the public got a glimpse of it. Simon Trask gets his hands on one of the cheapest, oddest and most intriguing modules on the market.

Casio CZ5000

Casio's latest portable synth

Yamaha DX7S

A story in which our hero, David Mellor, deserts the path of enlightenment and sells his DX7 Mk1 for a rival keyboard. Can the DX7S tempt him back to the true faith? Read on...

Ensoniq SD1 Music Production Synthesizer

The SD1 is the new flagship of Ensoniq's synthesizer/workstation range. Paul Ireson feels the quality.

The CZ101 is the spearhead of Casio's first serious onslaught on the pro-synth market. We check out this contender for the DX's digital synthesis crown.

Yamaha DX5

Yamaha's follow-up machine to the DX7 is essentially a budget DX1, offering two '7s in one neat package. We take a look at the DX5.

Sample Playback Keyboard

With the popular Proteus series of sample playback modules as its inspiration, E-mu's new synth sounds as good as it looks. Simon Trask explores the Master Performance System.

E-mu's Proteus sample player has been one of the stars of recent trade shows, yet it's been in desperately short supply in the UK. Vic Lennard finds it's been worth the wait.

Sound Module

Take 20 classic keyboards into the shower? Now you can just trigger and go with E-mu's Vintage Keys sound module, provider of sampled keyboard sounds from the Minimoog to the Mellotron. But who would you have in goal?, asks Peter Forrest

Italian-designed keyboards have received mixed success over the years. Elka's old Rhapsody string synth was a popular instrument in the seventies but their main polysynth, the Synthex, failed to set the world alight. That may well be about to change with the release of their impressive 9-voice, multi-timbral, DX7-soundalike, the EK44, and the 6-voice analogue EK22. Or is it? Mark Jenkins offers his views.