mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
Review | In Tune, Jul 1986
Review | Sound On Sound, Oct 1987
S900 owner David Mellor receives a package in the post from Akai, which rekindles his enthusiasm in the sampler which was one of the first to combine a wealth of facilities with a reasonable price. Will the Version 2.0 software update bring the Akai into line with the latest samplers on the market or has it become old technology - just after its first birthday?
Review | Electronics & Music Maker, Jul 1986
Akai's super-sampler carries on where their S612 left off. Paul Wiffen finds its ease of use belies its sophistication.
Review | Home & Studio Recording, Mar 1989
The successor to Akai's industry standard S900 hits the streets.
Review | Music Technology, Jan 1989
As musicians demand ever more from their samplers, Akai replace the studio-standard S900 with an enhanced machine. Vic Lennard samples the march of progress.
Review | Sound On Sound, Jun 1988
Roland S550/S330 Sampling Modules
David Mellor looks at Roland's flagship rackmount sampler, the S550, and its newly launched escort vessel, the S330. Are they squaring up to fire a broadside at the enemy's sampling fleet? Find out inside.
Review | Sound On Sound, Dec 1988
How To Upgrade Your Akai S900
What do you do when your 12-bit Akai S900 sampler starts to seem a little underspecified in comparison with the latest models? Upgrade it with a '16-bit injection' from Marion Systems. David Mellor reports.
Review | Sound On Sound, Dec 1989
Emu Systems Emax II
What do you get if you cross an Emax with a Proteus? An Emaximus perhaps, or maybe even a Protemax? Kendall Wrightson test drives Emu's new 16-bit sampler to find out.
Review | Music Technology, Jan 1987
Polyphonic Sampling Keyboard
An exclusive, in-depth report on the machine that promises to bring Emulator quality to the masses. Paul Wiffen, Emulator fan, finds out if the promises are fulfilled.
Review | Music Technology, Jun 1988
E-mu enhance their popular Emax sampler with a built-in 20 Meg hard disk and two new methods of sound synthesis. But how successful is the sampler-as-synthesiser? Bob O'Donnell takes it to the max.
Review | Sound On Sound, Jan 1987
Digital sampling keyboard
Much rumour and speculation has surrounded the launch of what Ian Gilby reckons to be the best mid-priced sampling keyboard on the market. So what makes Emax special? Read the UK's first in-depth review and find out.
Review | Electronics & Music Maker, Aug 1986
The 'baby Emulator', announced only a month ago, gets put through its paces by Paul Wiffen at E-mu's Californian HQ. It's good.
Review | Music Technology, Feb 1990
One of the most popular keyboard samplers of recent years is E-mu's Emax, now its place is to be taken by the Emax II. But will it prove as popular? Dave Richardson gets the Max.
Review | Sound On Sound, Jul 1986
Akai S900 Sampler
Akai's first foray into the sampling market, the S612, was a resounding success. Their new sampling system, aimed more at studios, is considerably more advanced yet still a respectable price. Eventually it will incorporate a multitrack event recorder and harmonic synthesis module, but just released is the first system component - the S900 rack-mount sampler. Mark Jenkins checks it out.
Review | Sound On Sound, Apr 1986
Keyboard programmer Paul Wiffen brings you the latest developments on the Sequential sampling system: the new 2002 rack-mount, and the superb Digidesign visual editing software. He also takes a look at the Prophet 2000 and passes on some useful tips for using its 'mapping' function to the full.
Review | Sound On Sound, Apr 1987
The DSS-1 offers 12-bit sampling, high fidelity samples, integral dual digital delay and EQ, plus the most comprehensive synthesizer section of all the midrange samplers. Review by Mark Jenkins.
Review | Making Music, Aug 1986
Review | The Mix, Aug 1994
A sampler for the DJ
Review | Music Technology, Feb 1987
Sample Replay Unit
In a musical climate dominated by preset sounds, why not produce a rack-mounting unit that simply replays other people's samples? Paul Wiffen analyses Oberheim's attempt at doing just that.
Review | Sound On Sound, Jul 1987
Instead of following other keyboard manufacturers sheep-like into sampling machines, Oberheim have come up with a unique device which doesn't sample but replays disks from several other samplers. Paul Wiffen investigates.
Review | Music Technology, May 1989
CD ROM Player
Expensive it maybe, but CD ROM storage is one way of making a sampler a much more powerful instrument. And if you're using a Roland S550, it may not be as expensive as you think, as Simon Trask discovers.
Review | Sound On Sound, Nov 1986
'Is this the one we have all been waiting for?' asks Julian Colbeck. Slotting neatly into the vacant sub-£1000 price bracket, Roland's new keyboard is a fast and easy to use sampler with plenty of attractive qualities. But how does it fare against the competition? Read on to find out...
Review | Sound On Sound, Dec 1986
Roland's top of the range sampler is the last of those announced at Frankfurt to reach the marketplace, but its 16-note polyphony, 512K memory, and built-in visual editing software could well give it an edge over existing £2000 samplers. Paul Wiffen takes up the case.
Review | Music Technology, Dec 1986
Simon Trask again, this time experiencing the simple delights of the budget Roland sampler. It's easy to use, but has the low cost brought too many compromises?
Review | Making Music, Oct 1986