Another old synth makes its comeback. This time it's Steve Howell's much-prized ARP 2600 with its graphic panel layout, modular construction and built-in amplification.

MIDI sophistication in the humble patchbay: this modest-looking unit can store 100 routings of its 16x16 audio matrix and place the proceedings under MIDI control. Lorenz Rychner patches things up.

Akai AX 80/1212 Mixer/Recorder

Akai leap bravely into the hard world of Pro music gear, with a poly, the AX 80, and a unique 12-channel mixer/recorder.

Korg MS20

This month's trip down memory lane takes us to Korg's MS20. Greg Truckell reacquaints himself with an analogue synth that may be better suited to use in 1989 than 1979.

A list of "classic" analogue synths could not be complete without Oberheim's OBXa. Peter Forrest reminisces about an instrument that won the hearts of many musicians.

Moog Taurus Pedals

Ultimate bass? Legendary synth pioneers Moog once made the best bass synth on the planet: Paul Ward reassesses the power of Taurus in the light of '90s bass mania.

The Siel System

A detailed look at Siel's new DK600 keyboard Interface, and Expander.

Roland Mother System

Roland's innovative MIDI set-up; Mother Keyboard, Planet-P piano voice module, Planet-S synth module, and the impressive Super Jupiter... an in-depth test.

Korg EX800

Korg's Poly 800 resurfaces as a keyboardless expander the EX800 for use as part of a MIDI system-full review.

Oberheim SEM

Oberheim had expanders on their minds long before Xpanders. Steve Howell extols the virtues of yesterday's modular approach to synthesis.

Synth Expander

The long-awaited, rack-mounting, multitimbrol, budget analogue synth expander from Cheetah has arrived. Simon Trask turns on and trips out.

Playing the Rhodes Chroma with the Apple II Sequencer

In the days before Roland established their reputation for consistently delivering the goods, they turned out some weird and wonderful synths. Peter Forrest lifts the dust cover on the old SH7 monosynth.

Roland Alpha Juno-1

If you're not an FM fan, but are looking for a low-cost polysynth that can double as a MIDI expander, you won't need to look further than Roland's new Alpha Juno-1 according to Mark Jenkins.

Siel DK80

Siel's new synth - one of the attention grabbers at this year's Frankfurt show.

Of all the instruments that became popular in the heyday of the "big synth" a few years back, Roland's Jupiter 8 has stood the test of time the best. Tim Goodyer, a self-confessed JP8 addict, explains why.

Italian-designed keyboards have received mixed success over the years. Elka's old Rhapsody string synth was a popular instrument in the seventies but their main polysynth, the Synthex, failed to set the world alight. That may well be about to change with the release of their impressive 9-voice, multi-timbral, DX7-soundalike, the EK44, and the 6-voice analogue EK22. Or is it? Mark Jenkins offers his views.

Which is better, analogue or digital? Elka back the horse both ways by providing synths of both persuasions, with modular versions of both, too. Paul Wiffen thinks they're onto a winner, whichever way you look.

for Roland Jupiter 8 & Juno 6/60

Hands up once-proud owners of a Jupiter 8 or Juno 6/60 who've left their pride and joy to collect dust while they've concentrated on MIDI gear. Tony Wride finds out MIDI can be yours courtesy of Groove Electronics.

Four oscillator mono/poly synth combination