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1..2.. 3,4,5 - How To Bring Your Sounds AliveReview | Sound On Sound, Dec 1986Roland DEP-5 multi-effectsJulian Colbeck brings you the key facts on Roland's improvement on the SPX90. |
20/20 VisionReview | Recording Musician, Dec 1992Peavey SDR 20/20 Digital Multi Effects UnitA refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity. |
9001: A Space OdysseyReview | Recording Musician, Feb 1993Zoom 9001 Multi-Effects ProcessorBig effects, small package — Mike Simmons thinks it must be a Zoom. |
A Sample of Eastern IngenuityReview | Home & Studio Recording, Dec 1985Vesta Kozo DIG-420Following their DIG-411 delay line: Vesta Kozo have now introduced this unit that is first and foremost a sampler and it can be used under keyboard control. |
ADA 2FX Digital Multi-EffectsReview | Home & Studio Recording, Feb 1985 |
ADA 2FX Digital MultieffectsReview | International Musician, Mar 1985EffectscheckA veritable jamboree bag of effects in one rackmounting unit |
Akai AR900Review | Music Technology, May 1989Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel. |
Akai EX90RReview | Music Technology, Mar 1988Reverb UnitA budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears. |
Alesis MicroverbReview | Music Technology, Dec 1986Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear. |
Alesis Microverb IIIReview | Music Technology, Mar 1991Reverb UnitNow in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb. |
Alesis MIDIFEXReview | Sound On Sound, Aug 1986Several months after the MIDIVERB turned the world of stereo digital reverb on its head, Alesis look set for a repeat performance with their latest unit - a combination of digital delay, reverb and stereo enhancer. Paul Gilby seems lost for words. |
Alesis MidifexReview | International Musician, Oct 1986Studio TestThe MIDIverb set new standards for low-price, high quality digital reverb. Can the MIDIfex do the same for even more digital effects? Curtis Schwartz reports. |
Alesis MidiverbReview | One Two Testing, May 1986Better than cheap frills, cheap reverb with no frills |
Alesis MidiverbReview | International Musician, Apr 1986Studio TestJim Betteridge opines on a resounding success |
Alesis MidiverbReview | Home & Studio Recording, Apr 1986An unbelievable digital reverb at an even more unbelievable price. |
Alesis MIDIVERB IIReview | Sound On Sound, Jul 1987When it comes to the MIDIVERB II, Phil South discovers that sequels can sometimes be better than the originals! |
Alesis Midiverb IIIReview | Music Technology, Mar 1990Digital ReverbIn the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb. |
Alesis MIDIverb IIIReview | Sound On Sound, Jan 1990This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out. |
Alesis QuadraverbReview | Home & Studio Recording, Mar 1989The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects. |
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