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Gear

1..2.. 3,4,5 - How To Bring Your Sounds Alive

Review | Sound On Sound, Dec 1986
Roland DEP-5 multi-effects

Julian Colbeck brings you the key facts on Roland's improvement on the SPX90.

20/20 Vision

Review | Recording Musician, Dec 1992
Peavey SDR 20/20 Digital Multi Effects Unit

A refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity.

9001: A Space Odyssey

Review | Recording Musician, Feb 1993
Zoom 9001 Multi-Effects Processor

Big effects, small package — Mike Simmons thinks it must be a Zoom.

A Desirable Delay

Review | Electronic Soundmaker, Aug/Sep 1984
MXR 1500 Digital Delay

The MXR 1500

ADA 2FX Digital Multi-Effects

Review | Home & Studio Recording, Feb 1985

Akai AR900

Review | Music Technology, May 1989

Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel.

Akai EX90R

Review | Music Technology, Mar 1988
Reverb Unit

A budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears.

Alesis Microverb

Review | Music Technology, Dec 1986

Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear.

Alesis Microverb III

Review | Music Technology, Mar 1991
Reverb Unit

Now in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb.

Alesis MIDIFEX

Review | Sound On Sound, Aug 1986

Several months after the MIDIVERB turned the world of stereo digital reverb on its head, Alesis look set for a repeat performance with their latest unit - a combination of digital delay, reverb and stereo enhancer. Paul Gilby seems lost for words.

Alesis Midiverb

Review | International Musician, Apr 1986
Studio Test

Jim Betteridge opines on a resounding success

Alesis Midiverb

Review | Making Music, May 1986
digital reverb

Alesis MIDIVERB II

Review | Sound On Sound, Jul 1987

When it comes to the MIDIVERB II, Phil South discovers that sequels can sometimes be better than the originals!

Alesis Midiverb III

Review | Music Technology, Mar 1990
Digital Reverb

In the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb.

Alesis MIDIverb III

Review | Sound On Sound, Jan 1990

This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out.

Alesis Quadraverb

Review | Music Technology, Apr 1989
Digital Multi-effects Processor

Following the success of their Midiverbs and Microverbs, Alesis have developed a unit capable of providing no less than four audio treatments simultaneously. Ian Waugh practices his four-play.

Alesis Quadraverb

Review | Home & Studio Recording, Mar 1989

The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects.

Alesis Quadraverb Plus

Review | Music Technology, Apr 1991
Multi-fx Processor

Possibly the most popular budget multi-fx processor currently available, the Quadraverb has just been upgraded and promoted to the rank of 'Plus'. Nigel Lord investigates.

AMS RMX-16 Digital Reverb

Review | Home & Studio Recording, Mar 1984
Processor

Art Attack

Review | Recording Musician, Jan 1993
ART SGX T2 Guitar And Studio FX

ART have what is probably the most confusing product range on the market — and this is one of the latest models.

ART DR1

Review | Music Technology, Apr 1987
Programmable Digital Reverb

...While Simon Trask gets to grips with a more expensive model from America, with more parameters, a remote-control unit, and various other goodies; is it worth the extra?

ART DR1 digital reverb

Review | Sound On Sound, Feb 1987

Mark Jenkins auditions the latest 16-bit stereo digital reverb with Performance MIDI.

ART Multiverb

Review | Sound On Sound, Jan 1989

In this age of the preset, you need all the help available to stamp your personality on the sounds you produce. Paul Ireson finds a new ally in the fight for individuality - ART's fully programmable, four-effects-at-once signal processor.

ART Multiverb Alpha

Review | Music Technology, Jun 1992
Multi-fx Processor

In their efforts to establish their signal processors as strongly in the UK as they have in the States, ART can't seem to bring out enough effects units. Nigel Lord evaluates the ART with aspirations to be number one.

ART Multiverb II

Review | Music Technology, Nov 1989
Multi-FX Processor

Taking the Multiverb as their starting point, ART have a new multi-effects processor with which to enhance your music. Ian Waugh says the verb is "to want".

 

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