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Gear

Accessit Sound Processor Units

Review | Home & Studio Recording, Apr 1984
Dual Sweep EQ & Stereo Reverb

Akai AR900

Review | Music Technology, May 1989

Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel.

Akai EX90R

Review | Music Technology, Mar 1988
Reverb Unit

A budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears.

Alesis Microverb

Review | Music Technology, Dec 1986

Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear.

Alesis Microverb III

Review | Music Technology, Mar 1991
Reverb Unit

Now in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb.

Alesis Midiverb

Review | Making Music, May 1986
digital reverb

Alesis Midiverb

Review | International Musician, Apr 1986
Studio Test

Jim Betteridge opines on a resounding success

Alesis MIDIVERB II

Review | Sound On Sound, Jul 1987

When it comes to the MIDIVERB II, Phil South discovers that sequels can sometimes be better than the originals!

Alesis MIDIverb III

Review | Sound On Sound, Jan 1990

This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out.

Alesis Midiverb III

Review | Music Technology, Mar 1990
Digital Reverb

In the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb.

AMS RMX-16 Digital Reverb

Review | Home & Studio Recording, Mar 1984
Processor

ART DR1

Review | Music Technology, Apr 1987
Programmable Digital Reverb

...While Simon Trask gets to grips with a more expensive model from America, with more parameters, a remote-control unit, and various other goodies; is it worth the extra?

ART DR1 digital reverb

Review | Sound On Sound, Feb 1987

Mark Jenkins auditions the latest 16-bit stereo digital reverb with Performance MIDI.

Cutec Reverb/Delay

Review | Home & Studio Recording, Sep 1984
Processor

Dynacord DRP16 Digital Reverb

Review | Home & Studio Recording, Dec 1984

Fostex 3180 Stereo Reverb

Review | Home & Studio Recording, Sep 1983
Processor

Great British Spring Mk 3.

Review | Home & Studio Recording, Jun 1984

Hot Stuff

Review | Sound On Sound, Dec 1986
Korg DRV-1000 Digital Reverb

As expected the MIDIVERB has opened up the floodgates for more low-cost stereo digital reverbs. Ian Gilby takes a listen to the first Japanese model to hit the market and concludes that its appearance can only be a good thing.

Ibanez Dual Digital Reverb

Review | Sound On Sound, Sep 1986

Ibanez are late entrants to the fast-moving field of digital reverb products, but their new SDR 1000 unit has something different about it that caught the eye of reviewer Mark Jenkins. Read the review to find out what...

Ibanez SDR1000 Digital Reverb

Review | Electronics & Music Maker, Sep 1986

Latest digital reverb from a company that's been making outboard effects gear longer than most. Paul White gives his first impressions.

Ibanez SDR1000 Digital Reverb

Review | Making Music, Nov 1986

Ibanez SDR1000+

Review | Music Technology, Oct 1987
Digital Reverb

Digital reverberation continues its advance. Simon Trask puzzles over a unit that combines improved facilities and a lower price tag than its predecessor.

Interior Designs

Review | Sound On Sound, Nov 1987
Yamaha REV5 Reverb

Is there room at the top for yet another digital reverb unit? Mark Badger thinks so — provided it's 16-bit, has a 20kHz effect bandwidth, analogue and digital parametric EQ, can stack two reverb effects and goes by the name of REV5!

JHS Spring Reverb SL5300

Review | International Musician, Feb 1986
Studio Test

Cheap and effective, like our own spring chicken Jim Betteridge

Korg DRV 1000 Digital Reverb

Review | Making Music, Dec 1986

 

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