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Gear

3rd Generation GR2 Reverb

Review | Home & Studio Recording, Jul 1985

Accessit Sound Processor Units

Review | Home & Studio Recording, Apr 1984
Dual Sweep EQ & Stereo Reverb

Akai AR900

Review | Music Technology, May 1989

Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel.

Akai EX90R

Review | Music Technology, Mar 1988
Reverb Unit

A budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears.

Alesis Microverb

Review | Music Technology, Dec 1986

Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear.

Alesis Microverb III

Review | Music Technology, Mar 1991
Reverb Unit

Now in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb.

Alesis Midiverb

Review | Making Music, May 1986
digital reverb

Alesis Midiverb

Review | International Musician, Apr 1986
Studio Test

Jim Betteridge opines on a resounding success

Alesis MIDIVERB II

Review | Sound On Sound, Jul 1987

When it comes to the MIDIVERB II, Phil South discovers that sequels can sometimes be better than the originals!

Alesis MIDIverb III

Review | Sound On Sound, Jan 1990

This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out.

Alesis Midiverb III

Review | Music Technology, Mar 1990
Digital Reverb

In the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb.

Alesis XT Digital Reverb

Review | Home & Studio Recording, Aug 1985

For even less than the price of a semi in Rotherham, you too can experience high quality digital reverb in the privacy of your own home.

AMS RMX-16 Digital Reverb

Review | Home & Studio Recording, Mar 1984
Processor

ART DR1

Review | Music Technology, Apr 1987
Programmable Digital Reverb

...While Simon Trask gets to grips with a more expensive model from America, with more parameters, a remote-control unit, and various other goodies; is it worth the extra?

ART DR1 digital reverb

Review | Sound On Sound, Feb 1987

Mark Jenkins auditions the latest 16-bit stereo digital reverb with Performance MIDI.

ART DR2 Digital Reverb

Review | Home & Studio Recording, Sep 1985

A surprisingly flexible and easy to use unit that offers first class results.

Control freak

Review | The Mix, Dec 1994
Lexicon Reflex

MIDI controllable reverb

Cutec Reverb/Delay

Review | Home & Studio Recording, Sep 1984
Processor

Dynacord DRP16 Digital Reverb

Review | Home & Studio Recording, Dec 1984

Fostex 3180 Stereo Reverb

Review | Home & Studio Recording, Sep 1983
Processor

Getting Teknikal

Review | Home & Studio Recording, Nov 1985

Great British Spring Mk 3.

Review | Home & Studio Recording, Jun 1984

Hot Stuff

Review | Sound On Sound, Dec 1986
Korg DRV-1000 Digital Reverb

As expected the MIDIVERB has opened up the floodgates for more low-cost stereo digital reverbs. Ian Gilby takes a listen to the first Japanese model to hit the market and concludes that its appearance can only be a good thing.

Ibanez Dual Digital Reverb

Review | Sound On Sound, Sep 1986

Ibanez are late entrants to the fast-moving field of digital reverb products, but their new SDR 1000 unit has something different about it that caught the eye of reviewer Mark Jenkins. Read the review to find out what...

Ibanez SDR1000 Digital Reverb

Review | Electronics & Music Maker, Sep 1986

Latest digital reverb from a company that's been making outboard effects gear longer than most. Paul White gives his first impressions.

 

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