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Review | Home & Studio Recording, Jul 1985
Review | Home & Studio Recording, Apr 1984
Dual Sweep EQ & Stereo Reverb
Review | Music Technology, May 1989
Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel.
Review | Music Technology, Mar 1988
A budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears.
Review | Music Technology, Dec 1986
Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear.
Review | Music Technology, Mar 1991
Now in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb.
Review | Making Music, May 1986
Review | International Musician, Apr 1986
Jim Betteridge opines on a resounding success
Review | Sound On Sound, Jul 1987
When it comes to the MIDIVERB II, Phil South discovers that sequels can sometimes be better than the originals!
Review | Sound On Sound, Jan 1990
This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out.
Review | Music Technology, Mar 1990
In the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb.
Review | Home & Studio Recording, Aug 1985
For even less than the price of a semi in Rotherham, you too can experience high quality digital reverb in the privacy of your own home.
Review | Home & Studio Recording, Mar 1984
Review | Music Technology, Apr 1987
Programmable Digital Reverb
...While Simon Trask gets to grips with a more expensive model from America, with more parameters, a remote-control unit, and various other goodies; is it worth the extra?
Review | Sound On Sound, Feb 1987
Mark Jenkins auditions the latest 16-bit stereo digital reverb with Performance MIDI.
Review | Home & Studio Recording, Sep 1985
A surprisingly flexible and easy to use unit that offers first class results.
Review | The Mix, Dec 1994
MIDI controllable reverb
Review | Home & Studio Recording, Sep 1984
Review | Electronics & Music Maker, Mar 1986
Paul White gets to grips with the first digital reverb to be fully touch-sensitive over MIDI, and finds it throws a whole load of additional effects into the bargain.
Review | Sound On Sound, Dec 1993
True Stereo Reverb & Effects Processor
Review | Sound On Sound, Feb 1993
Review | Home & Studio Recording, Dec 1984
Review | Home & Studio Recording, Sep 1983
Review | Home & Studio Recording, Nov 1985
Review | Home & Studio Recording, Jun 1984