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mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
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Donations for January 2022
Issues donated this month: 2
New issues that have been donated or scanned for us this month.
Funds donated this month: £135.00
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Gear
 3rd Generation GR2 ReverbReview | Home & Studio Recording, Jul 1985 |
 Accessit Sound Processor UnitsReview | Home & Studio Recording, Apr 1984Dual Sweep EQ & Stereo Reverb |
 Akai AR900Review | Music Technology, May 1989Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel. |
 Akai EX90RReview | Music Technology, Mar 1988Reverb UnitA budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears. |
 Alesis MicroverbReview | Music Technology, Dec 1986Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear. |
 Alesis Microverb IIIReview | Music Technology, Mar 1991Reverb UnitNow in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb. |
 Alesis MidiverbReview | International Musician, Apr 1986Studio TestJim Betteridge opines on a resounding success |
 Alesis MidiverbReview | Home & Studio Recording, Apr 1986An unbelievable digital reverb at an even more unbelievable price. |
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 Alesis MIDIVERB IIReview | Sound On Sound, Jul 1987When it comes to the MIDIVERB II, Phil South discovers that sequels can sometimes be better than the originals! |
 Alesis MIDIverb IIIReview | Sound On Sound, Jan 1990This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out. |
 Alesis Midiverb IIIReview | Music Technology, Mar 1990Digital ReverbIn the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb. |
 Alesis through the Looking GlassReview | Home & Studio Recording, Mar 1986Sheer XTCA truly classy digital reverb at a sensible price. |
 Alesis XT Digital ReverbReview | Home & Studio Recording, Aug 1985For even less than the price of a semi in Rotherham, you too can experience high quality digital reverb in the privacy of your own home. |
 All Revved UpReview | Home & Studio Recording, Mar 1986The Yamaha REV1, possibly the most sophisticated digital reverb on the market. |
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 ART DR1Review | Music Technology, Apr 1987Programmable Digital Reverb...While Simon Trask gets to grips with a more expensive model from America, with more parameters, a remote-control unit, and various other goodies; is it worth the extra? |
 ART DR1 digital reverbReview | Sound On Sound, Feb 1987Mark Jenkins auditions the latest 16-bit stereo digital reverb with Performance MIDI. |
 ART DR2 Digital ReverbReview | Home & Studio Recording, Sep 1985A surprisingly flexible and easy to use unit that offers first class results. |
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 Digital DanceReview | Electronics & Music Maker, Mar 1986Lexicon PCM70Paul White gets to grips with the first digital reverb to be fully touch-sensitive over MIDI, and finds it throws a whole load of additional effects into the bargain. |
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 Dynacord DRP16 Digital ReverbReview | Home & Studio Recording, Dec 1984 |
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