Review | Home & Studio Recording, Apr 1984
Dual Sweep EQ & Stereo Reverb
Review | Music Technology, May 1989
Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel.
Review | Music Technology, Mar 1988
A budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears.
Review | Music Technology, Dec 1986
Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear.
Review | Music Technology, Mar 1991
Now in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb.
Review | Making Music, May 1986
Review | International Musician, Apr 1986
Jim Betteridge opines on a resounding success
Review | Sound On Sound, Jul 1987
When it comes to the MIDIVERB II, Phil South discovers that sequels can sometimes be better than the originals!
Review | Music Technology, Mar 1990
In the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb.
Review | Sound On Sound, Jan 1990
This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out.
Review | Home & Studio Recording, Mar 1984
Review | Music Technology, Apr 1987
Programmable Digital Reverb
...While Simon Trask gets to grips with a more expensive model from America, with more parameters, a remote-control unit, and various other goodies; is it worth the extra?
Review | Sound On Sound, Feb 1987
Mark Jenkins auditions the latest 16-bit stereo digital reverb with Performance MIDI.
Review | Home & Studio Recording, Sep 1984
Review | Home & Studio Recording, Dec 1984
Review | Home & Studio Recording, Sep 1983
Review | Home & Studio Recording, Jun 1984
Review | Sound On Sound, Dec 1986
Korg DRV-1000 Digital Reverb
As expected the MIDIVERB has opened up the floodgates for more low-cost stereo digital reverbs. Ian Gilby takes a listen to the first Japanese model to hit the market and concludes that its appearance can only be a good thing.
Review | Sound On Sound, Sep 1986
Ibanez are late entrants to the fast-moving field of digital reverb products, but their new SDR 1000 unit has something different about it that caught the eye of reviewer Mark Jenkins. Read the review to find out what...
Review | Electronics & Music Maker, Sep 1986
Latest digital reverb from a company that's been making outboard effects gear longer than most. Paul White gives his first impressions.
Review | Music Technology, Oct 1987
Digital reverberation continues its advance. Simon Trask puzzles over a unit that combines improved facilities and a lower price tag than its predecessor.
Review | Sound On Sound, Nov 1987
Yamaha REV5 Reverb
Is there room at the top for yet another digital reverb unit? Mark Badger thinks so — provided it's 16-bit, has a 20kHz effect bandwidth, analogue and digital parametric EQ, can stack two reverb effects and goes by the name of REV5!
Review | International Musician, Feb 1986
Cheap and effective, like our own spring chicken Jim Betteridge
Review | Sound On Sound, Jun 1987
Phil South discovers that room simulation is not incurable these days, thanks in part to this latest combined digital reverb and multi-effects processor from Korg.
Review | Music Technology, Jan 1987
The Japanese fight back in the battle to design cheap digital reverb, with an all-preset rack-mounting machine for under £350. Don Goldstein has the details.