Search / Browse / Filter Gear





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for July 2020
Issues donated this month: 1

New issues that have been donated or scanned for us this month.

Funds donated this month: £44.00

All donations and support are gratefully appreciated - thank you.

Gear

21 Today

Review | Electronic Soundmaker, Sep 1985
Yamaha DX21 synthesiser

The latest in the DX synth series

Akai Arrive!

Review | In Tune, Nov 1986
Akai AX73 Programmable Polyphonic Synthesiser

Akai AX80

Review | One Two Testing, Dec 1984

poly, MIDI, bar-graphs...

Akai AX80

Review | Electronics & Music Maker, Dec 1984
Programmable Polysynth

Paul White looks at the first musical instrument product from a Japanese giant. Has Akai's poly got the sounds and the facilities necessary for it to make an impact on today's synth world?

Akai's Attack

Review | Electronic Soundmaker, Jan 1985
Akai AX 80/1212 Mixer/Recorder

Akai leap bravely into the hard world of Pro music gear, with a poly, the AX 80, and a unique 12-channel mixer/recorder.

Alesis QuadraSynth

Review | Music Technology, Apr 1994
synthesiser

There's a new synth in town, it's gunning for the competition and it aims to please.

An Oberheim In Time

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Mar 1990

A list of "classic" analogue synths could not be complete without Oberheim's OBXa. Peter Forrest reminisces about an instrument that won the hearts of many musicians.

Big Brother

Review | Sound On Sound, Oct 1986
Casio CZ-1

Since the release of their diminutive yet ground-breaking CZ-101 synth, Casio have been steadily improving the facilities of their Phase Distortion keyboards with each subsequent CZ product. The culmination of those efforts is now manifest in their best-ever synthesizer, the CZ-1, a truly professional performance instrument. Chris Jenkins says 'welcome'.

Big K

Review | Electronic Soundmaker, Oct 1984
The Siel System

A detailed look at Siel's new DK600 keyboard Interface, and Expander.

Big Mother

Review | Electronic Soundmaker, Dec 1984
Roland Mother System

Roland's innovative MIDI set-up; Mother Keyboard, Planet-P piano voice module, Planet-S synth module, and the impressive Super Jupiter... an in-depth test.

Born Again

Review | Electronic Soundmaker, Dec 1984
Korg EX800

Korg's Poly 800 resurfaces as a keyboardless expander the EX800 for use as part of a MIDI system-full review.

Boss Dr Synth DS-330

Review | Music Technology, Nov 1992
Sound Module

Carry On Doctor...

Brian Chatton on the Poly 800

Review | Electronics & Music Maker, Apr 1984

Hot-foot from a mammoth UK tour as part of John Miles' backing-band, this well-respected keyboardist gives his own impressions of life on the road with Korg's latest MIDI-equipped polysynth.

Casio CZ-1 Digital Synth

Review | Making Music, Sep 1986

Casio CZ1 Polyphonic Synthesiser

Review | Electronics & Music Maker, Oct 1986

Following in the footsteps of their successful budget CZ models, Casio add touch-sensitivity for the professional user. Simon Trask evaluates the results.

Casio CZ101

Review | International Musician, Feb 1985
Synthcheck

Small, digital and reviewed by Curtis Schwartz

Casio CZ230S Keyboard

Review | Electronics & Music Maker, May 1986

What the ghetto blaster is to hi-fi, the CZ230S is to synthesisers. Annabel Scott takes a spin in Casio's streetwise preset synth.

Casio CZ3000 - The Obvious Solution?

Review | Sound On Sound, Apr 1986

Mark Jenkins reports on this recent addition to the popular CZ range of polysynths and suggests that the Phase Distortion synthesis it employs could well be the answer for those of you caught in the 'analogue versus digital' dilemma.

Casio HZ-600 synthesizer

Review | Sound On Sound, Oct 1987

Looking for a low-cost introduction to synthesis? With its simplified programming method and variant on the Phase Distortion sound, Casio's latest 8-voice, splittable, polysynth could well prove the ideal first choice. Mark Badger explores...

Casio HZ600

Review | Music Technology, Nov 1987
Portable Keyboard

Budget polysynth or home organ accessory? Casio attempt to find another gap in the market with Spectrum Distortion synthesis. Nicholas Rowland finds it's not too far from old-fashioned analogue.

Casio VZ1

Review | Music Technology, Sep 1988
iPD Digital Synthesiser

Casio's latest synthesiser employs the successor to the company's own PD synthesis system - interactive Phase Distortion. Bob O'Donnell investigates a new phase in synthesis.

Casio VZ8M

Review | Sound On Sound, Feb 1990

If you're tired of sampled sounds and are searching for a source of non-imitative synthetic voices to balance your repertoire, these low-cost instruments could well deliver the goods. Martin Russ finds out.

Casio VZ8M

Review | Music Technology, Oct 1989
iPD Synth Expander

The VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation.

Central Control

Review | Electronics & Music Maker, Aug 1986
Ensoniq ESQ1 Polysynth

The Mirage people announce a synth that uses analogue and digital technology, throws in a multitrack sequencer, and costs just over £1000. Paul Wiffen checks it out.

 

muzines_logo_02

Small Print

Terms of usePrivacy