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3's CompanyReview | Home & Studio Recording, Jul 1986Fostex Model 20Who needs a 3-track mastering machine? Fostex think you do so read all about the Model 20. |
8-track Without TearsReview | Home & Studio Recording, Dec 1985It's more than a Portastudio; 8-track reel-to-reel and mixing facilities all in one unit - the Tascam 388. |
Akai GX-4000D Reel-to-ReelReview | Home & Studio Recording, Oct 1984 |
Akai MG1212Review | International Musician, Jan 1985Studio TestCould this be the Megaportastudio. Jim Betteridge went forth and recorded |
Akai MG1214Review | Sound On Sound, Aug 1987No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems... |
Akai's AttackReview | Electronic Soundmaker, Jan 1985Akai AX 80/1212 Mixer/RecorderAkai leap bravely into the hard world of Pro music gear, with a poly, the AX 80, and a unique 12-channel mixer/recorder. |
Budget 24-TrackReview | Sound On Sound, Sep 1989Have you always wanted a 24-track studio but could never afford the gear? Well now, maybe you can. David Mellor looks at a package of equipment that offers 24 tape tracks at a budget price. |
One Over The Eight?Review | Electronic Soundmaker, Sep 1985Tascam 388A ‘portable’ 8 track recorder/mixer |
Revox B77 Tape RecorderReview | Home & Studio Recording, Dec 1983 |
Revox C278Review | Recording Musician, Sep 19928-Track Tape RecorderSince its dramatic drop in price, the C278 is an attractive proposition to the private user who puts quality before frills. |
Revox C278Review | Sound On Sound, Aug 1989For A Few Dollars More...What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra. |
Sweet Little SixteenReview | Sound On Sound, Aug 1991Tascam MSR16S MultitrackHaving made its debut on the new generation of affordable 1" 24-tracks, Dolby S has now given a new lease of life to Tascam's MSR16S. Dave Lockwood explains why. |
Tascam MSR16Review | Sound On Sound, Dec 1988The AlternativeSo far, affordable 16-track has been a one horse race and all the money has been on Fostex. But now the odds are getting more interesting as a lively young thoroughbred from the Tascam stable enters the starting stalls. David Mellor assesses the form. |
Tascam MSR24SReview | Sound On Sound, Feb 1991'S' AppealIs it the birth of a new standard? Dave Lockwood drools over Tascam's Dolby S-equipped one-inch 24-track. |
Tascam Studio 8Review | Sound On Sound, Jan 1986Continuing the tradition that began with their 144 Portastudio, Tascam have created a combined package of mixer and 8-track recorder - the 388 Studio 8 - whose compact dimensions belie its true versatility. Dave Lockwood assesses its performance. |
Teac X1000M Tape RecorderReview | Home & Studio Recording, Sep 1983 |
The Big OneReview | Sound On Sound, Jan 1990Tascam MSR24 24-track 1" Tape RecorderEver since the dark ages, prophets and soothsayers have been forecasting the Big One. Well here it is - Tascam's 24-track on one inch tape recorder. David Mellor investigates. |
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