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Akai MG1212Review | International Musician, Jan 1985Studio TestCould this be the Megaportastudio. Jim Betteridge went forth and recorded |
Akai MG1214Review | Sound On Sound, Aug 1987No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems... |
Akai's AttackReview | Electronic Soundmaker, Jan 1985Akai AX 80/1212 Mixer/RecorderAkai leap bravely into the hard world of Pro music gear, with a poly, the AX 80, and a unique 12-channel mixer/recorder. |
Budget 24-TrackReview | Sound On Sound, Sep 1989Have you always wanted a 24-track studio but could never afford the gear? Well now, maybe you can. David Mellor looks at a package of equipment that offers 24 tape tracks at a budget price. |
Fostex B16 Tape RecorderReview | Home & Studio Recording, Jan 1984 |
Fostex E16 MultitrackReview | Music Technology, Nov 198616-track Tape RecorderEver since its launch, the Fostex B16 has dominated the budget 16-track studio market Now Paul White tests its successor, the E16, and finds out if the improvements are worthwhile. |
Fostex E16 Multitrack RecorderReview | Sound On Sound, May 1988Many people own one and even more would like to, for the E16 is the 16-track tape machine to aspire to. Gareth Stuart finds out why. |
Fostex G16Review | Sound On Sound, Sep 1990David Mellor looks at a 16-track machine which brings a new level of sophistication to the world of 'personal' multitrack. |
Head To HeadReview | Recording Musician, Aug 1992Fostex R8 & Tascam TSR8 RecordersPaul White checks out Tascam's TSR8 and Fostex's R8 open reel, 8-track machines side by side. |
Revox C278Review | Recording Musician, Sep 19928-Track Tape RecorderSince its dramatic drop in price, the C278 is an attractive proposition to the private user who puts quality before frills. |
Revox C278Review | Sound On Sound, Aug 1989For A Few Dollars More...What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra. |
Tascam TSR8 vs Fostex E8Review | Sound On Sound, Jul 1989The 8-Track ChallengeThe 8-track challenge: with the release of a new Tascam machine and the recent price cut on the Fostex E8, we thought it opportune to compare the two models. David Mellor adjudicates in the battle of the budget 8-tracks. |
The Tascam Way - Part 1Review Series | Sound International, May 1978The Teac 80-8 tape machine, Tascam Model 5 mixer, and dbx DX-8 noise-reduction unit. |
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