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2 of a KindReview | Home & Studio Recording, Oct 1986AKG K240DF headphones and AKG C535EB micMike Skeet gives us his opinion on these monitor quality headphones. Are they really an alternative to mixing on speakers? Next he takes a look at the C535EB microphone. |
A Bunch Of Five...Review | Sound On Sound, Sep 1986Shure MicrophonesWe gathered together five different types of microphone from the current Shure product range and gave them to sound engineer Dave Lockwood to test. Read his report in this issue. |
A Nice PairReview | Sound On Sound, Feb 1987Beyer microphonesWant to know how the electret principle functions? Or the difference between pressure and pressure-gradient microphones? Then read the review, as recording engineer Gareth Stuart field tests the most recent additions to the famous Beyer range. |
AKG CMS Modular Condenser Microphone SystemReview | Home & Studio Recording, Dec 1984 |
AKG D202E1 & D224E MicrophonesReview | Home & Studio Recording, Jun 1984 |
AKG D330BT and D202Review | Electronics & Music Maker, Feb 1982 |
All Round SoundReview | Recording Musician, Oct 1992AKG Tri-Power MicrophonesA new range of stylish dynamic microphones, with models to suit most instrumental applications. |
And Then There Were ThreeReview | Home & Studio Recording, Jul 1986Toa K4, K1 and J3 MicsThree new microphones make their stand and acquit themselves well. |
Audio Technica AT4033Review | Sound On Sound, Apr 1992Studio Condensor MicAudio Technical new AT4033 offers the performance and precision construction that usually carry a premium price tag. Dave Lockwood looks at this attractive alternative to some big name mics. |
Audio-Technica 'Performance' MicrophonesReview | Home & Studio Recording, Oct 1984 |
Audio-Technica ATM63 & ATM41a MikesReview | In Tune, Apr 1985 |
Audio-Technica MicrophonesReview | Home & Studio Recording, Jan 1984 |
Audio-Technica Pro 5 and ATM 10Review | Home & Studio Recording, Jan 1985 |
Audix MicrophonesReview | Home & Studio Recording, Mar 1989A new range of American mics that sound and look good. |
Beyer MC740Review | Sound On Sound, Nov 1989Condenser MicrophoneGood quality microphones can be a real asset to any type of studio, but if you want the best tools you should be prepared to pay the price for them. Gareth Stuart considers the worth of Beyer's top of the range condenser mic. |
Beyer MCE81 Condenser MicrophoneReview | Sound On Sound, Jan 1988Beyer's MCE81 condenser mic is their latest addition to a long line of sturdy, high quality studio and stage microphones. Gareth Stuart finds out just what it records best. |
Blue NotesReview | Recording Musician, Sep 1992AKG Blue Line MicrophonesA modular range of microphones covering almost every audio eventuality from broadcast to recording and AV. |
Calrec 600 Series MicrophonesReview | Electronics & Music Maker, Oct 1983 |
Cutec MicrophonesReview | Home & Studio Recording, Nov 1984 |
Electro-Voice PL95 & PL91A MicsReview | Electronics & Music Maker, Dec 1981 |
Electro-Voice Pro-Line MicrophonesReview | Home & Studio Recording, Dec 1983 |
Electrovoice MC100 and MC150 Dynamic MicrophonesReview | Recording Musician, Nov 1992 |
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