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Derek Johnson finds this 24-input mic/line mixer is a useful addition to any studio setup.

Paul White checks out Tascam's TSR8 and Fostex's R8 open reel, 8-track machines side by side.

Leading session guitarist Aziz talks to John Harris about playing, recording, and hi-tech guitar processors.

Paul White explains the basic principles of tape recorders to help you make better recordings.

An insight into the sounds and structures that make up a successful dance record, by Edgar G. Roover.

Four into one will go, as Derek Johnson discovers when working with Ensoniq's new four-channel parallel effects processor.

Dave Lockwood explains how Dolby S noise reduction increases the potential of analogue tape recorders.

Mike Simmons tries out this cost-effective live sound console and finds it also has home studio applications.

Dave Lockwood checks out the first ever Dolby S cassette multitracker in this exclusive review.

Three top name, back-electret mics that turn in a professional performance at a semi-pro price, rounded up by Paul White.

Paul White assesses LA's new compressor, which uses modern technology to emulate the sound of tube models.

David Griesinger pioneered the research behind the Lexicon digital reverb sound. He discusses his ideas with Paul White.

Paul White shows how you can explore classic mic techniques using basic equipment.

Paul White tests an unusual pair of studio monitors from a new British manufacturer.

A little lateral thinking from Paul White reveals new and better ways of getting signals to and from tape.

Part two of our simple, three-part competition in which you could win a complete studio package worth over £7,500.

Chris Gander, a teacher and a home recording enthusiast, examines the way technology is influencing music education.

Guest producer Sadia joins the ongoing 'digital vs analogue' debate.