Put two Lexicon 224Xs in one box, add a sprinkling of new features, and you have the reverb-based effects unit to beat them all. Paul Wiffen has the advance details.
The Editor struggles through tech-laden stands, lively demos, liquid lunches and hordes of musicians to bring news of Britain's best-ever music show. If you missed it, you missed out.
How does Roland's new SAS resynthesis system go about imitating a grand piano? Dan Goldstein digs deep inside the RD1000 and its modular counterpart, the MKS20, and submits a glowing report.
Simon Trask looks at one of the first multitrack MIDI recording packages to be made available for the Atari ST series of computers. How does it compare to dedicated sequencers?
A Merseyside duo with a fresh approach to pop arrangements are currently making some of the most inventive music in the British singles charts. Tim Goodyer chats to them.
Simon Trask travels to North London to visit one of Britain's longest-established synth studios, and to talk to its creator, electronic composer David Vorhaus.
Simon Trask leaves all that MIDI jargon behind to check out Britain's first major live hip hop event. How are the DJs and the rappers making technology tick?
It's two years since the former japan frontman made his solo debut, but a new double album showcases both Sylvian's unique songwriting and his interest in ambient, instrumental music. Exhaustive interview by Tim Goodyer.
A guitar for drummers, a percussion controller for keyboardists, or a drum-kit for guitar players? The Rhythm Stick could be all of these things, as Nigel Lord discovers.
After all these months, our Write A Feature competition has a winner. Find out why it was so long coming, and read the article that won its author a Yamaha DX100.
American software engineer Chris Meyer submits a personal, highly subjective and utterly biased report on Chicago's summer music extravaganza. Well, he was only there for a day.
E&MM US Editor Rick Davies takes a trip to Palo Alto, California, to see an Apple Mac software package that uses additive synthesis to turn samplers into synthesisers.
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