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Music Technology - November 1986

We Say, You Say
Editorial

Welcome to a different kind of musicians' magazine, upholding old traditions and breaking new ground.

This article has no OCR bodytext.Newsdesk
News

Three pages of news and happenings from the world of music technology, brought to you as only our reporting staff know how.

This article has no OCR bodytext.Communique
Feedback

The MT readers' debating page. If you have a view to air, this is where to air it.

This article has no OCR bodytext.Interface
Feedback

Your technical queries answered by our team of experts - and by other readers offering friendly advice.

Dynacord ADD-one
Review

Digital Drum Module

We preview the most sophisticated electronic percussion system yet devised. It's incredibly versatile, but it doesn't come cheap, as Paul Wiffen reveals.

Quark LRM2 MIDILink
Review

Long-distance MIDI transmission is no longer a dream, now that Quark have developed a system that converts it into a more durable format. Annabel Scott reports.

When The Going Gets Tough
Feature

Recording your own music is only the first step to getting it heard; to do that, you need to deal with A&R people at record companies. Paul Tingen meets them, and discovers why so few bands succeed in impressing them.

Korg DDD1
Review

Digital Drum Machine

Expandability comes to drum machines, with an affordable unit that offers four ROM expansion slots, plus the added bonus of onboard user sampling. Trevor Gilchrist checks it out.

The Wizard
Interview

Paul Hardcastle

The whizz-kid that made a number one hit out of a spoken-word soundtrack and a sampler with 19' is now The Wizard, courtesy of a new signature tune for 'Top of the Pops'. Tim Goodyer meets the man, the Synclavier, and the passion for new technology.

Yards Ahead
Feature

Lillie Yard Studio | Hans Zimmer

Where can you find a complete audio-video recording system, a Fairlight a separate programming suite and the biggest modular synth in the world? Matthew Vosburgh discovers heaven off the Earl's Court Road.

Wersi MK1 Synthesiser
Review

Polyphonic Synthesiser

Simon Trask follows up our earlier preview of Wersi's first polyphonic synth, with a full review that delves deeper into the possibilities of additive synthesis. Is it too complex to use?

Fostex E16 Multitrack
Review

16-track Tape Recorder

Ever since its launch, the Fostex B16 has dominated the budget 16-track studio market Now Paul White tests its successor, the E16, and finds out if the improvements are worthwhile.

Yamaha FB01
Review

FM Sound Generator

Yamaha's preset synth expander offers a multitude of FM sounds for reasonable money, and also boasts MIDI Mono Mode for multi-timbral recording. David Ellis gives his verdict.

Hybrid Arts ADAP
Review

Computer Sampling System

Sampling keyboards are everywhere this year, but most of them are confined to 12-bit resolution. Our US Editor, Rick Davies, gets a taste of 16-bit sampling with an incredibly cheap Atari-based system.

Beat Box Chic
Retrospective (Gear)

Digital drum machines may rule the waves in the R&D labs, but one obsolete analogue device is still the record producers' first choice. Tim Goodyer dissects the appeal of Roland's classic TR808.

Mono Mode Part 4
Feature

You thought multi-timbral MIDI was only for synthesisers and samplers? You thought wrong, as Paul Wiffen proves with his analysis of Mode 4 on the Yamaha SPX90 effects processor.

Patchwork
Feature

Trish McGrath gets the lowdown on a whole stack of readers' own synth sounds, while Paul Wiffen gives an appraisal of a new library of samples for the Ensoniq Mirage.

Roland DEP5
Review

Multi-effects Unit

Multi-effects processors are all very well, but few of them allow you to use two different treatments in series. Paul White is blown away by the possibilities the technique offers.

New Horizons
Interview

Richard Burgess

He was once electronic drummer with jazz-rockers Landscape. Now he's a successful producer for the likes of Spandau Ballet and Colonel Abrams, but the search for new ways of using new gear goes on.

Computers, Music And Art
Interview

Morton Subotnik

His may be an unfamiliar name, but this avant-garde composer has been writing music that stretches technology to its limits for two decades. Ron Briefel talks to the man about his current passion - Yamaha's X-series equipment.

Musicom
Review

Music Instruction System

Of the few computer-based music teaching systems available, Xanadu's Musicom - distributed by Roland - is one of the most versatile. David Ellis finds out if it's cheap enough to tempt fund-starved schools.

Mixdown Lowdown Part 1
Feature

Paul White again, with the first in a new series on ensuring your immaculate recording isn't ruined by a mediocre mix. This month: what not to do with mixing desks and outboard processors.

How East Met West
Feature

New technology has already brought the music industries of East and West closer together, but how has that affected the music itself, and what will happen as the two cultures get closer still? Gary Larson gives his viewpoint.

This article has no OCR bodytext.Index 1985-86
Index

E&MM is dead - long live E&MM. A complete rundown of all the features we've published in the last one-and-three-quarter years, just in case you missed something.

Music Technology - Copyright: Music Maker Publications (UK), Future Publishing.

 

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