Want to be a recording engineer? Terry Holton provides an insight into the audio and video production training courses offered by London-based Media Production Services.
Not many people would have the courage to give up a lucrative career in the jingles business in order to record and release their own CD. But that's precisely what Simon Renouf has done, and this is his story...
Most editing software is more user-friendly than digital parameter access, and more suited to the demands of editing complex digital synthesizers than traditional analogue controls. Greg Truckell investigates.
From the home organ division of the Japanese giant comes a box which wipes the floor with anything that Yamaha’s Professional Keyboards division can currently produce. Paul Wiffen reveals the secret of the black box...
The prospect of a high-spec sample player bearing the Emu name, but costing 'under £1000', had musician's waiting with baited breath for its appearance. Now Proteus is here, and Paul Ireson breathes a sigh of relief as he finds that it was worth the wait.
PART 3; David Mellor looks at how the requirements of different types of music for TV and film can dictate the sophistication of your synchronising capabilities, and at how machine synchronisation works in practice.
Good quality microphones can be a real asset to any type of studio, but if you want the best tools you should be prepared to pay the price for them. Gareth Stuart considers the worth of Beyer's top of the range condenser mic.
In response to suggestions from engineers Yamaha have developed the RTC1, which provides remote control of up to four DMP7, DMP7D and/or DMP11 digital mixers. Terry Holton tries one out.
If you have a large number of disorganised patches and an unruly MIDI network, then Xor is made for you. It is designed to make sound management and working with MIDI instruments easier. Martin Russ finds out if the claims are true.
PART 2: Carrying on from last month's explanation of the basic principles of digital signal processing, Jim Grant explains how to put these into practice and create some useful and familiar effects.
PART 2: Last month's article saw Reproduction Studio in the early stages of construction. This month, in the final part, the finished project comes under scrutiny.
The Tokyo Expo is normally a fairly low-key domestic affair, but this year several major new products were unveiled for the first time ever. Our man in Japan, Paul Wiffen, was there to report on some of the hi-tech instruments that will be vying for your money in the coming year; including Yamaha's new mega-synth, the SY77
Is the 'Tapeless Studio’ fact or fiction? Yasmin Hashmi ponders the current state of the recording industry.
Sound On Sound - Copyright: SOS Publications Ltd. The contents of this magazine are re-published here with the kind permission of SOS Publications Ltd.
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