- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 1 - 5 of 5 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Roland S220 SamplerReview | Music Technology, Nov 1987The latest addition to the company's family of 12-bit samplers offers many of the features of their top-of-the-line S50 in a less expensive, rack-mount format. Aaron Hallas reports. |
Hybrid Arts EZ-Score PlusReview | Music Technology, Apr 1988Software for the Atari STThe first of a series of scoring programs for the Atari ST. Aaron Hollas checks out its extensive editing facilities and its compatibility with the company's sequencing programs. |
Yamaha G10Review | Music Technology, Dec 1988The quest to build the ideal MIDI guitar controller continues with Yamaha's eagerly-awaited G10. Aaron Hallas makes the pick-up. |
Roland GR50Review | Music Technology, Aug 1989Guitar SynthesiserRoland's latest guitar synthesiser is quickly earning a reputation as the most playable guitar synth yet built. Aaron Hallas turns from widdly-widdly merchant to MlDdly-widdly merchant. |
Cause An EffectFeature | Topic: Effects Processing | Music Technology, May 1991Effects processing is now an integral part of a recording studio - large or small. Aaron Hallas goes back to basics in this introduction to sound treatment. |
Page 1 of 1