Microphone

How to turn this inexpensive PZM into a balanced line microphone

Fender P1, D1 & M1.

User Report

Our final modification to this inexpensive 'pressure zone microphone' makes the unit suitable for more professional applications.

Studio Sound Techniques

The lowdown on Compressor-Limiters, and how to use them.

'Noise Gates' are now an inherent part of modern recording practice. We explain their function and provide some practical applications.

Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers.

Continuing the tradition that began with their 144 Portastudio, Tascam have created a combined package of mixer and 8-track recorder - the 388 Studio 8 - whose compact dimensions belie its true versatility. Dave Lockwood assesses its performance.

Dave Lockwood tastes the aural delights of the MIDIVERB's upmarket stablemate - the XTc.

Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model.

With the increased use of direct-injected sound sources like drum machines on modern recordings, the role of the humble noise gate has gradually shifted from a purely corrective to a creative one. Sound engineer Dave Lockwood discovered even more creative applications when he tested this American four-channel expander/gate from US Audio.