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Datel Sound SamplerGroup: Computer MusicianHardware and Software for Sinclair SpectrumE&MM new-boy Simon Trask gets his teeth into a Spectrum-based sampling system that retails for no more than £50. |
Korg MR16Review | Electronics & Music Maker, May 1985MIDI Percussion Voice GeneratorSimon Trask confronts a technological puzzle. Why have Korg put 19 digital drum voices in a box that contains no sequencing software? |
Joreth Music Composer SystemGroup: Computer MusicianMIDI Software and Hardware for Commodore 64An extensive new MIDI software package from Worcestershire could well be the answer to many a Commodore owner's dream. Simon Trask has the details. |
Sequential MultiTrakReview | Electronics & Music Maker, May 1985Programmable Polysynth with SequencerThe Californians introduce a followup to the inventive but mixed-bag SixTrak. Simon Trask checks it out. |
Microsound Digital Music SystemGroup: Computer MusicianMIDI Sampling Hardware and Software for Commodore 64In which a long-awaited, British-built sampling hardware/software package for the CBM64 catches MIDI and makes it to the review stage. Simon Trask reports. |
Casio CZ5000Review | Electronics & Music Maker, Jun 1985Programmable Phase Distortion Polysynth with SequencerContinuing their fight for pro keyboard acceptance, Casio double the CZ1000's voices and throw in a multitrack sequencer for good measure. Simon Trask casts a critical eye over the results. |
XRI Micon System ControllerGroup: Computer MusicianMIDI Software for Spectrum MicroA MIDI interface and sequencer that attempts to do an awful lot on a machine capable of doing comparatively little - the Sinclair Spectrum. Another review by that man Trask. |
Oberheim Matrix 12Review | Electronics & Music Maker, Jun 1985Programmable 12-Voice Multi-timbral PolysynthThe world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys. |
Sequential TomReview | Electronics & Music Maker, Jul 1985Programmable digital drum machineFollowing the Drumtraks in vocation and the MAX in appearance comes TOM, Sequential’s latest. Simon Trask finds out if reverse drum samples really do have a use. |
Microskill AS32Review | Electronics & Music Maker, Jul 1985All-digital Programmable PolysynthA British-built additive synthesis instrument with multiple keyboard splitting and overlaying, and up to 16 voices at its command. A dream come true? Simon Trask has the answer. |
Atari 520STGroup: Computer Musician16-bit Home ComputerNot just another home computer; more like the future of the entire domestic micro industry, not to mention the MIDI software one. Simon Trask has the details. |
Hinton MIDICGroup: Computer MusicianMIDI Hardware and Software for RS232 Interface StandardA MIDI utility hardware and software package for any RS232-equipped micro. Review by Simon Trask, who’s thinking of having RS232 fitted to himself. |
Sight ReadingReview | Electronics & Music Maker, Aug 1985Dan Goldstein and Simon Trask take a break from reading their own work and examine a selection of new books aimed at helping you get more out of music technology. |
Le Sequenceur PolyphoniqueReview | Electronics & Music Maker, Aug 1985The French answer to the MSQ100? A polyphonic sequencer with comprehensive interfacing facilities, and a few tricks up its sleeve gets the treatment from 'le docteur' Simon Trask. |
The Shortest RouteReview | Electronics & Music Maker, Aug 1985As MIDI's failings become all too apparent to thousands of musicians, Roland take the bull by the horns and come up with four processing units to make life easier. Simon Trask gives them a trial run. |
21 TodayReview | Electronics & Music Maker, Aug 1985Yamaha's DX21 polysynth offers FM sound quality at a low, low price, plus a few features even the DX7 doesn't have. Simon Trask investigates. |
MIDI - An IntroductionFeature | Topic: MIDI | Home & Studio Recording, Sep 1985As MIDI begins to make inroads into the studio, Simon Trask examines its fundamental applications. |
False Economies?Review | Electronics & Music Maker, Sep 1985Yamaha RX21Strip a digital drum machine down to its bare essentials, and you have Yamaha's bargain-basement percussion offering. The price is low but there are a few sacrifices, as Simon Trask discovers. |
Cheap! but not so nastyReview | Electronics & Music Maker, Sep 1985Casio SZ1Another sequencer first, this time for Casio, seeking to extend their grip over the budget end of the pro synth market. Simon Trask reckons the foray has been worthwhile. |
TechTalk - Part 1Interview Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Sep 1985John Chowning, inventor of FM synthesis and the man indirectly responsible for Yamaha's DX synths, receives an interrogation from Simon Trask. In the event, our man scarcely gels a word in edgeways. |
Wide Open SpacesReview | Electronics & Music Maker, Sep 1985A special, report on budget digital reverb, with the spotlight focussed firmly on two groundbreaking new machines, the Yamaha REV7 and Roland SRV2000. Paul White and Simon Trask take up the story. |
TechTalk - Part 2Interview Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Oct 1985Part 2 of an in-depth interview with Job Chowning, inventor of FM digital synthesis. Simon Trask gets in a few more questions than he did last month. |
The Fifth DimensionReview | Electronics & Music Maker, Oct 1985Yamaha DX5Merely two DX7s in a box, or a valid addition to the Yamaha range of FM digital keyboards? Simon Trask takes the mid-price algorithm through its paces, and comes to mixed conclusions. |
System ExclusiveReview | Electronics & Music Maker, Oct 1985Music System SoftwareA software package for the CBM64 sets out to utilise the SID chip but involves MIDI along the way. Simon Trask investigates the consequences, now that Island Logic have given way to Firebird. |
Auntie's PlayroomFeature | Topic: Composing for Business, Recording Studios, Video / Film / Picture | Electronics & Music Maker, Oct 1985BBC Radiophonic WorkshopPlenty has changed since E&MM last ventured into the hallowed chambers of Maida Vale. Simon Trask reports from the studio that started it all, but now seems aloof from the modern music scene. |
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