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Drumware SoundfilerReview | Music Technology, Mar 1988Akai S900 Editor for the Atari STThis comprehensive visual sample-editing package from America could be the answer to many S900 owner's prayers. Vic Lennard says: have ST will travel. |
Hybrid Arts GenPatchReview | Music Technology, Apr 1988Software for the Atari STA generic patch librarian from a familiar American company. Vic Leonard looks at a convenient way of solving the problems of patch storage and organisation - provided you've got an ST. |
Exclusive InformationFeature | Topic: MIDI | Music Technology, Aug 1988System Exclusive messages promised to make MIDI a flexible and powerful communications standard; instead it seems to have caused MIDI havoc. Vic Lennard takes an Exclusive look. |
Digital Music Corporation MX8Review | Music Technology, Sep 1988MIDI Patchbay ProcessorFrom America: a 1U-high black box which combines MIDI patching, merging and processing capabilities. Vic Lennard encounters a new twist in MIDI processing. |
Roland E660Review | Music Technology, Oct 1988Digital Parametric EqualiserThe advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser. |
Friendchip SRC/ATReview | Music Technology, Nov 1988MIDI SynchroniserIt's not the cheapest synchroniser money can buy, but it's sophisticated and flexible enough to become one of the most popular. Vic Leonard gets in sync. |
Pandora Technology Powertools M1 EditorReview | Music Technology, Dec 1988Software for the Atari STIf you're looking for an easy approach to programming your new Korg M1 workstation, this Atari ST program could be for you. Vic Lennard goes to work with a mouse. |
Dr T'S D110 EditorReview | Music Technology, Jan 1989Software for the Atari STThe latest in Dr T's Caged Artist series of editors is an Atari ST program for Roland's popular D110 synthesis mdule. Vic Lennard takes his L/A the easy way. |
Akai S950 Digital SamplerReview | Music Technology, Jan 1989As musicians demand ever more from their samplers, Akai replace the studio-standard S900 with an enhanced machine. Vic Lennard samples the march of progress. |
Tascam 238Review | Music Technology, Jan 1989Eight-track cassette recorderThe four-track cassette recorder revolutionised home recording and significantly changed the recording industry; will the eight-track cassette have a similar effect? Vic Lennard goes on record. |
DACS MIDI PatchbayReview | Music Technology, Feb 1989Tense, nervous headache? Then you've probably got a patching problem in your studio. Vic Leonard looks at a cost-effective solution to MIDI-patching nightmares. |
Symetrix 511A Noise Reduction UnitReview | Music Technology, Feb 1989Noise reduction is an essential part of any professional recording; but there's more than one way of providing it and more than one way of using it. Silence is golden to Vic Lennard. |
Soundbits Roland 3D Editor/LibrarianReview | Music Technology, Feb 1989Software for the Atari STGood news for you Roland D10, D20 and D110 owners comes in the form of this Atari ST editing software. "I could do with a D", says Vic Leonard. |
Toa MR8TReview | Music Technology, Feb 1989Eight-track cassette recorderWhen the first Portastudio was launched, it caused a revolution in the recording industry - now you can put eight tracks on the same tape. Vic Lennard punches in. |
Steinberg TwelveReview | Music Technology, Feb 1989Software for the Atari STIf your music's been demanding a Steinberg sequencer but your pocket's been denying you Pro24, this new budget package could be your salvation. Baby talk: Vic Leonard. |
Fostex R8Review | Music Technology, Mar 1989Eight-track reel-to-reel recorderAs 8-track tape recording takes its first steps onto cassette, Fostex introduce another revolutionary idea: the reel-to-reel tape deck with a detachable control panel. Vic Lennard does it from a distance. |
Roland R880Review | Music Technology, Mar 1989Digital Reverb UnitDigital reverberation technology is recognised for making reverb units cheap, but the same technology means a little more money buys a lot more power. Vic Lennard reflects on the R880. |
Akai S950Review | Home & Studio Recording, Mar 1989The successor to Akai's industry standard S900 hits the streets. |
Kawai K1 Visual EditorsReview | Music Technology, Mar 1989Software for the Atari STCoupled with its success, the digital parameter access-editing of Kawai's K1 synthesiser has made it an obvious target for software editors - like these from Dr Ts, Soundbits, Drumware and Steinberg. Vic Lennard looks on. |
Audix MicrophonesReview | Home & Studio Recording, Mar 1989A new range of American mics that sound and look good. |
MIDI Merge BoxesReview | Music Technology, Apr 1989Philip Rees 2M & Groove Electronics MIIM MIDI MergersWhen the usual MIDI In, Out and Thru that appear on most of your MIDI gear are unable to manage your MIDI data, outside help is in order. Vic Lennard has the urge to merge with Philip Rees' 2M and Groove Electronics' MIIM. |
Steinberg Synthworks D10/20/110/MT32Review | Music Technology, Apr 1989Software for the Atari STSteinberg's Atari editor for the Roland D10 also works for the MT32 - or is that Steinberg's D110 editor works with the D20? Vic Lennard gets generic with Synthworks. |
MIDI In ControlFeature | Topic: MIDI | Music Technology, Apr 1989MIDI is regularly used to perform tasks as varied as switching notes on and off, storing patch libraries and controlling mixes, but can it control sound itself? Vic Lennard looks at the uses of MIDI noise gates. |
The Small Print - Part 1Feature Series | Topic: MIDI | Music Technology, May 1989Reading MIDI Implementation ChartsIf you regard MIDI Implementation charts as being indecipherable tables of numbers, you could be ignoring an easy way of solving your MIDI problems. Vic Lennard opens a series of articles on how to read the small print. |
Elka CR99Review | Music Technology, May 1989MIDI Disk RecorderMeanwhile, Elka have called their CR99 a MIDI Disk Recorder rather than a MIDI sequencer. Vic Lennard goes on record with a MIDI sequencer with a few surprises up its sleeve. |
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