According to the experts, most of the upcoming computer research and development will be based around software. Ed Stenson looks at one programming language that could prove useful in more than a few musical applications.

Almost every keyboard exhibitor at the British Music Fair was using these British-designed and built speakers to play their products through. Paul White tries to find out why.

How to soundproof a rehearsal room

How to soundproof your demo room

Copyists or Plagiarists?

Right Royalty Rip-Off

Even more on chords and chord voicings

The vintage advantage

Rhythmcheck

A neat effects pedal housing the sound of your choice

Where the printed word fails to deliver - how much can words tell you about sounds, and what can you do to bridge the gap between them? Tim Goodyer gets semantic.

Insert Points & Aux Sends

Last minute bargains: Guided tour around typical multitrack desk, stopping at all notable features. Bed, breakfast and evening meal not provided.

toss pot

all white four stringer

Sequencing On Stage

Sequencers are a boon in the studio, but on stage they create the potential for problems that can ruin a gig. Paul Ireson explains how to steer clear of trouble.

An interesting diversion - or two

A European music co-operative explained by Henry Cow/Art Bears percussionist Chris Cutler.

ST editing software for the Sound Canvas

The success of your Canvas could rest on this software.