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Black MagicInterview | Music Technology, Oct 1987The beat doesn't come much harder than from this respected London funk outfit. In the wake of their debut LP Tim Goodyer gets the hard facts about rhythm from a box. |
Black MagicReview | Sound On Sound, Feb 1986Fostex Model 80 Tape RecorderA second generation 8-track from Fostex that offers autolocate and timecode control to the budget studio. Paul Gilby opens the box to discover the secrets of the black magic. |
Black magic boxGroup: Control RoomAudio Technica AT4050High-quality studio mic |
Back to BlackFeature | Phaze 1, Jun 1989twenty years after they invented heavy metal the seminal sabbs are back |
Peavey Dyna BassReview | Making Music, Dec 1986 |
dbx 120XP Boom BoxGroup: Quality Controlsubharmonic synthesiserWhen you hear the beat go boom and you feel it in the pit of your stomach, look out for this black magic box |
SPL Stereo VitalizerGroup: Quality Controlpsychoacoustic equaliserSound enhancement at both ends of the spectrum - and something in the middle. |
Heavenly Music MIDI Song FilesReview | Music Technology, Apr 1992Four software offerings from the authors of the popular Dr Beat Vol 1 make effective use of MIDI Song Files to bring music to your ST. Ian Waugh checks the imports. |
Outside Of C - Part 6Group: One Two TrainingKeyboard Trainingspinning the circle of fifths |
Every Little BitFeature | Topic: Digital Audio, Sampling | Music Technology, Nov 1987Sound quality has long been a grey area in the world of sampling. Chris Meyer finds out it takes more than "bits" to make a sampler sound good. |
Heroes - Part 8Feature Series | Topic: History / Culture | One Two Testing, Aug 1984Jerry Wexler, the father of soul |
The Man Who Sells ExcitementInterview | Topic: Design, Development & Manufacture | Home & Studio Recording, Nov 1985Marvin Caesar, the president of Aphex speaks about how the Aural Exciter came into being, and for the first time reveals news of some forthcoming interesting new products... |
SantanaInterview | International Musician & Recording World, Mar 1975In praise of the man and his music |
Talking MIDI - Part 3Feature Series | Sound On Sound, Feb 1986Jay Chapman designs his own MIDI protocol this month to help show you how the real MIDI system orders about the binary information it uses to represent music. |
How to Set Up a Home Studio - Part 7Feature Series | Topic: Acoustics, Home Studio | Sound On Sound, Jun 1989Studio Layout & AcousticsPART 7: Badly positioned equipment in your home studio can mean the difference between a good working environment and a bad one. This month, David Mellor provides some useful guidelines to help make your home studio as efficient as possible. |
Yamaha EMP700Review | Sound On Sound, Aug 1992Stereo Effects ProcessorIt's slim, dark and sexy, flashes alluringly in a rack and has multiple uses - it's Yamaha's latest sound processor, the EMP700. Derek Johnson opens up the black magic box. |
ToolboxNews | The Mix, Apr 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds and samples |
ADA Signal ProcessorsReview | Sound On Sound, Nov 1988David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money. |
More Power Amplifier SurgeryFeature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Jun 1983Repairing MOSFET Power AmplifiersPower Amp Surgery |
Waxing LyricalFeature | Topic: Arranging / Songwriting | International Musician & Recording World, Oct 1985How To Write LyricsRichard Walmsley takes a look at the under-estimated art of lyric writing |
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