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This article has no OCR bodytext.Elka CR99 Competition

Competition | Sound On Sound, Jun 1990

Elka CR99 MIDI Disk Recorder

Review | Sound On Sound, Apr 1989

Paul Ireson takes a look at a new kind of direct-to-disk recorder, which stores MIDI rather than audio data. Could it be the ideal live sequencer, he wonders?

Elka CR99

Review | Music Technology, May 1989
MIDI Disk Recorder

Meanwhile, Elka have called their CR99 a MIDI Disk Recorder rather than a MIDI sequencer. Vic Lennard goes on record with a MIDI sequencer with a few surprises up its sleeve.

Elka CR99

Review | Micro Music, Mar 1990
MIDI Disk Recorder

Paul Overaa looks at a unit about to make a big impact on the MIDI scene - The Elka Orla

One Size Fits All

Editorial | Music Technology, Dec 1990

Once a recording studio was a large room lined with futuristic acoustic tiles and filled with impressive equipment; now it could be the corner of a bedroom - it's all a matter of size.

Miditemp MP44 MIDI Player

Review | Music Technology, Dec 1990
MIDI Data Recorder

Latest in the emerging trend of MIDI data recorders is MIDItemp's MIDI Player - a composite 64-track sequencer, MIDI processor and patching matrix. Vic Lennard takes on a temp.

Machine Head

Interview | Music Technology, Jul 1991

The line between man and machine is blurred; today there exists an entity whose purpose is to make music. Simon Trask discovers that its sights are locked on the dance charts and it absolutely will not stop.

Effective Action

Feature | Topic: MIDI | Music Technology, Jun 1990

Outboard signal processors have been sporting MIDI sockets on their rear panels for some time now, but just what can MIDI do for fx and how can you best use it? Vic Lennard patches into processing.

Musicsoft MIDIman

Review | Music Technology, Jul 1989
MIDI Tape Recorder Interface

If the prospect of throwing your computer into the back of a Ford Transit and hauling it on stage every night fills you with dread, the new MIDIMan from Musicsoft might well be the solution.

Programmable Audio Patchbays

Review | Sound On Sound, Apr 1990
Peavey MAP8X4, Icon Research APB1

Ian Gilby takes a look at two different approaches to the design of a MIDI-controlled audio patchbay: the Peavey MAP8X4 and Icon Research APB1.

Everything You Ever Wanted To Know About System Exclusive - Part 12

Feature Series | Topic: MIDI | Sound On Sound, Mar 1990
(But Were Too Afraid To Ask!)

PART 12: Martin Russ concludes this 12-part series designed to demystify one of MIDI's most important and useful messages.

Everything You Ever Wanted To Know About System Exclusive - Part 11

Feature Series | Topic: MIDI | Sound On Sound, Feb 1990
(But Were Too Afraid To Ask!)

PART 11: Martin Russ explains how he overcame some puzzling MIDI problems on a Kawai R50 drum machine, and takes a SysEx eyes' view of the Alesis DataDisk.

Frontal Lobe & PCM Channel

Review | Music Technology, Apr 1991
Korg M1 Enhancement

Much talked about in the US but still unavailable in the UK, Cannon's Frontal Lobe promises a new lease of life for your Korg M1. Gordon Reid asks "does it deliver?"

Everything You Ever Wanted To Know About System Exclusive - Part 4

Feature Series | Topic: MIDI | Sound On Sound, Jul 1989
(But Were Too Afraid To Ask!)

PART 4: Martin Russ provides some solid examples of how to utilise the hidden power of MIDI’s SysEx commands to reprogramme synths on-the-fly and to store snapshots of all your synth and effects patches on disk.

 

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