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Elka CR99 MIDI Disk RecorderReview | Sound On Sound, Apr 1989Paul Ireson takes a look at a new kind of direct-to-disk recorder, which stores MIDI rather than audio data. Could it be the ideal live sequencer, he wonders? | |||
Elka CR99Review | Music Technology, May 1989MIDI Disk RecorderMeanwhile, Elka have called their CR99 a MIDI Disk Recorder rather than a MIDI sequencer. Vic Lennard goes on record with a MIDI sequencer with a few surprises up its sleeve. | |||
Elka CR99Review | Micro Music, Mar 1990MIDI Disk RecorderPaul Overaa looks at a unit about to make a big impact on the MIDI scene - The Elka Orla | |||
One Size Fits AllEditorial | Music Technology, Dec 1990Once a recording studio was a large room lined with futuristic acoustic tiles and filled with impressive equipment; now it could be the corner of a bedroom - it's all a matter of size. | |||
Miditemp MP44 MIDI PlayerReview | Music Technology, Dec 1990MIDI Data RecorderLatest in the emerging trend of MIDI data recorders is MIDItemp's MIDI Player - a composite 64-track sequencer, MIDI processor and patching matrix. Vic Lennard takes on a temp. | |||
Machine HeadInterview | Music Technology, Jul 1991The line between man and machine is blurred; today there exists an entity whose purpose is to make music. Simon Trask discovers that its sights are locked on the dance charts and it absolutely will not stop. | |||
Effective ActionFeature | Topic: MIDI | Music Technology, Jun 1990Outboard signal processors have been sporting MIDI sockets on their rear panels for some time now, but just what can MIDI do for fx and how can you best use it? Vic Lennard patches into processing. | |||
Musicsoft MIDImanReview | Music Technology, Jul 1989MIDI Tape Recorder InterfaceIf the prospect of throwing your computer into the back of a Ford Transit and hauling it on stage every night fills you with dread, the new MIDIMan from Musicsoft might well be the solution. | |||
Programmable Audio PatchbaysReview | Sound On Sound, Apr 1990Peavey MAP8X4, Icon Research APB1Ian Gilby takes a look at two different approaches to the design of a MIDI-controlled audio patchbay: the Peavey MAP8X4 and Icon Research APB1. | |||
Everything You Ever Wanted To Know About System Exclusive - Part 12Feature Series | Topic: MIDI | Sound On Sound, Mar 1990(But Were Too Afraid To Ask!)PART 12: Martin Russ concludes this 12-part series designed to demystify one of MIDI's most important and useful messages. | |||
Everything You Ever Wanted To Know About System Exclusive - Part 11Feature Series | Topic: MIDI | Sound On Sound, Feb 1990(But Were Too Afraid To Ask!)PART 11: Martin Russ explains how he overcame some puzzling MIDI problems on a Kawai R50 drum machine, and takes a SysEx eyes' view of the Alesis DataDisk. | |||
Frontal Lobe & PCM ChannelReview | Music Technology, Apr 1991Korg M1 EnhancementMuch talked about in the US but still unavailable in the UK, Cannon's Frontal Lobe promises a new lease of life for your Korg M1. Gordon Reid asks "does it deliver?" | |||
Everything You Ever Wanted To Know About System Exclusive - Part 4Feature Series | Topic: MIDI | Sound On Sound, Jul 1989(But Were Too Afraid To Ask!)PART 4: Martin Russ provides some solid examples of how to utilise the hidden power of MIDI’s SysEx commands to reprogramme synths on-the-fly and to store snapshots of all your synth and effects patches on disk. | |||
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